Writers: Our Forever-Friends

“Day by day and night by night we were together—all else has long been forgotten by me…”

Walt Whitman, “Once I Pass’d through a Popular City” (Leaves of Grass, 1855)

Whenever I teach a literature course, I tell my students that aside from celebrating their achievements as they master the course content, I have one special hope for each of them. I want them to find one writer who will be their friend. One writer who will never unfriend them as other friends sometimes do. One writer who will be with them through all the storms of life, for a lifetime. A writer who will be a forever-friend.

What I have in mind is similar to the handful of real-life, forever-friends whom we might have, if we are lucky. It’s never many. At least it has never been many for me. I have perhaps one handful of such friends. All right. Perhaps two handfuls who are in the friends-forever category. With us, we’ve shared so many past experiences that even if we have not seen one another in years, when we reconnect, we pick up magically on the same conversation that we were having when we last met, and we do so without missing a beat. Friends. Forever-friends.

Writers can be our forever-friends, too, with an added bonus. We can have lots and lots of them. As we read more and more, we discover more and more writers who might end up as our friends. We like them. We like what they have to say to us. We like how they inspire us. We like how they make us believe. We like how they make us feel…unalone. We like how they heal our…brokenness. Before long, we want to hang out with them. We can. Whenever we want. For as long as we want.

The great thing about writers who are our forever-friends is that when they pop up unannounced and uninvited, it’s never a problem. We don’t have to clean for them. We don’t have to cook for them. And we don’t have to clear our calendars for them. They can tag along with us just as we are. And they will do just that if we let them.

All that we have to do is be attentive, smile when they arrive, and even smile when they leave, knowing that they will come back to visit us again and again and again.

Their arrival coincides with something that we are experiencing that makes us think of something else. It’s the power of association. Robert Frost captures it best:

“All thought is a feat of association; having what’s in front of you bring up something in your mind that you almost didn’t know you knew.”

That’s the beauty of having writers who are forever-friends. Their arrival is based exclusively on what’s right in front of you or something that you’re thinking about. Something that you almost didn’t know you knew.

No doubt, you have your own writers who are your forever-friends, just as I do.

Obviously, I don’t know about yours, but mine visit me multiple times throughout the day, every day without fail. I never know which writers will visit or when. But I go forth daily, confident of being strengthened and girded up by their company.

For example, Walt Whitman shook his silvery locks right in front of me as I was writing this post. I was thinking about the fact that only a snippet of a writer’s work comes to my mind during an association, while all the other details of the work are seemingly long forgotten. Instantly, the lines from Whitman’s “Once I Pass’d through a Popular City” flashed across my mind:

“Day by day and night by night we were together—all else has long been forgotten by me…”

Here’s another example.

When I met with my Creative Writing class for the first time this semester, I had a slap-stick time promoting this blog. It was nothing more than nonsensical banter aimed at entertaining my students, but they picked up on it.

Not long after I managed to restore myself to a modicum of seriousness, one student raised her hand as if to ask a serious question.

“Professor Kendrick, did you say that you have a blog?”

I started laughing, as did the rest of the class.

A little later on, her hand went up again. I was on to her by then, but I was having far too much fun, so I acknowledged her.

“Professor Kendrick, did you give us the name of your blog?”

(When our laughter died down, my forever-friend Edward Albee paid me a momentary visit. He has chummed me since the 1960s when I was in college and he was a controversial Broadway playwright.)

“Very funny! You know, Caitlin, my hell-bent banter to promote my blog to a brand-new group of students, reminds me of the first line from Edward Albee’s The Zoo Story.”

In the play, Jerry approaches Peter, a total stranger, sitting on a bench in Central Park.

I’ve been to the zoo. [PETER doesn’t notice.] I said, I’ve been to the zoo. MISTER, I’VE BEEN TO THE ZOO! 

I was thrilled by Albee’s visit, especially since I was able to share it with my class. He came as he did and when he did because of my dogged determination to tell my students–a group of strangers, if you will–all about my blog. In the process, I remembered Jerry’s insistence on telling Peter, a total stranger, that he had been to the zoo.

My students got it. They saw the association with great clarity.

On another occasion, something similar happened at the start of the same class.

As I drove on campus. I was aware–painfully so–that the grassy, undeveloped acreage all around the college was being gobbled up by townhouses.

At the start of class, one of my students shared the same observation.

In that nanosecond, former United States Poet Laureate Phillip Levine appeared. Immediately, I walked to my teacher station, googled his poem “A Story” and flashed it on the screen for students to see as I read it aloud.

It captures perfectly what my students and I had witnessed with pain that morning.

Levine chronicles the life and death of the woods that once surrounded us and ends with a chilling doomsday prophecy:

where are the woods? They had to have been

because the continent was clothed in trees.

We all read that in school and knew it to be true.

Yet all we see are houses, rows and rows

of houses as far as sight, and where sight vanishes

into nothing, into the new world no one has seen,

there has to be more than dust, wind-borne particles

of burning earth, the earth we lost, and nothing else.

And right now as I typed the above quotation, Canadian singer-songwriter Joni Mitchell popped into my head, chanting a few lines from her “Big Yellow Taxi”:

Don’t it always seem to go

That you don’t know what you’ve got

Till it’s gone

They paved paradise

And put up a parking lot.

My writers–my forever-friends–visit me far more in my alone times than they do when I am teaching or, for that matter, when I am socializing.

Maybe they appear then because they know that in my alone times friends can add a richness to any moment, even ordinary ones.

Ordinary moments like weed whacking. Somehow, I end up doing that chore on Sunday instead of going to church. That’s no big deal to me. I consider myself Spiritual But Not Religious (SBNR). Emily Dickinson must be SBNR, too, because she is always with me on my Sunday morns. Her “Some keep the Sabbath going to Church” overpowers the Stihl noise through all the stanzas, rising triumphantly in the final one:

God preaches, a noted Clergyman –

And the sermon is never long,

So instead of getting to Heaven, at last –

I’m going, all along.

Or sometimes it’s as simple as visitorial moments that occur when reading emails from regular friends who aren’t writers. Recently, a friend who is my age wrote that his hands had grown old. I sensed his sadness and immediately thought of a poem about aging by former United States Poet Laureate Stanley Kunitz: “Touch Me.” It includes the poignant lines:

What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.

One season only,
and it’s done.

[…]

Darling, do you remember
the man you married? Touch me,
remind me who I am.

And then I immediately thought of Ben Speer singing “Time Has Made a Change in Me.” The title alone was touchstone sufficient. And that led me to W. S. Merwin reading his “Yesterday” with the ever-chilling line:

oh I say
feeling again the cold
of my father’s hand the last time

It’s amazing: the rich literary company that embraced me, all because of one single solitary email sent my way!

Sometimes, though, my forever-friends arrive as I try to make sense of all that’s going on in our world. The ongoing COVID pandemic. The invasion of Ukraine. Recent SCOTUS decisions. The January 6 Hearings. Global Warming. Poverty. Food scarcity. Gender inequality. Homophobia. Transphobia. Growing humanitarian conflicts and crises. The 21st anniversary of the 9/11 terror attacks on America.

Need I go on? Sadly, I could. Gladly, I won’t. It’s far too sobering.

But in those dark moments when I find myself spiritually staggering under the weight of it all, I take strength from William Faulkner’s Nobel Acceptance Speech, delivered in 1950 when the world was staggering under the burden of the Cold War:

Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? […] I decline to accept the end of man.  […] I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.

Maybe, just maybe, the need to have writers who are our forever-friends, boils down to nothing more than this. They come regardless of what we are facing. They reassure us that goodness and mercy shall prevail. They remind us to grapple with our soul, to grapple with our spirit.

They come, as Robert Browning came to me just this second, to calm us and anchor us in the full and steadfast belief that despite all the injustices, all the wrongdoings, all the travail, and all the sorrows,

God’s in His Heaven,

All’s right with the world.

Pippa Passes, Song I (1841)

16 thoughts on “Writers: Our Forever-Friends

  1. For me, the forever-friend is not a Frost or a Dickinson or a Browning, or a Whitman.
    But, rather, a lyricist like Joni Mitchell or Neil Pert or The Boss, or countless others. They ease into a simple structure complex reflections and deep insights. Yes, they often borrow heavily from others, but I see that as a homage rather than an appropriation. They enrich my life and open my mind’s eye.

    One such friend is singing in my ears right now. He is Neil Pert. the late great lyricist and drummer from the power trio, Rush. His song is Entre Nous:
    Just between us I think it’s time to recognize
    the differences we sometimes fail to show
    Just between us I think it’s time to realize
    the spaces in between leave room for us to grow

    Like

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