I Hear Educators Singing: Paying It Forward

“Teachers are those who use themselves as bridges, over which they invite their students to cross; then, having facilitated their crossing, joyfully collapse, encouraging them to create bridges of their own.”

Nikos Kazantzakis (1883–1957), Greek novelist and philosopher, best known for Zorba the Greek.

Whenever I think of Labor Day—not just today, the official day of celebration, but at any time of the year—I hear Walt Whitman’s poem, “I Hear America Singing.”

In spirit, it remains one of the most comprehensive and inclusive celebrations of labor I know. Whitman exalts the varied carols of America: mechanics, carpenters, boatmen, masons, shoemakers, wood-cutters, mothers, wives, girls, fellows—

“Each singing what belongs to him or her and to none else.”

Even though Whitman’s intent was to celebrate all labor, I’ve often wished he had stretched his litany further: to nurses and caregivers, to social workers and librarians, to the quiet hands who stock shelves at dawn or clean buildings long after everyone else has gone home. So many vital songs go unsung. And yet, by inference, perhaps he did include them—since he was singing America itself, and since his deepest wish was to be the poet of Democracy, the poet of the people, all people.

I especially wish–maybe with a touch of occupational selfishness–that he had included educators—those whose labor shapes every other voice in the chorus. Educators labor not with saw or chisel, but with patience, persistence, and vision—tools just as demanding as Whitman’s mechanics and masons. Their labor is not confined to the classroom or the clock. For many—certainly for me—it was twenty-four hours a day, seven days a week. I went to bed thinking about my students and woke up thinking about them again. Lessons, endless papers, worries, hopes—and encouragement, too—followed me everywhere. Teaching was never a job; it was a calling that claimed my whole self. Like countless other educators, I gave my students my all—and then more.

Educators also give second chances, ignite new beginnings, and shape futures that might otherwise have been lost.

A day never passes that I don’t think about one or more of the bridge builders who taught me—my third-grade teacher who handed me Robert Frost’s poems and lit a lifelong love of language, or my high school biology teacher who welcomed us to his desk day after day, giving us not just knowledge but his time, his presence, himself. My college and university professors, too, showed me that education was not a finish line but a lifelong pursuit. Their labor was quiet, personal, and lasting.

I know this firsthand. I walked the bridge that educators built for me, and in time I became a builder myself—pouring my own labor into students, carrying them forward just as others once carried me.

And when I needed a bridge of my own, the Virginia Community College System gave me not just one opportunity, but two. In 1998 after I left the Library of Congress, it opened the door for me to finally live my childhood dream of teaching English. And years later, through the Chancellor’s Commonwealth Professorship Program, it offered me something even rarer—a second chance to complete research I had set aside nearly forty years earlier. That truth has reshaped how I see education itself. It’s not only about beginnings. It’s also about returnings. Sometimes, opportunity does knock twice. The Virginia Community College System gave me mine.

It gave me that second chance with Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina. What began as a graduate paper in 1973—sparked by the encouragement of mentors like Calhoun Winton and J. A. Leo Lemay—has at last found its full voice. The forgotten essays of colonial Charleston have their rightful place in American literary tradition, and I have had the rare privilege of finishing the work I once left behind.

That’s why I dedicated Unmasking The Humourist to the Virginia Community College System and its educators:

―For the Virginia Community College System―
───────────────
Dedicated to transforming lives and expanding possibilities throughout its 23 colleges, proving that education is not just about learning, but about unlocking potential, shaping futures, and ensuring that no great idea goes unfinished.

And because words alone weren’t enough, I decided to act on that dedication. I have never forgotten the benefactors—sometimes unseen, sometimes unknown—who helped carry me across my own bridge: from a coal camp childhood to a college classroom, to a professor’s life I once only dreamed of. Their quiet generosity made my journey possible.

All proceeds from the sale of this book
will be donated to
The Virginia Foundation for Community College Education

On this Labor Day, I hear Whitman’s chorus again. It grows stronger, more complete, when we hear the steady song of educators—singing what belongs to them, and to none else. Their song is the bridge that carries not just students, but all of us, forward.

The Albatross Effect: How Letting Go Set Me Free

“Letting go gives us freedom, and freedom is the only condition for happiness.”

— Thich Nhat Hanh (1926-2022; a Vietnamese Buddhist monk and peace activist known for his teachings on mindfulness and compassion.)

It all started a week or so ago. I remember with great clarity that it was on a Monday. I woke up feeling a weight around my neck, something I hadn’t noticed before. It was subtle but persistent, almost like wearing a heavy choker. At first, I tried to dismiss it, thinking it was just a minor inconvenience. But as the hours passed, the weight grew more noticeable. I felt uneasy, as if something was slightly off, casting a shadow over my thoughts.

The next day, the weight was unmistakable. It was heavier than I expected, plus it seemed to be tightening. Simple tasks became more cumbersome, and I became acutely aware of something that I could not escape. The burden started to affect my mood, causing frustration to build.

By the third day, the albatross felt like an anchor dragging me down. I was tired and irritable, and my patience was wearing thin. It seemed to point me toward a deeper problem or unresolved issue that I knew I shouldn’t ignore. Despair started to set in as I tried to identify the problem and figure out how to escape the torment.

Finally, on the fourth day, while relaxing on my deck in the early sunrise, the albatross looked at me, and in that fleeting glance, I saw the source of the nearly unbearable weight. Brace yourself. You might not believe what I’m about to reveal. Here goes. The weight was coming from the blog post that I was working on for the next Monday.

The realization stunned me. Actually, it mortified me. Here’s why. I knew exactly where I was going with the post, and I had drafted more than half of it. But get this. I didn’t like the opening paragraphs. I hadn’t liked them from the start, I kept telling myself day after day that those paragraphs would fall into place as I got closer to the post’s ending.

I was wrong. They didn’t fall into place, and I wasn’t willing to let that albatross hang around my neck any longer. I found myself saying out loud to myself as I sat there, sipping coffee:

“Give it up, Kendrick. Just give it up.”

I didn’t mean that I should delete the draft. I just meant that I should put it on the back burner until its time had come. As soon as I gave it up, the albatross that had become unbearable let go of me and flew away. I felt an immediate sense of lightness and relief. The burden that once felt insurmountable was gone, and I was overwhelmed by a wave of elation. I felt a profound sense of freedom. The contrast between the heaviness of the past few days and the newfound lightness made the relief even more exhilarating. I was finally free.

With the albatross gone, my mind was free to soar, and a brand-new idea for a post came to me immediately, filling me with renewed energy. As I continued sipping my coffee, I cobbled together a really rough draft of what I wanted the new post to become. All day long, I kept the post on my mental backburner. That night, in bed with my Smartphone in hand, I completed the post rather effortlessly and published it the following Monday: When the Heat Is On, Cue the Vacay!

Letting go of the writer’s albatross that had been weighing me down for days allowed me to cue my own metaphorical vacay. Now, here I am sharing my specific challenge and my specific solution, hoping that it will speak to other writers out there. Sometimes, you simply have to let go of an idea that has possessed you if it becomes a deadly weight instead of wings that give flight. Letting go does not mean abandoning. It means putting the idea aside until it calls you back and begs you to give it the attention that you need to give it. The two of you–your idea and you as the writer–are the only ones who will know when the time is right.

For me, it took about two weeks. After When the Heat Is On, Cue the Vacay!, I moved on to “Listening to the Unsaid.” The next week, I returned to my albatross post, and I knew immediately what I needed to do with the first few paragraphs. Whitman and Emerson reached out to my spirit, and as soon as I gave them a home in my post, everything else fell into place for “Digging Deeper: A Gardening Lesson Applied to Life.”

In the end, letting go of the albatross allowed me to discover some new creative wings. By acknowledging the weight and releasing my grip, I freed myself to explore new ideas and approaches.

If you’re a writer, hold on to the truth that I have shared. Sometimes, the best way to make progress is to let go and cue your own vacay–embracing the freedom to create and enjoy the journey.

If you’re not a writer, reflect on this nugget of truth as well. It might help you, too. Just as a writer’s stubbornness can turn a blog post into an albatross, so too can our refusal to release emotional baggage turn relationships into anchors, holding us back from sailing into calmer waters. Or our insistence on controlling every detail turns projects into burdensome backpacks, weighing us down on the journey to success. And what about those stubborn habits we cling to, even when they no longer serve us? Don’t they become the equivalent of a ball and chain, hindering our progress toward a healthier, happier life? In each case, the albatross effect whispers a haunting question: What weight am I shouldering that’s keeping me from soaring? Sometimes, letting go of our personal albatrosses is the only way to find freedom.

Sometimes, we need to let go, not necessarily abandoning our responsibilities or aspirations, but releasing the grip of our ego, our fears, or our need for control. By doing so, we create space for new ideas, new experiences, and new growth to emerge. May we all find the courage to release our albatrosses and let them fly away so that we might discover the liberating power of letting go.