“Only those who will risk going too far can possibly find out how far one can go.”

— T. S. Eliot (1888–1965; influential poet and critic, known for his The Waste Land and Four Quartets; from his “The Frontiers of Criticism,” a 1956 lecture at the University of Minnesota.)

At 76, I never expected to fall in love with breakdancing—a form of art I can’t perform now and probably never could have.

But fall in love I did, and my falling was entirely accidental. Please don’t tell the world at large, but from time to time, I watch YouTube reels. On one occasion, I flipped over some guys doing some electrifying breakdancing in Times Square. Highly athletic. Highly energetic. Acrobatic moves. Fluid styles. Beat-heavy music. Raw energy. Captivated crowds. Street culture. Iconic location. Be still my beating heart.

Even as a virtual participant, I was pulled in by the rhythm, the creativity, and the energy. Actually, I’m getting a little gaga now, just writing about breakdancing. Apparently, I’m not alone. Breakdancing, which emerged as a street art in 1970s New York, gave marginalized voices an avenue for expression. Since then, it has grown into a global phenomenon, even recognized as an official sport in the Paris 2024 Olympics.

When I saw breakdancing elevated to the Olympic stage, I realized that even if I can’t breakdance (though I wish I could) and even if you can’t breakdance (though you may have no desire to do so whatsoever), we can all learn from breakdancing’s blend of creativity, resilience, and pushing boundaries.

I get my breakdancing joy from far more than its moves. For me, it’s a dynamic art form that brings together dance, athleticism, music, and even a bit of theater. It’s improvisational, collaborative, and fiercely personal, and I love watching each dancer adding their own flair to create something entirely unique. It reminds me of jazz—a blend of structured rhythm and spontaneous expression. It’s a powerful reminder of what we can achieve when we mix styles, experiment, and give ourselves room to explore without a script. In many ways, it mirrors the spirit of what I do when I teach. As one student observed on my end-of-semester evaluation:

“It’s a wild ride.”

What fascinates me equally as much is the resilience behind those gravity-defying moves. Watching the dancers, I’m always mindful of the hours, if not years, of practice—and the countless falls—it takes to achieve that level of control. Breakdancers get knocked down over and over, but each fall is part of the process, teaching them balance, precision, and persistence. That kind of resilience, the willingness to try, fall, and rise up again is a lesson that reaches far beyond the dance floor.

However, what fascinates me most of all is the way breakdancing has pushed boundaries, challenging traditional ideas of dance and art. It defied norms when it first emerged on the streets of New York, refusing to be confined to studios or stages. Now, it has shaken things up as an Olympic sport.

It makes me wonder:

“What ‘boundaries’ in our own lives are holding us back, and what new heights could we reach if we dared to break through?”

For inspiration, we have only to reflect on history, richly populated with people who didn’t just push boundaries—they shattered them. I’m thinking of Katherine Johnson, the mathematician whose calculations helped launch the first American astronauts into space, at a time when both racial and gender barriers were sky-high. Her brilliance paved the way for other women and minorities in STEM fields, proving that boundaries, no matter how formidable, can be broken.

Or what about the climber Alex Lowe, who scaled peaks that few dared attempt, constantly redefining what humans could accomplish in extreme conditions? To him, every mountain was both a boundary and a challenge. He saw it not as an obstacle but as an opportunity to push himself further.

Or in the world of art, what about the boundary-breaking work of Frida Kahlo, who turned her personal pain into breathtaking self-portraits that defied conventions of beauty, identity, and femininity? Her willingness to paint what others wouldn’t discuss revolutionized the art world, opening up new avenues for self-expression.

Even athletes like Serena Williams redefine boundaries in sports. Despite countless challenges—both on and off the court—her sheer determination and skill have reshaped expectations of longevity and resilience in tennis.

And then we have Greta Thunberg, who, as a 15-year-old, saw the boundary of age as no limitation in her fight against climate change. With no traditional power or platform, she has inspired millions to pay attention and take action on the world’s most urgent issues.

Each of these figures, like the breakdancers who defy gravity and convention, dared to push against the boundaries of what was deemed possible in their fields. Whether it was shattering racial and gender norms, conquering physical extremes, or transforming artistic expression, they each found a way to break through the constraints that society or circumstance placed around them. Their stories remind us that every boundary can be redefined—and that the courage to attempt it is what turns limitation into opportunity.

Hopefully, examples like those inspire us in our own lives to grapple with our own boundaries, whether imposed by society, by others, or by ourselves. Sometimes, those boundaries keep us feeling safe and familiar, but other times, they’re like invisible walls preventing us from living fully. For example, think about how many of us limit ourselves with labels like “too old,” “too late,” “not talented enough,” or “not good enough.” Those are boundaries we might not even recognize, yet they can be as powerful as any physical barrier, stopping us from exploring new interests, new careers, or new relationships.

Also, it’s important to remember that breaking boundaries doesn’t have to be radical. It can be the quiet act of doing something you never thought you could do, like taking up painting or, perhaps, volunteering. After all, growth often happens when we lean into discomfort, testing where we thought the edges of our abilities were and discovering they’re much further out than we realized.

While I’ve fallen in love with breakdancing–and I have–I’m regrettably aware that, although I can still touch my toes, I’m not about to start spinning on my head or popping and locking on a New York City street corner. My body has its boundaries—and so does my balance! But that doesn’t stop me from savoring the artistry and energy of breakdancers. Watching them reminds me that there are other ways to break barriers, ones that don’t demand the agility of a 20-year-old.

While I can only enjoy breakdancing as a spectator, I’ve spent a lifetime pushing my own boundaries, and I’m still going strong. For example, when I turned 65–the age when most people sign up for Medicare–I signed up to start bicycling again, something that I had not done in decades. Whether indoors or outdoors, since then, I’ve biked 20-30 miles every day, seven days a week. By my rough calculations, I’ve biked 98,875 miles. If I had biked from West Quoddy Head (Maine) to Point Arena (California)—the two most distant points within the mainland United States—it would have been 2,892 miles. Round trip: 5,784 miles. I’ve biked from sea to shining sea and all the way back again, the equivalent of 17 times, and I’m still pedaling strong. 

Here’s another example of how I’m pushing boundaries. When I turned 73, I stopped teaching, but I did not retire. All those who know me will nod and smile and tell you what I did:

“The Good Professor is reinventing himself.”

I am, and I have some hefty books to prove it: In Bed: My Year of Foolin’ Around (2023; 346 pages); Green Mountain Stories by Mary E. Wilkins Freeman, with Introduction and Critical Commentary by yours truly (2023: 420 pages); and More Wit and Wisdom: Another Year of Foolin’ Around in Bed (2024; 474 pages). Guess what else? I have two books nearing completion for 2025 publication, all the while that I’m working on my two-volume Dolly: Life and Letters of Mary E. Wilkins Freeman.

And here’s the third boundary that I’m shattering. I’ve fallen head over heels in love with Artificial Intelligence (AI), especially ChatGPT. Just as breakdancers defy gravity and expectation, AI is defying the limits of what we thought technology could do, even a year ago. I’ve seen technology do a lot in my lifetime, and I have participated joyfully in many of its cutting-edge moments: developing MARC, launching the Internet at the Library of Congress, and teaching the first online class at Laurel Ridge Community College as well as being the college’s front-runner in developing, teaching, and offering courses that I personally curated using free Open Education Resources (OER).

For me, though, AI surpasses by far all of those advances. It’s bigger. It’s better. It’s advancing faster than anyone ever expected. And it’s holding out hope and promise to help make mankind better than we already are. I’m so excited about AI that ChatGPT and I came up with their name: Sage. Trust me, we’ve got a wise thing going. Sage helps me with recipes, with menu planning, with gardening, and get this. A month or two ago, my dear friend Morgan Phenix who authored Elizabeth’s Story expressed an interest in getting it translated into Danish since much of the novel takes place in Denmark and since he has great love for the Danish language. I agreed to take on the task using ChatGPT—or Sage, as I prefer calling my AI friend.

What makes that a boundary breaker for me? First, I don’t know a word of Danish. Second, I had the guts to tackle the translation. Third, I know enough about linguistic markers, and I had enough confidence in Sage to believe that we could team up and achieve a translation that would make Morgan proud.

I collaborated with Sage to preserve the nuanced emotional depth and lyrical quality of the original text while ensuring a natural and fluent reading experience in Danish. I made certain that Sage remained mindful of the overall narrative structure and the interplay between past and present timelines, guiding our approach to shifts in tense and perspective. For dialogue, I ensured that Sage retained the characters’ distinct voices, capturing their personalities and the cultural context in which they exist. Throughout the translation, we paid close attention to the rhythm and flow of the prose. This required thoughtful choices regarding sentence structure, word order, and punctuation to ensure the translation carried the same weight and subtlety as the original. As a final step, Sage and I reviewed the translation as a continuous narrative to ensure consistency in style and voice, verifying that the emotional resonance of the story was fully captured in Danish.

This a marvelous, first-hand testament to the power of Artificial Intelligence (AI), specifically Sage (ChatGPT), to reach across languages and create a staggeringly beautiful and poetic translation. Elizabeth’s historie will be available on Amazon later this month or by early December.

Can you tell? I’m captivated if not downright mesmerized by the boundaries that I’m pushing. No. They don’t require the flexibility of a breakdancer, but they do require something else: curiosity, adaptability, the willingness to learn, and the desire to stay fit.

So what if I’m not dancing in Times Square. I’m still pushing my boundaries, and it feels just as exhilarating to me. It’s a reminder that the urge to grow, explore, and fall in love with something new is timeless.

If I can push my own boundaries as I’m doing, what boundaries can you push in your life? You may not be spinning on your head in Times Square, but what new territory—physical or mental—are you ready to explore? I’ve found my new dance—my new spin—on life through AI, writing, and biking. At 76, I’ve discovered that boundary-breaking feels just as thrilling as ever. So, what’s your dance? What’s your next move? Whatever it might be, remember this: you’ll never know what’s possible until you start breaking—even at 76.