“The universe is not outside of you. Look inside yourself; everything that you want, you already are.”

–Rumi (1207–1273; Persian poet, scholar, and mystic whose timeless works explore themes of love, spirituality, and the interconnectedness of all things.)

I don’t have a farm, and I’ve never had one. But these days, I’m feeling like Old MacDonald himself. Patterns surround us, after all—sometimes playful and sometimes profound—and lately, the rhythm of that old nursery rhyme keeps echoing in my mind:

Old MacDonald had a farm
Ee i ee i o
And on his farm he had some cows
Ee i ee i oh
With a moo-moo here
And a moo-moo there
Here a moo, there a moo
Everywhere a moo-moo

By the time I listen to the cows, chickens, ducks, pigs, and all the other animals that have wandered into the song since it started in 1706, I’m always left wondering what animal sound I’ll hear next.

But these days, I’m feeling like Old MacDonald not because of the animals I don’t have but because of the numbers I do. They’re everywhere—so much so that my version of the rhyme might go like this:

Old Man Kendrick saw some numbers
Ee i ee i o
And in those numbers, he found great calm
Ee i ee i oh
With a one-one here
And a two-two there
Everywhere a three-three

Those numbers aren’t just any numbers. They’re palindromes–they remain the same when reversed, like 121. We all see them, and usually, it’s not anything to write home about. However, I wrote about them once in “Take Three | Living With a Writer: Owning Up to My Own Eccentricities.” In that post, I mentioned my fascination with palindromes.

Some of you might be saying:

“They’re just numbers. After all, the brain is wired to notice patterns.”

Some days I’m saying the same thing.

Or some of you might be thinking:

“What you’re experiencing with those numbers is synchronicity–the universe lining things up in a way that you can’t ignore. So, sit up and take notice.”

Some days, I’m thinking the same thing because I’m a big believer in synchronicity. I could point to endless examples in literature. Surely, you’ll remember that moment in Edgar Allan Poe’s “The Raven” when the narrator perceives an external presence—seraphim swinging a censer—as he grieves and longs for his deceased Lenore:

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.   

The seraphim seem to offer grace and comfort—a chance to shift perspective. Yet instead of accepting it, the narrator clings to despair, choosing to fixate on the raven’s ominous “Nevermore.”

Or consider Sarty in William Faulkner’s “Barn Burning.” His inner conflict aligns with external signs and moments. The flickering fires, the repeated moral choices, and the final break from his father feel like synchronistic echoes guiding him toward a moral path, despite his family’s destructive tendencies.

And in Raymond Carver’s “Cathedral,” the narrator’s transformation during the drawing of the cathedral feels like a moment of deep synchronicity. His inability to “see” spiritually aligns with the blindness of the visitor. As they draw the cathedral together, there is a sense that the universe orchestrates this connection to lead the narrator toward personal growth.

These moments in literature remind me that synchronicity often acts as a mirror, reflecting back a truth we’re ready to see. They resonate because, like the seraphim in “The Raven” or the blind visitor in “Cathedral,” I’ve experienced moments where something beyond myself seemed to nudge me toward clarity.

But what’s happening with the palindromic numbers that have taken up residence with me is different. This feels deeper and more personal. This feels gentle, steady, like footsteps in alignment with my own, affirming my path.

It all started back in November when I reached my palindromic birthday of 77. I chuckled when I saw it coming—it wasn’t my first palindromic birthday, of course, but something about 77 felt especially auspicious. Since then, palindromic patterns haven’t just appeared occasionally; they’ve settled in, becoming a quiet rhythm in my days.

It’s not just the random glance at the clock showing 3:33 or the odd receipt totaling $22.22. These numbers have become more consistent, almost as if they’ve found a permanent rhythm in my life. The day after I made a tough decision, the clock read 12:21—a subtle nudge from something beyond myself. Later, after a longer-than-usual bike ride, I checked the dash: 22.2 miles. By then, I was already tuned in.

They’re not asking me to figure something out, nor are they pointing to some hidden treasure or cosmic secret. Instead, they light up the small corners of my day, asking only to be noticed and appreciated. License plates, receipts, random book pages—they all flicker with symmetry, mirroring something steady and affirming.

Last week, the numbers seemed to crescendo, appearing almost everywhere in one single, solitary day: 444, 717, 505, 808, 919, 404, 414, 555, 88 1111, 404, 111, 212, 414, 444, 555, 77, 44, 212, 515. It felt like a boisterous celebration, arranged by the universe—not for my analysis, but simply for my acknowledgment.

These patterns aren’t luring me toward some great revelation. Instead, the numbers feel still—like standing in the center of a room, with mirrors reflecting me from every angle, reflecting where I stand.

And in that reflection, I feel something that I wasn’t seeking and hadn’t expected—affirmation.

I’ve spent a lot of my life chasing after answers, but this feels like the opposite. The palindromes don’t feel like questions at all. They feel like handshakes from the universe, soft and steady, offering no demands—just quiet reassurance. They’re not saying, “Keep going,” or “Turn around.” They’re saying quite simply, “You’re already here. And it’s enough. All is well.”

I might not have cows or chickens, but I have these numbers. They’re mine, and they’re here, there, and everywhere—soft reminders that I’m two-stepping with the universe. Frankly, I wouldn’t trade my handshakes from the universe for all the moo-moos in the world. These quiet handshakes remind me that I’m exactly where I need to be. And isn’t that enough?