Unmasking The Humourist. From Colonial Shadows into Modern Light

“The pursuit of historical truth requires rigorous attention to evidence, but also imagination—an ability to see beyond the silences.”

Eric Foner (b. 1943), Columbia University historian and Pulitzer Prize–winning author of The Fiery Trial.

It began with a clue. A slip of language. A name tucked too neatly into silence.

For years, The Humourist was one of colonial America’s most compelling mysteries: a sharp, satirical voice that burst onto the front page of The South-Carolina Gazette in 1753 and 1754—then disappeared without a trace.

No signature. No farewell. Just a trail of dazzling essays and a question no one could quite answer: Who was he?

What followed, for me, was part scholarship, part sleuthing. I tracked language patterns, pored over wills, newspapers, shipping records, and marginalia. I followed leads from Charleston to Edinburgh and back again. And finally, I solved the puzzle, and the answer emerged:

Alexander Gordon—a Scottish-born antiquarian and early Egyptologist, who would eventually serve as Clerk of His Majesty’s Council in South Carolina. A man educated in Enlightenment thought, fluent in satire, and bold enough to take aim at power in a bustling port city where reputation was currency.

The mystery is solved. But Unmasking The Humourist doesn’t just name the man—it restores his voice.

This authoritative and definitive edition brings Gordon’s essays back into circulation for the first time in nearly 270 years, fully annotated and critically framed, with a scholarly introduction that explores Gordon’s identity, influences, and the forces that led to his disappearance from literary memory.


Why These Essays Matter

The Humourist columns are more than colonial curiosities. They are early American satire at its finest—witty, incisive, and rich with transatlantic influence. Gordon’s essays place Charleston on the literary map, not as a provincial outpost, but as a vibrant participant in the Enlightenment-era conversation about politics, identity, and the press.

This book marks a breakthrough in how we understand the American essay tradition. It challenges the idea that colonial literature was all sermons and pamphlets. Here, we meet a writer who was sharp, worldly, and unafraid to poke fun at hypocrisy—whose pen was as powerful as any pulpit or platform of his day.


A Milestone Moment

Today, I submitted the final corrections to the publisher, along with keywords, pricing, and metadata. The next step is the printed proof—then, in due time, the book itself.

It’s a strange and beautiful feeling. Emily Dickinson said it best:

“After great pain, a formal feeling comes.”

This project has spanned decades. It has taken me deep into archival records, across centuries of silence, and finally into the steady light of historical clarity.

And Now?

I’m proud to share the cover—front and back. Because The Humourist, like all great stories, deserves both.

Launch Details?

Not quite yet. But soon. The typeset is locked. The voice is ready.

This fall, a long-lost satirist steps out of the colonial shadows—and into the modern light.

The Humourist Nears the Light

“To publish is to make knowledge public, to assert its value, and to offer it up to the judgment of the world.”

–—Robert Darnton (b. 1939), American cultural historian of the Enlightenment and former Director of the Harvard University Library; renowned for his work on the history of the book and 18th-century France, including The Literary Underground of the Old Regime and The Case for Books.

Surely, you’ll remember the groundbreaking work I finished earlier this year on one of the greatest literary mysteries in early American history.

The Humourist—a sharp-witted, enigmatic essayist whose satirical columns lit up the front page of The South-Carolina Gazette in 1753 and 1754—had been lost to time, his identity buried beneath centuries of silence.

Through meticulous research—poring over newspapers, historical records, forgotten manuscripts, and overlooked clues—I solved the mystery, unmasking the man behind the essays: Alexander Gordon. His identity, his world, and the forces that led to his disappearance are now fully revealed.

I shared that discovery through this blog, but solving the mystery was only the beginning. The real work—the restoration—was still to come.

Now, after years of refining that research, the book I’ve long envisioned is finally becoming a reality.

Yesterday, I received the first proof of the book’s interior pages. Looking at them is more than a thrill—it is validation. These pages mark the first step toward publication and the return of a long-silenced voice.

Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina is not just a rediscovery. It is a scholarly edition that restores one of the most significant—but overlooked—literary voices of colonial America. The essays appear in full, meticulously annotated and contextualized, accompanied by a critical introduction that explores Gordon’s identity, influences, and legacy.

Why This Book Matters

This is more than the story of a forgotten writer. It’s about:

● The literary landscape of colonial America and its deep connections to the English essay tradition.
● The power of satire to shape public discourse—even in a bustling port city like Charleston.
● The intimate intersection of literature, politics, and history, as seen through the eyes of a writer who was both observer and insider.

For the first time, The Humourist’s essays will step out of the yellowed pages of The South-Carolina Gazette and into the full light of historical and literary analysis.

The Book Will Arrive This Fall

This carefully curated edition will include:

● All of The Humourist’s essays, fully annotated.
● A critical introduction grounded in original scholarship.
● Historical and literary commentary that situates Gordon in both local and transatlantic traditions.
● A call for further scholarly attention to this long-overlooked voice.

Stay Tuned

In the coming months, I’ll be sharing exclusive glimpses into the publication journey, from typesetting to launch. The return of The Humourist is well underway.

The mystery was solved long ago. But this fall, the voice that once stirred Charleston will speak again—with clarity, context, and a proper name.