An Open Letter to a Sudden Surge

The MtnHouse
December 11, 2025

Dear Sudden Surge,

You took me by surprise again this morning. As always, when I awakened, I checked my Fitbit to see how my heart did overnight. Then I checked WordPress to see how my readers were doing.

And there you were. Another thousand views. A quiet jolt to the chart. Numbers climbing when I wasn’t looking.

You’ve been dancing higher and higher since October, when I passed 15,000 and figured I’d reached my high-water mark. I even wrote a piece of thanks back then, thinking I’d said all there was to say. But now here we are—December 11th—and this little corner of the internet has gathered 25,053 views.

I’ve done nothing different. I have no flashy headlines. I have no trending hashtags. I just keep following the same rhythm: writing essays born from memory in a home filled with love. I just keep foolin’ around with words and ideas.

So why now, after all these years?

That question hangs gently in the room with me. It’s not demanding an answer. It’s simply inviting a reflection. Maybe something shifted in the writing. Maybe it’s more expansive. Maybe it’s more lived-in. Maybe it’s a voice carrying a steadier warmth now. Maybe it’s grief that’s softened into grace. Maybe it’s love that arrived not with fanfare, but with a quiet hand stretched out in invitation. Maybe it’s all of those things. Maybe. And add to all those maybes one more. Maybe it’s readers sharing with readers.

Gary, of course, doesn’t ask to be written about. But his presence is here, between the lines, in the patience of a paragraph, the steadiness of tone, the way I’ve learned to let silence do some of the talking.

Ruby, on the other hand, insists on being written about, whether she’s nosing me away from my smartphone or curling up in solidarity as I revise for the twenty-fifth time. She is, as always, the keeper of the tempo, the mistress of the move.

So this isn’t an open letter to public stats. It’s a letter to something deeper. It’s a letter to what it means to keep writing when no one’s watching, and then to wake up and find that someone was.

My essays aren’t meant to dazzle. And I know: they don’t. They’re just small acts of holding up the light, one weekly reflection at a time. The fact that they’re being read, now more than ever, tells me something I didn’t expect: quiet honesty still finds its way.

Thank you, Sudden Surge, for reminding me that patience has its own reward, that consistency is a kind of faith, and that somewhere out there, readers are still pausing to linger with a slow essay from the mountain.

I don’t know what this upturn means, or where it leads. But I do know I’ll keep showing up with my smartphone in hand and love at my side.

Wired with wonder and gratitude,
Brent

The Shape of a Surge

Looking Back on the Outer Edge of Forever

“The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.”

Marcel Proust (1871–1922). from his The Captive (1923), the fifth volume of his seven-part masterpiece In Search of Lost Time. Proust’s exploration of memory and perception reshaped modern literature.

Somewhere I saw it. Everywhere, maybe. Nowhere? Wherever—it grabbed hold of me and wouldn’t let go.

It was the gripping question:

“What would you tell your 18-year-old self?”

It lingered—since forever. Or yesterday? Either way, one morning not long ago, I tried to get rid of it by tossing it out to others—as if the orphaned question might leave me alone once it found a new home.

The replies were as varied as I expected, and as humorous and matter-of-fact, too:

“Buy stock in Apple and Amazon.”

“Be good at life; cultivate a well-rounded lifestyle.”

“Be patient; trust in God.”

“Serve God better.”

“Stay young; don’t age.”

“Be friends with your mom. Spend more time with family. Don’t let important things slide.”

“Don’t worry about impressing anyone other than yourself.”

Almost always, their offerings included a request to hear what I would have told my 18-year-old self. As a result, the question dug itself more deeply into my being, as I stalled by answering:

“I’m still thinking.”

It was true. But I knew I had to answer the question, too, not for them, but for me.

Several possibilities surfaced.

The first was rather light-hearted:

“You don’t have to have it all figured out. Just stay curious, kind, and honest. Don’t waste your energy chasing approval. Learn to cook, listen more than you talk, and remember: dogs and good people can tell when your heart’s true. Oh, and wear sunscreen.”

I dissed it immediately (though it carried some truths). Then I came up with:

“Don’t rush. The world will still be there when you’re ready to meet it. Pay attention to seemingingly insignificant things. They’re where meaning hides. Keep your humor close and your integrity closer. Fall in love, but don’t lose yourself in the process. And when life hands you a fork in the road, check which one smells like supper.”

I didn’t like that any better, though it, too, spoke truth. I was certain I could nail it with a third attempt:

“You think you know who you are right now, but you’re only meeting the opening act. Be kind. Be curious. And don’t confuse noise for meaning. The world rewards loudness, but grace whispers. Listen to that whisper. It’s you, becoming.”

Then six words sauntered past, not so much tinged with regret as with remembrance. Six words. Six.

“Be a citizen of the world.”

Those words had crossed my path before. In fact, I remember exactly when—not the actual date but instead the general timeframe and the location.

It would have been in the early 1980s, when I was working at the Library of Congress. I was standing in the Main Reading Room of the Jefferson Building, as captivated by its grandeur as I had been when I first started working there in 1969.

Above me, light spilled through the dome like revelation. Gold, marble, and fresco conspired to make the air itself feel sacred, as if thought had taken on architecture. Beyond those arches, knowledge waited in silence, breathing through pages and time.

Even now, I can close my eyes and see it: the way the dome seemed to rise into forever—an invitation, a reminder—that the world was larger than any one life, and I was already standing in the heart of it.

As an editor of the National Union Catalog, Pre-1956 Imprints—the “bibliographic wonder of the world”—I knew every alcove, every corridor, every one of its 532 miles of bookshelves, holding more than 110 million items in nearly every language and format. I had walked those miles over and over again doing my editorial research. I had come to learn that knowledge knows no barrier. I had come to learn that it transcends time and place.

At the same time, I decided that I could transcend place, too. With my experience and credentials, I began to imagine working in the world’s great libraries—first the Library of Congress, then The British Library, then the Bibliothèque Nationale de France, then the Biblioteca Nazionale Centrale di Roma.

I didn’t know where the journey would end, but it gave me a dream, a dream of being a citizen of the world of learning.

More than that, it was a dream untainted by pretense—never by the notion of being uppity. Instead, it was a simple dream. I figured that if I had made it from the coal camps of West Virginia to the hallowed halls of our nation’s library, I could pack up whatever it was that had brought me that far and go throughout the world, savoring knowledge and learning—and perhaps, over time, gaining a smidgen of wisdom.

But here’s the catch. If transcending geography is the measure of my dream’s fulfillment—the wanderlust, the scholar’s yearning for marble floors, old paper, and the hum of languages not my own—then, at first glance, I failed. I never made it to any of the world’s great libraries except the Library of Congress.

However, as I look back through my life-lens of 78 years come November 20, I realize that maybe I went beyond the geographic destinations that I set for myself.

I went from the mountains of West Virginia to the monuments of D.C., from there to the marshlands of South Carolina where I earned my Ph.D., from there back home to the monuments, and, from there, at last, to the Shenandoah Valley and college teaching that took me internationally via Zoom and tapped into Open Educational Resources that did away with the restrictive border of printed books.

In a sense, then, although I didn’t cross country borders, I crossed the borders of ideas, with my voice carrying me farther than my feet ever needed to.

I’ve managed to live generously, teach across generations, write with empathy, research with joy, garden with gratitude, cook with curiosity, and love with intentionality. In all of that, I have been that citizen of the world—not by passport stamps, but by curiosity. By compassion. By connection.

Maybe that’s the truth I’d offer my 18-year-old self:

“You don’t have to travel the world to belong to it.
You only have to live with your eyes open.”

Lifted Higher and Higher

“Stories are the communal currency of humanity.”

—Terry Tempest Williams (b. 1955. American writer and environmental activist whose lyrical essays explore the intersections of personal narrative, place, and ecological stewardship.)

Something snuck up on me yesterday.

I was talking on the phone with my 90-year-old sister when I glanced down at my smartphone, saw my WordPress dashboard—and nearly did a spit take.

Over 15,188 views this year already!

That’s already more than all of 2024, and we still have October, November, and December to go. Apparently, my little mountain corner has gone global again—and I couldn’t be more grateful.

To every one of you, My Dear Readers, who reads, comments, shares, or quietly lingers over a sentence or two: thank you. You’ve turned this space into a community of curiosity, compassion, and laughter. Every click, every view, every thoughtful message reminds me that words still matter—and that connection runs deeper than algorithms.

Your Top 10 Favorites of 2025 (So Far)

Every year tells its own story through what readers choose. This year’s list made me smile. It’s a mix of reflection, resilience, and rediscovery—with a dash of irreverence (because, well, it’s me or Poor Brentford Lee or maybe both).

“I Am Afraid” — A wake-up call for our country—and a reminder of who we still can be.

“The Place: Charleston” — The launch of my Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina.

“Redbuds of Remembrance” — Even loss can bloom in the right season.

“FramilySaid™: For When Family Isn’t Enough” — A reminder that your worth doesn’t need a witness. Show up for yourself.

“Rise Up with Words. A Declaration for Our Troubled Times” — In these politically charged times — when so many people feel hopeless, unheard, and unseen — words matter more than ever.

“My Altar Ego” — “‘I be fabulous. You be fabulous, too.”

“The Rust Whisperer” — Aging is a journey filled with yearnings. To arrive. To become.

“What Could $40 Million Do—Besides Fund a Parade? A Love Letter to Priorities (with a Side-Eye to A Spectacle)” — History is watching. Are you?

“A Week Back to the Future” — How my sister’s Remington Rand typewriter changed my life.

“Finding Love Later in Life—Baggage and All” — Proof that love comes to those who believe.

Looking Ahead

There’s still more to come before year’s end—new essays, reflections, maybe even a few surprises that have been sitting in my drafts waiting for the right moment. Perhaps even one or two guest posts by our famed and acclaimed Poor Brentford Lee.

I can’t promise I’ll always be profound, but I can promise I’ll keep showing up with authenticity, honesty, humor, and heart.

Thank you, My Dear Readers, for being here, for reading, and for reminding me—every day—that a single voice can still find an echo.

FramilySaid™: For When “Bless Your Heart” Isn’t Enough

Benjamin Franklin had Poor Richard.
TheWiredResearcher now welcomes a guest contributor:
Poor Brentford Lee,
who has agreed to sanctify our troubled times
with a bold mix of satire and sass.

Approved by ole Ben Franklin.
Improved by Poor Brentford Lee

“Forgiveness is divine—but FramilySaid™ is faster and comes in gummable gummies.”

-— Poor Brentford Lee (b. 1947). Unlicensed. Unfiltered. Unapologetically adopted.
Known for saying the quiet part loud, he’s back by popular demand (and at least one cease-and-desist letter). Seasoned expert in nothing but experience. Sourdough connoisseur. Self-declared inventor of emotional supplements. Hangs out somewhere between a heavenly blessing and A HOMEMADE biscuit (preferably sourdough).

Years and years ago, in one of my brilliant moments—you know, the kind that arrive somewhere between misplacing your glasses and finding your purpose—I concocted a miracle elixir. An emotional balm. A psychological salve. A chewable sacrament.

And I’m convinced—when it’s finally patented, mass-produced, and widely distributed—it will relieve the world of all its wounds and arrows of outrageous fortune.

Or, at the very least, it will help you forget them for a little while. And really, isn’t that what the world needs most right now? Not advice. Not enlightenment. Not deep therapy.

All you need is Forgetfulness.

Chances are good that if you’re reading this—and have not forgotten—you’re an Oldie-Goldie who still remembers when love was all you needed, and your hips didn’t pop when you bent over.

But friend, times have changed. Now what the world needs isn’t just love—it’s a little bit of blessed, blissful forgetfulness.

So in the spirit of rock legends and gospel truths, I offer you an updated version of the Beatles’ classic. Hum along. Or gum along. Or just pretend you know the tune and clap on the offbeat:

All You Need Is Forgetfulness (Redux)
(with apologies to Lennon & McCartney—and gratitude, too)

There’s nothing they can say that can’t be un-heard
No shame so deep it can’t be deterred
No burn so old it can’t be un-spurred
You can let it go

All you need is forgetfulness
(Da-da-da-da-da)
All you need is forgetfulness
(Sing it like you mean it)
All you need is forgetfulness, forgetfulness
Forgetfulness is all you need

(Slide whistle optional. Biscuit in hand, sourdough preferred.)

Yep. That’s it. All you need is forgetfulness. Not the kind that sneaks up on you in your golden years, when you can’t remember who you bit when you meant to kiss or where you were going with your pants unzipped or where you’ve been with a bowl of popcorn when you went to get strawberries. No—I’m talking about on-demand forgetfulness. Reliable, immediate, with controlled-release options for holidays, family reunions, and any Sunday when your phone rings before you’ve had time to check your Fitbit to make sure you made it through the night.

That, My Dear Readers, is where FramilySaid™ comes in.

They mean well. They always do—those “bless your heart” people. But sometimes, what your framily says can lodge itself right in the soft tissue of your soul, like a splinter from the communion table.

That’s why I made FramilySaid™—not FDA-approved (yet), but clinically proven (by yours truly) to dull the sting of being emotionally ignored by people who should know better. In gummable form, naturally.

A Quick Word about the Name.

FramilySaid™ is exactly what it sounds like. It’s a mountain prof’s fusion of friends, family, and the things they’ve said—bless ’em.

Because sometimes, it’s the people closest to you (by blood—or, in my case, by adoption—history, or shared casserole) whose words linger just a little too long. Who don’t mean to hurt you but somehow do. Who support you privately … but not publicly. Who say “I love you” but never with the clincher: “just the way you are.”

When they speak and zing you with their petty little barbs? FramilySaid™ can help you. Un-hear it. Un-feel it. Un-bother yourself entirely.

A New Kind of Relief.

I developed this product in a dimly lit, emotionally unstable lab located precisely between my kitchen and a moment of near-epiphany. FramilySaid™ is the first over-the-counter solution specifically designed to help you temporarily forget your people. Not all of them, bless ’em. Just the ones whose “support” lost all its elasticity because you’re doing all the emotional heavy lifting.

Get this. FramilySaid™ is so hip that it comes in gummy form. Flavors include Denial-Drop Cherry and Emotional Support Butterscotch. Easy to chew. Easy to swallow. No dentures? No problem. Just gum it and go.

I just heard a panicked soul (bless their heart) blurt out:

“How can I get me some?”

Well, bless your little heart. It’s so simple. Go online–or use your phone app–and in just a few clicks you’ll be consulting with a doctor named “Jeff” who is definitely certified but not necessarily licensed. Within days or maybe even as soon as yesterday—Poof! A discreet brown package arrives at your door—just like your sex toys arrive, but with more dignity—and fewer batteries.

Anyway, from that point forward, you’ve got protection from friends and family. Take FramilySaid™ when the text message lands wrong. Take it when the smile feels fake. Take it when someone who “loves you no matter what” leaves your partner off the guest list.

Take it. Just take it. Now, that wasn’t so bad, was it.

Now go ahead. Swallow your truth with a buttery sourdough biscuit, included free, one for every FramilySaid™ gummy included in your order. Remember: Cheaper by the Baker’s Dozen.

Now breathe. Breathe again. You’ve got this.

Situations When You Might Need a Gummy.

Situation #1. You call with good news—any kind of news, really—and they respond with:

“Oh, that’s… nice.”

You smile politely. Take a FramilySaid™ gummy. Let the world blur at the edges.

And what would Poor Brentford Lee do? Why, he’d just sigh and say:

“Law me, child…”

And then he’d smile sweetly, fold his napkin with precision, and add demurely:

“Well, bless your little pea-pickin’ heart. Would you pass the sourdough biscuits?”

Situation #2. You share something meaningful—a photo, a milestone, a moment—and get nothing but a thumbs-up emoji.

You chew slowly. Cinnamon apathy floods your tongue.

And what would Poor Brentford Lee do? He’d lean back, fan himself once, and say:

“Why, don’t you worry that pretty little head of yours nary one bit.”

Then, with that same cool smile, he’d add:

“Well, bless your little heart. Would you pass the sourdough biscuits? I need me ‘nuther one”

Situation #3. You confide in someone you thought might be a safe space. Instead, they tilt their head like a golden retriever hearing static and say:

“Well, as long as you’re happy.”

You double your dosage and erase five awkward conversations from memory.

And what would Poor Brentford Lee do? Why, he’d just sigh and say:

“Law me, child… we are officially rationing warmth now.”

And then he’d smile sweetly, fold his napkin precisely, and add demurely:

“Well, bless your little heart. Them sourdough biscuits sure are good. Can I have just one more? Not the whole basket. Thank you kindly.”

Situation #4. Someone finally asks:

“How did you two old geysers meet anyway?”

But get this. Their tone sounds more like a customs agent than a curious soul.

You suddenly feel like a suspect in your own joy. FramilySaid™ softens the interrogation.

And what would Poor Brentford Lee do? He’d lift one eyebrow, cross his silverware, and murmur:

“Law me, child. Love ain’t no interview.”

Then he’d smile–all teeth, all grace–and whisper at his loudest:

“Well, bless your little heart. I think I’ll have another sourdough biscuit—maybe two if you’re feeling generous.”

Situation #5. On one of your hardest days ever in your entire ancient life, you look up at the sky—not metaphorically, but really look—and ask:

“God? Really? After all I’ve done to live with grace, to love deeply, to forgive… and this is still where I land?”

That’s when you reach for the God-level dose. FramilySaid™ won’t answer the prayer. But it will quiet the ache long enough for you to refill your hope.

And what would Poor Brentford Lee do? He’d blink once, breathe deep, and say,

“Law me, child. Even Heaven can ghost you sometimes.”

Then with a reverent nod upward:

“Well, bless your eternal heart. Hand me a biscuit. The everlastin’ kind.”

™ … ™ … ™

Final Notes from the Founder.

Every time you take FramilySaid™, you’ll forget for a spell. You’ll feel better for a spell.
Might smile, hum a tune, maybe even whistle while folding your fitted sheets.

But eventually—inevitably—you’ll sit real still. And your heart will tap you on the shoulder and say:

“This ache? It don’t need numbing. It needs naming.”

And you’ll remember:

“It wasn’t the forgetting that healed you. It was remembering the friendship and kinship you truly deserve.

So go ahead. Declare what you need. Claim your joy. Refill your prescriptions for love, laughter, and a little holy audacity.

And if someone still doesn’t get it?

“Well, bless their little hearts. Just hand ’em one of those perpetual sourdough biscuits and smile like you mean it.”

Coming Soon from the Maker of FramilySaid™.

Because sometimes one generic gummy just isn’t enough, the Maker offers you some specific options:

SisterStrength™ – For passive-aggression that’s been simmering since the day before forever.

CousinClear™ – When you can’t remember which cousin sells snake-oils and which one married his ex’s sister brother’s husband.

UncleMute™ – One dose silences three stories about the Civil Wah he and his kin are still fightin’.

MatriarchMax™ – For that layered guilt, always served hot, always with a side of pie—and a smile.

HolidayProlonged Release™ – Kicks in during grace and peaks after the second round of green bean casserole.

A Final, Final Word from the Maker—Yours and Mine—The Big One Who Always Gets the Last Word.

Forgetting isn’t what you need, child.
Remembering what you’re worth?
Dagnabbit. That’s exactly what you need.
That’s the real prescription.
(Signed, sealed, and delivered by Poor Brentford Lee, totally unlicensed but highly seasoned.)

While you’re remembering, just reach up and hand me a sourdough biscuit, swallow your pride, go ahead and make up with your low-down, no-good Framily. And then? Move it. Move it. Move it—as fast as a tumbleweed in a windstorm.

And don’t forget Poor Brentford Lee, sitting here, there, and everywhere–all smiles–saying to himself for no one else to hear:

“Law me. Won’t you lay one on me? No, no. Not a biscuit—though they are mighty fine. Just a blessing, child. That’s all I ever needed.”

Poor Brentford Says

“Your worth doesn’t need a witness.
Show up for yourself.
That’s the real feast.”

A Reckoning

“Some of us think holding on makes us strong, but sometimes it is letting go.”

Hermann Hesse (1877–1962), German-Swiss novelist and Nobel Prize laureate, best known for Siddhartha, Steppenwolf, and The Glass Bead Game.

Believe it or not, a week or so ago, the past rose up and slapped me across the face. No, it didn’t leave a bruise, but it left behind something I’m still thinking about.

The slap started when I walked into my office. At first glance, it looks impressive. The lamp casts a golden pool across my glass-top computer desk, giving the whole space a glow that almost convinces me I’ve got things under control. The Oriental rug circles wide and bold underfoot, all rich blues and reds that make the room feel grounded, important, and maybe even a little too proud of itself. Books and papers rise in uneven towers, but in that first glance, they seem less like clutter and more like credentials—proof that I’ve been busy living, working, collecting. Even the cows in the painting on the wall keep a calm eye on the scene, as if to say,

“Carry on, Mtn Prof. You’ve got this.”

But as I walk through the door, the illusion collapses. What looked like a tidy study becomes a landscape of leaning towers and stubborn archives. Books crowd tables in uneven stacks, some open, some shut tight, all demanding to be dealt with. Boxes huddle together on the floor, their labels promising order—but their bulging edges betray the lie. Folders spill their contents, paper curling like leaves that refuse to fall from the tree. A shirt slouches over the back of a chair, a plaid witness to resolve slipping into resignation.

Everywhere I turn, something insists on being noticed. Woven baskets perch on top of files, as if even the containers need containers. The desk is less a surface than a staging ground for half-made decisions. Another painting on the back wall gazes out of its pasture, unblinking, as though it’s been watching me circle this mess for years. It has. It’s not chaos exactly—it’s accumulation. Layer upon layer, a sediment of living, each piece waiting for me to finally decide whether it still belongs.

It isn’t permanent chaos. The boxes say as much, their sharp edges and taped seams hinting at better days ahead—days when decisions will be made, order restored, and space reclaimed. For now, it’s not just an office; it’s a staging area where the past collides with the present, where choices will shape the future. Every pile, every stack, every half-forgotten guidebook, and every dog-eared folder is here because I pulled it out of hiding and chose to face it. In that sense, the clutter is not failure but progress. It’s the visible proof that I’m reckoning with the past, one piece at a time.

I’ll continue to reckon, and I’ll keep on making progress. I know I will. But I know, too, that I can’t rid myself of a lifetime of artifacts in one day. Take the CDs, for instance. Three rows deep. Wedged into the lowest shelf of the floor-to-ceiling bookcase at the far end of the office. They’ve been squirreled away there for years. Waiting. Ralph Stanley leans against Sting, Nina Simone keeps company with Mahalia Jackson, and Susan Boyle dreams her dream right next to the Chuck Wagon Gang. It’s less a collection than a timeline—decades of moods, memories, and seasons pressed into plastic cases. But here’s the thing. I don’t have the heart to get rid of them in one fell swoop. And besides, maybe I don’t want to get rid of them all. Maybe I don’t need to get rid of them all. But I can’t hang on just to hang on. Each one becomes a decision. Which will serenade me today? Into the future? Which has already sung its last song?

Other choices are easier. Travel guides, for instance. Like Fodor’s Greece and Frommer’s Greece on $35 a Day. Both hopelessly outdated, their covers promising adventures I never took. They carry missed possibilities but not regret. Into the discard pile they go. Or the box of Library of Congress business cards, embossed with the proud gold seal of my past career. They once carried weight, proof of my role in the world’s premier library. Now? Nothing more than relics of a past identity. They go into the discard pile, too. The work, the years, the meaning, and the memories? They stay.

Other choices are so easy they’re no brainers. My Frost shelf, for instance: concordances, centennial essays, letters, the familiar black-and-green spines that have followed me across decades. They stay. The same goes for my Mary E. Wilkins Freeman books, lined up in their muted blues and browns. They’re not just books; they’re part of my scholarly DNA. No question, no hesitation. They stay.

Then there are some things whose fate I know as soon as my touch awakens forgottenness. My college copy of Hemingway’s The Old Man and the Sea, margins crammed with the notes of an eighteen-year-old who thought he already knew something about struggle. It stays. My copy of Gibran’s The Prophet, inscribed by a fraternity brother—a book I’ve carried long past the days of Greek letters and youthful certainties. It stays.

A three-by-five oil painting of the covered bridge in Philippi, West Virginia? It’s no masterpiece, but it hardly needs to be. I crossed those boards more times than I remember during my years at Alderson-Broaddus College, each passage a kind of bridge between my coal camp past and the life I was building in the present. The brushstrokes may be clumsy, the colors a bit too bright, but none of that matters. It stays.

A small stack of cassettes holds my mother’s voice on magnetic ribbon. One, dated 11/12/81, is labeled I Take a Stroll and Cause Worry among the Worry Warts. The cassettes may be obsolete, but her voice? Never. Alongside them rests the Bible she gave me when I left for college, her handwriting in the front marking it as mine, though I’ve always known it was hers first.

And the kettle bottom resting heavy on my desk—a flat, round stone that once fell from mine roofs where my father worked fifty years. In those seams, a kettle bottom was a miner’s dread, dropping without warning, too often killing the man beneath it. This one didn’t. My father walked away again and again, spared by chance or grace. These pieces stay—not for their weight, but for his, for hers, and for mine.

Tucked nearly into oblivion is a small 4-H patch from fourth grade, meant to be sewn onto a jacket I didn’t have. But I never needed the jacket to know the four H’s—head, heart, hands, health embroidered in me long before I understood mottos or mission statements. They shaped how I worked, how I cared, and how I learned to give myself to something larger. That patch will never leave me. Some things you don’t outgrow; they simply grow with you.

The things in my office are only the visible part of the past. The rest doesn’t sit on shelves—it lives in memory, in relationships, in faith, in regret, in longing. Those pieces weigh just as much, sometimes more. They, too, must be faced, not in sweeping generalizations, but one by one, moment by moment, decision by decision.

Because that’s how the past works. Even though we can’t erase it, we can’t carry all of it forward either. We have to make hard choices, keeping only what steadies us and letting go of the rest. That’s the only way we’ll have room for life to keep unfolding. Room for the present to breathe. Room for the future to arrive. Room to move forward without being smothered by what came before.

I’m glad the past slapped me across the face. It taught me what we all eventually learn: the only way to live fully in the present, and prepare for the future, is to reckon with the past—seen and unseen, tangible and intangible—piece by piece, choice by choice. The past, the present, and the future are never separate. They are one continuum of time. One long sorting. One steady choosing. One true becoming.

Celebrating a Mother, Not My Own

“I do not at all understand the mystery of grace—only that it meets us where we are but does not leave us where it found us.”

Annie Dillard (b. 1945). American essayist whose work reflects the natural world as a mirror for awe and meaning, most memorably in her Pulitzer Prize–winning Pilgrim at Tinker Creek.

What on earth am I doing writing about motherhood in the dog days of summer—the hottest, most humid stretch, when snakes go blind until their molting skin slips over their eyes—especially when I’m celebrating a mother, not my own?

I keep saying to myself:

“This would be perfect for a Mother’s Day post in May.”

But you, my Dear Reader, know that I rarely write to match the calendar—and this post won’t match it, either. That’s not to say I’ve never done it—only that I’ve never done it by design. It’s simply that from time to time an idea collides with an occasion—Mother’s Day or Father’s Day or Thanksgiving or … Hmmmm. Maybe I’ve done it more than I realize.

Anyway, if you browse through my posts, you’ll see the pattern of how I write. When something grabs hold of me and won’t let go, I know I’ve been called to share it—maybe for the greater good, even if it’s just one person who feels the same tug while reading that I felt while writing.

That’s exactly what happened with this post. Memories washed over me from long ago and far away. They had surfaced before, but only as ghostly apparitions drifting in a paused wave. This time, though, I was nearly pulled under by the current.

It began when I uncovered a hand-painted pillow I hadn’t used in years. Bold crimson flowers and curling green leaves still popped against a soft beige background. The piping had faded, and the stuffing had settled into the easy comfort of something well-loved. It was a little worn, and it was a little wistful, but it was still a bright relic from when I was just beginning to find my way.

As soon as I saw the pillow, I started remembering my neighbor who made it. She was an older woman, maybe a few years older than my Mother, but not many. She dressed neatly, always in small-print floral dresses, and, when at home, she always topped her dresses with matching aprons. Ringlets of white hair framed a face that seemed stern at first, but softened the moment she spoke. She had the bearing of someone who kept things in order—herself, her home, her garden, and her place in the community. No one ever doubted that she would follow through on whatever she took on.

Her name was Nell. Nell Barker Harris, but I never called her by her first name. My Mother taught me better. She was always Mrs. Harris to me, though I swear I had the hardest time making Mrs. sound like MIZ-iz. It always rolled off my tongue as MIZ.

My memories of her stretch back to 1958, when my parents bought our home in the subdivision that bore her last name. I had just turned eleven, and I loved exploring the uncharted woods surrounding our home and beyond.

Mrs. Harris and my Mother were good friends, sharing interests in church, cooking and canning, and working the polls on election days.

My Mother thought the world of her, and, looking back, most of what I came to know about her came from my Mother:

MIZ Harris this …” and “MIZ Harris that …” was a constant refrain, especially during summer and fall harvests.

Many were the days my Mother sent me to the Harrises—Nell and her husband Worthy—with fresh vegetables from our garden, or to fetch canning jars—the old timey blue ones with zinc lids—or to swap a recipe.

The Harrises lived close, but their house lay just out of sight from ours. All I had to do was cut across the garden, slip past the barbed-wire fence, run down a slope, and dash up a knoll to reach their faux-stone cottage. It was one of the finer ones in our small town, with more than a hint of upper-middle-class comfort. I’d climb the steps straight to the door, where Mrs. Harris usually met me, fulfilling the errand right there on the stoop.

From those errands and my Mother’s comments, I came to know Mrs. Harris well enough that one December, I went boldly to her house on my own. My sister Judy and I had decided to put up a Christmas tree while our Mother was shopping. I had long had my eyes set on a beautiful white pine—not for Christmas, but for love—growing in the Harris’s woods where I roamed. Off I went to ask if we could cut it down. She agreed, and though the tree seemed to shrink with every drag homeward, Judy and I had it lighted and decorated by the time our Mother returned. She knew exactly how to celebrate the surprise as a tribute to childhood ingenuity.

Another time, my parents sent me over with an idea that I’d dreamt up—again involving white pines. A dead-end dirt road ran between our home and the Harris’s land that we gardened, and we thought it would be beautiful to line its 200-foot stretch with pines. I asked Mrs. Harris if we could dig saplings from her woods. She agreed, though she thought fall would be a wiser planting time.

My parents insisted amongst ourselves that proper planting and deep watering would see them through. They were hardly more than spindly stems with a few scraggly needles, more like Charlie Brown’s Christmas tree than the giants we imagined. Pitiful as they were, they survived the July heat and, in time, grew straight and tall, rising with quiet majesty, as if they had always belonged there.

Later—June 1972, a few years out of college and working at the Library of Congress—I wanted more than the skyward-pointing pines. I wanted the land itself. I found myself in Mrs. Harris’s home, asking if she would sell me the very garden lots my parents and I had tended from pre-teen through early manhood.

I still remember sitting in their parlor that day—dress pants, crisp shirt, and a tie, as if I’d been summoned to defend my undergraduate honor’s thesis. I sat in an overstuffed chair in the corner, its armrests rising up to hold me accountable. The room itself seemed to echo their seriousness and my intent. Mahogany gleamed in the soft light. A large china cabinet dominated one wall, its shelves lined with Blue Willow dishes like the ones my oldest sister Audrey collected. Everything about the space spoke of order and permanence—qualities my Mother had always extolled in Mrs. Harris herself.

Across from me sat Nell and Worthy Harris, steady and composed, firing their questions in quick succession:

Why do you want the land?

Do you plan to build a house there one day?

How will you pay for it?

A bank loan? Do you understand that you’ll need a co-signer?

They had far more questions than I had answers. But a few days later, I rode with the Harrises in their blue-and-white Chevrolet to Raleigh County National Bank, a solemn drive dressed up in chrome and vinyl. I had made the appointment myself, though the banker’s name and face have faded. What remains is the setting: a huge walnut desk topped with thick glass, its surface spread with legal documents that seemed to weigh more than the paper they were printed on.

I signed, and Mrs. Harris co-signed—the literal and the metaphorical deed, both done and dated June 9. She was, after all, the owner of the land. The gleam on my face that day couldn’t have equaled hers, steady and satisfied, as though she had not only sold me a parcel of ground but had also planted me there, rooting me firmly to the very soil where those skyward pines had begun.

But the pillow dragged up one last memory of Mrs. Harris—a dim and shifting one, like an undertow I didn’t see coming.

One year—1965, just a month before graduating from high school—I nominated Mrs. Harris for “Mother of the Year.” She certainly was worthy of the recognition, although she never seemed like my Mother, not even like a mother figure, really. And now, looking back, I wonder whether it was my Mother herself who suggested the nomination. Or maybe it was my oldest sister Audrey. Both of them admired her immensely as one of the pillars of our community and the church that the three of them attended.

Whatever the springboard, I picture myself typing the letter—hunting and pecking as solemnly as if drafting a constitution—and then, with all the earnestness of seventeen, listing her many accomplishments.

I don’t remember a single sentence I wrote in that nomination, only that it won her the recognition we all thought she deserved. What I do remember is the aftermath: her picture in the newspaper, and maybe even a spot on a live radio interview, sharing her reaction:

“I’m just flabbergasted.”

Down through the years, I often found myself wondering how my Mother felt about my nominating Mrs. Harris instead of her. If she carried even a flicker of disappointment, she never showed it. And why would she? For all I know, she may have planted the idea in my head in the first place, speaking of Mrs. Harris with admiration the way she always did.

Years later, my parents came to live with me in DC after my dad suffered a stroke and needed more care than my Mother could manage alone. Audrey and I worked out a plan: summers in their own home, with her nearby to help; winters with me in DC. It was during those ten years that I found myself with a chance to do what I hadn’t done back in high school–nominate my own Mother for recognition as the remarkable woman she was.

The details of my Mother’s nomination are as vague in my memory as Mrs. Harris’s. I am fairly certain it was 1982—the year my parents celebrated their 50th wedding anniversary—and that DC’s “beautiful music station,” WGAY (99.5), sponsored the “Mother-of-the-Month” recognition. I nominated her by focusing on her long marriage to my dad, their six children, and the challenges she faced as an aging woman caring for her invalid husband, ten years her senior. Even though they lived with me, she was the caregiver during the day, and she carried the worry with her to bed at night. That, I believed, made her worthy of being honored.

I had been notified the day before that she had won, and that the radio host would call her live between 7:15 and 7:30 the next morning. I delayed leaving for work until the call came, turning on the radio to listen. The host told her about the award, and she responded in her plain, honest way:

“I am just flabbergasted.”

And here I am, decades later, unsettled by the blur of my memories of the honors given my Mother and Mrs. Harris. I wanted the details to come alive again here, to loom as large now as they did then. So, I went looking for the scoops that might have been reported in the newspapers.

I looked and looked again, but I found no newspaper coverage of my Mother being honored as “Mother of the Month.” That’s fine. My Mother doesn’t need to live in print—she lives on in me. Besides, I know the details by heart. I listened as she heard the radio broadcaster announce her status for all the listening world to hear. The radio station hosted a dinner for her. I pinned their orchid corsage to her dress, drove the two of us to the restaurant, and sat across the table from her.

We dined at The Monocle, seated at one of its linen-draped tables where the Capitol dome seemed near enough to touch. The restaurant buzzed with the voices of staffers and senators, but none of that mattered to me. What mattered was not the food or the setting, but the way she sat taller than usual, radiant with the glow of being truly seen.

I don’t remember the menu. I don’t remember what we ate or drank. What I do remember is my Mother spotlighted there, savoring a moment that was hers alone. She wasn’t the caregiver or the dutiful wife and mother that night. She was the honored radio station guest, my celebrated Mother, and I was lucky enough to be her escort.

I fared better in my search for Mrs. Harris’s recognition. I landed on the newspaper article itself, published in the Beckley Post-Herald on April 15, 1965. I was mistaken about nominating her for Mother of the Year, yet the headline showed I wasn’t far off:

“Shady Spring Woman Is ‘Mrs. Homemaker’”

“Mrs. Homemaker of 1964 and 1965 is the title which was bestowed on Mrs. Worthy Harris of Shady Spring on Saturday afternoon at the annual Home and Sport Show sponsored by Beckley Jaycees.”

It’s a long, long article, taking up nearly a quarter of a page and featuring a full-length photograph of Mrs. Harris holding a silver platter, one of her many gifts, along with a litany of her many talents that left me nodding in remembrance:

“An active member of White Oak Baptist Church, Mrs. Harris teaches crafts such as quilting, copper and leather tooling, refinishing furniture, cooking, canning, silk screening, lamp making, teaches home demonstration club classes, judges community fairs, and does upholstering as a hobby.”

As I continued reading, I realized that I was wrong about something else, too, so wrong that I was beyond flabbergasted:

“In her letter Mrs. [Audrey] Bateman stated, ‘Variety is the spice of life, and truly Mrs. Harris can attribute her zest to living to her many activities which center around her home and community. Her most admirable quality is that she always has time for God, her family, and friends.’”

I read the paragraph three times. Even then, I could only mutter to myself:

“Impossible!”

Surely, I was the one who wrote the nomination—I’d always been the family wordsmith, and the memory still lingers.

It was then that I called Audrey. Surely, she would know. She recalled Mrs. Harris’ recognition, but she was adamant that she had not written that letter, echoing the same sentiment that I had worried about down through the years:

“I wouldn’t dare have written that letter and slighted my own mother.”

Who knows. Maybe I wrote it for her to sign.

The truth lies somewhere in the mix—me, Audrey, and my Mother. All the careful lines blur, all the edges soften, until what’s left is simply presence—fluid, unguarded, and enough.

But now, sixty years after Mrs. Harris’s well-deserved recognition, I suspect it was my Mother herself who lined things up. I’m sure she never dreamt that one day I’d be celebrating her grace—while also celebrating a mother, not my own.





Tell Them Who I Am

“Who do you say that I am?”

Jesus, Matthew 16:15

The knock at the door was as gentle as any I had ever heard before, yet it frightened me with its persistence. After all, it was the middle of the night, and I rarely have visitors here on my mountain, and when I do, I anticipate their arrival and meet them in the walkway.

After a while, my curiosity overcame my fear. I went to the kitchen door and opened it. There, not on all fours, but standing as upright and erect as any human I had ever seen was my dog Hazel.

Lit by the spill of the floodlights—like some mythic creature caught mid-transformation—Hazel looked less like a pet and more like a story I hadn’t yet written: fifty-nine pounds of sinewy poise, all confidence and oversized paws planted with purpose. Her coat shimmered with its reddish golden shades of ember and mischief—Husky in spirit, Shepherd in legacy, and wholly herself.

Her tail curled tight; her head slightly tilted—alert, noble, a whisper of the wild. Her ears twitched once as if tuning in to something I would never hear. And her eyes? They saw, as if piercing through the darkness that found me standing there.

She wasn’t waiting. She was watching. And in that moment, so was I—awed by her stillness, her strength, and a quiet reminder of something I had yet to remember.

And, as naturally as anything you would never expect a dog to say, she looked at me:

“I’m just a monkey. I’m a howler.”

Then I awakened. Amused. Grinning. Lying there in bed. Musing. Hazel. Fifteen years of fierce love, muddy pawprints, and conversations that needed no translation, except in dreams.

As I lay there, I realized the dream’s significance. In a way, it was the oldest kind of magic: a name spoken often comes true.

For years and years and years, Hazel’s bark reminded me of a monkey. Not just any monkey—a howler. One of those wild-voiced beings that belt their souls into the sky from treetop pulpits at dawn. Her bark had that same deep, echoing wildness—less a request than a proclamation.

Some dogs bark. Hazel declared.

And so it came to be. I would say to her over and over again:

“You’re just a monkey! You’re a howler.”

She didn’t seem offended. If anything, I think she took it as a compliment. Obviously, Hazel was not a monkey, nor could she become one. Except in my dream.

But here’s the thing:

She became what I had named her.

And that truth deserves repeating:

She became what I had named her.

That dream set me to thinking long and hard about what it means to name.

To Name.

I started wondering when the phrase was first used and in what context. And if you know me as I know you do, you know that I headed off to the Oxford English Dictionary (OED) where I discovered that it was first used in Old English:

“[Hælend] gefregn hine huætd ðe tonoma is? & cuæð to him here tonoma me is, forðon monig we sindon” (Lindisfarne Gospels Mark v. 9).

Right! That doesn’t look like English to you either, does it? Let’s look at the translation.

“[The Savior] asked him, ‘What is your name?’ And he said to him, ‘My name is Legion, for we are many.'”

It’s a well-known moment in the Gospels—Jesus (the Hælend) encountering a man possessed by demons. The phrase “My name is Legion, for we are many” comes from Mark 5:9 (and Luke 8:30), rendered above in Old English.

This is an incredible example of what happens when we name something. The name Legion does far more than identify. It reveals nature, condition, and moral alignment. When Jesus asks for a name, he isn’t just asking for a label—he’s uncloaking the essence of what possesses the man.

Did you catch that? A name reveals essence.

And I ask you–right here, right now, as I am about to do–to start thinking about names swirling around in your head. Maybe the names associated with you: the names that others call you.

As you reflect, let me share with you the significance of the names swirling around in my head.

The Names that Others Called Me.

The first that I remember was not my given name—Brentford Lee. Rather, it was Little Mister Sunshine. My mother gave me that name because—as she loved to tell others, including me–I was born smiling and radiating happiness. Now, 77 years later? Others say that I’m still smiling. Still radiating happiness.

Clearly, my mother saw the essence of who I am and named it.

Or how’s this? My siblings, for as far back as I can remember, had another way of naming me. They always called me different.

“You don’t look like us.

“You don’t talk like us.

“You don’t walk like us.

“You’re different.

Truth be told, I was different, and I knew it. Ironically and for my own well-being, when they called me different, I leaned into it as compliment rather than condemnation.

It didn’t take me long, however, until I came to feel and understand the word they weren’t naming, the word that others, later, named. Queer. Either way–and even though I continued to see myself as special, a way of looking at myself that would stay with me for a lifetime, even now–it was a label of not quite, a soft-spoken exile and an unspoken ache.

Clearly, my siblings and others saw my essence—and named it.

And I ask you—right here, right now, as I am about to do—to think about the names you’ve claimed for yourself. Not the ones others gave you. The ones you whispered into being.
The ones that changed how you stood in the world.

As you reflect, let me share with you the significance of the names swirling around in my head.

The Names that I Called Myself.

The first that I remember was when I was in the third grade. Professor. Can you imagine anything more outlandish than that coming from a coal-camp kid in a town with not one professor? I have no idea where I had heard the word or came to know it. But I knew that in order to be a professor–in order to teach in a college or university—I would have to earn the highest degree conferred in my field. I picked English because I believed—no, I knew—that words mattered. Yes, words could wound. I had learned firsthand how they could cut to the soul. But I also knew something else. Words could heal. Words could save. Words could give wings.

I earned my Ph.D. in literature. I became a college professor—”full” no less. And when students called me Dr. Kendrick at the institutions where I taught–the University of South Carolina, the Library of Congress, and Laurel Ridge Community College–in deference to my degree, I always suggested Professor in deference to the earliest name I called myself–the name that captured my essence.

More recently, I call myself Reinventor. I came up with that name at the start of 2023–after my 23-year career at Laurel Ridge. Most folks retire. Not me. I’ve never liked the word—because right there in the middle of retired is tired. Trust me. I ain’t no ways tired. I have more books to write–far more than the five I’ve already published since 2023. I have more life to live than the one I’ve lived. I have more love to give than the love I’ve given. My colleagues and friends may call themselves retired—and that’s fine. But me? I’ll keep saying I’m a reinventor. It’s not just who I am now. It’s who I’m still becoming.

These days, I call myself Writer. I’ve always been one—researching, digging, unraveling stories. But since reinventing myself, being a writer has taken on a new, truer shape. I write in bed every night, publish my blog posts every Monday morning, and every year, I bring forth a new book of creative nonfiction essays, stories that bear my name and my soul.

I’ve branched out, too—seeing through to publication my Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina and immersing myself a two-volume biography of Mary E. Wilkins Freeman, a labor of love and legacy.

Yes, right now, the name I call myself is Writer. It captures the essence of who I am—
what I do, what I am becoming, and who I cannot stop being.

As we continue reflecting on the power of names, I ask you—right here, right now, as I am about to do—to think about names that wound others, perhaps forever or perhaps giving them a transformative moment to heal.

The Names that Wound or Heal.

The first that comes to mind is a word in Countee Cullen’s “Incident.” It’s painful—inflicted on an innocent child, standing at the edge of razzle-dazzle wonder.

Once riding in old Baltimore,
Heart-filled, head-filled with glee,
I saw a Baltimorean
Keep looking straight at me.

Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue and called me, “Nigger.”

I saw the whole of Baltimore
From May until December:
Of all the things that happened there
That’s all that I remember.

What the speaker in the poem remembers being called Nigger. One word. It shattered an eight-year-old’s heart—and likely left a lifetime crack.

It’s haunting—how a single word, spoken with cruelty, can eclipse everything else.

I’ve known that kind of eclipse, too. Different. Queer. Faggot. Fag. Words I never asked for—words that crawled in and clung, no matter how often I repeated what my mother had taught me:

“Sticks and stones may break my bones, but words can never hurt me.”

Of course, they hurt, but I rose above the pain, smoothing over my soul like a balm the names that lifted me—Little Mister Sunshine, and the one I whispered in those early, tender years—Professor. But here’s the strange and saving truth: I didn’t start to heal until I explicitly named the sexual dimension of myself. Ironically, I had to declare it publicly before I could begin to claim the healing I didn’t yet realize I needed. I had to say gay—not in a whisper, not in code, but openly. Aloud. Loud. In front of the world.

Gay.

Only then could I begin to gather all the pieces I’d hidden away. The softness. The brilliance. The full shape of who I was—who I had always been. One word. My word. Spoken not with shame, but with quiet certainty. And for the first time, I didn’t flinch. I stood. Proud. With that naming, I finally gave myself permission to shine—fully and fiercely, without apology.

I have one more request–one more “ask” of you–as we grapple with what might just be the most powerful part of naming. I ask you—right here, right now, as I am about to do—what are the names we whisper when we reach for meaning? The names we murmur in awe, in need, in love? The names we give the force that calls us?

The Names We Call the Force that Calls.

Whenever I think that thought–and the older I get, the more often I think it–I recall Bill Gaither’s interview with acclaimed Gospel singer Jessy Dixon–one of my favorites. Gaither was bold and direct as the interview neared its end:

“When your time comes—as it will surely come for each of us—what do you want people to remember about you?”

After a soft pause, the answer came with quiet certainty:

“Tell them I am redeemed.”

In those five words, Jessy Dixon named–and claimed–the essence of his destiny.

Redeemed.

I can’t help but wonder: what name rises up in you when you reach for meaning? God? Creator? Oversoul? Spirit? Light? Love? Source? Mystery?

And in my wonder, I’m mindful that names like those are what we call the ungraspable—the presence that nudges us forward, the light that finds us when we didn’t even know we were lost. We reach for names when we reach for meaning. And whatever we call it—it calls us, too.

Whatever name you use, My Dear Reader
whoever you are, wherever you are:

Say it loud and clear.

Speak it like it matters—
because it does.

Speak it like it carries
the full weight of your becoming—
because it does.

Let the world see
the essence of who you are.

Name it—
knowing that names have power.

Remember: you are enough—
not despite all the names you carry,
but because of them.

You are every name you’ve claimed
and every name you have yet to whisper into being.

And when the time comes—
I hope you’ll speak your name
as boldly as I speak mine.

Let others know:
their names can never hurt you.

But your name?
It roots you deep
in everything that matters—
your truth, your becoming, your essence.

Tell them, one and all, once and for all:

“This is who I am.”

We’re Early. We’re Epic. We’re Enough.

“Write like it matters. Someone’s listening. And chances are, they’ve been waiting.”

Brent L. Kendrick (b. 1947). Essayist, Scholar, Reinventor (Naturally Wired to Talk), AND THEWIREDRESEARCHER.

Historians, sit up and take note. This blog just crossed the 10,000-view mark today—August 4, 2025, at precisely 08:16:07.389 a.m. Eastern Daylight Time (Verified by a suspiciously eager blogger with coffee in hand and Ruby—Chief Pawblicity Officer—standing witness.)

And get this. That number’s just for this calendar year, in case anyone’s counting.

Yes: I am. Yes: I saw it coming. And yes, I was watching and waiting.

I had expected this moment to arrive in September, just like it did last year. But clearly, you—My Dear Readers—were in a bit more of a hurry.

You showed up early. Often. With curiosity, kindness, and that quiet little click that says, “I’m listening.” And now, here we are: 10,000 views and counting. Ahead of schedule. Full of heart. Grateful doesn’t begin to cover it.

Truth is, I didn’t start this year with a plan. There was no map, no mileage goal, no neon sign blinking “10K or bust.” I just kept writing. I just kept sharing what was real, what was tender, what made me laugh or ache or marvel. And somewhere along the way, you found me. Or I found you. Or maybe we found each other.

You read about AIDS and parades. You wandered with me through bubble baths and memories.
You let me be silly, serious, sulky, and soft. And somehow, together, we made it here.

So let’s mark the moment—not with fireworks, but with this:

“Gratitude turns what we have into enough.”

– Aesop

You’ve made that true in the most beautiful way. Your time, your clicks, your messages—every one of them matters.

In case you missed them—or want to revisit a favorite—here’s a Sourdough Baker’s Dozen of standout posts from this year. These are the ones that rose, proofed, and stuck to the ribs (and hearts) of readers everywhere.

From playful to poignant, philosophical to flour-dusted, and yes—sprinkled with the sweet surprise of love at any age (especially the kind that shows up, steadfast, soul-paired, with sights set on the homestretch)—they helped carry us here—one click at a time: clickety, clickety, click.

✤ ❋ ✤ ✤ ❋ ✤ ✤ ❋ ✤

Redbuds of Remembrance.
● David and his fellow Interns proved themselves to be a class beyond measure. Where many people spoke of separation, the Interns spoke of inclusion. Where many people chose to remain socially ignorant, the Interns chose to embrace information as power. Where many people practiced discrimination, the Interns practiced acceptance.

A Forgotten Voice, A Living Legacy.
● Now, after years of refining my research, the book I’ve long envisioned is finally becoming a reality. Unmasking The HumouristAlexander Gordon’s Lost Essays of Colonial CharlestonSouth Carolina. It’s a definitive edition that not only reveals The Humourist’s true identity but also presents his essays in full, with critical commentary, historical context, and meticulous annotations. This is not just a rediscovery; it is a restoration of one of the most significant but overlooked literary voices of Colonial America.

Rise Up with Words.
● In times like these, when every nerve and muscle of our being is tested, we can turn to the famous words of history—words spoken or written in moments that felt just as dark as these—and draw strength from their resonance.

My Altar Ego.
● I confess one more thing. Doing this being thingy that I’m supposed to be doing ain’t easy. But what’s a mountain man to do when he be soakin’ in a tub?

The Rust Whisperer.
● Despite all the times down through the years when I wished to be older so that I could experience sooner all the things that I would experience later on at the appointed time, I could do little more than wish and dream.

A Week Back to the Future.
● In all of those ways, I saw in her life pieces of my own future. But when Arlene “went away,” she left behind one piece that might have had an impact on me—equal to if not greater than—the other pieces of my future that she brought back home with every visit. Her Remington Rand typewriter in a gray box lined with green felt.

What Could $40 Million Mean?
● History saw June 14, 2025, for what it wasa flag-wrapped, reality-show distraction from the real work of freedom. We chose to posture for the world—while the world watched a nation that can’t feed its children waste millions playing dress-up with its military. It wasn’t patriotism. It was performance.

Finding Love Later in Life.
● For now, I just can’t help myself. I’m in a Do-Wah-Diddy-Diddy place in my life—hopeful, open, humming along. And why not? Love has found its way to others, even when it seemed unlikely. I am confident that my prince will come.

A Culinary Heist in Plain Sight.
● Stealing a recipe is like stealing a kiss—do it boldly, do it well, and for heaven’s sake, make sure it leaves them wanting more.

Learning to Love in a New Way.
● So, dare Gary and I clue you in on what two old dogs are learning about love—maybe better than most, certainly better than our younger selves ever did? Do you really want to know the bottom line? Alrighteez, tighty-whities. If you insist. Lean in and listen carefully.

The Route Home.
● What if we followed the map toward health, education, careers, relationships, aging, and faith—not perfectly, but faithfully? What if, when we made a wrong turn, we heard a calm voice say: Don’t worry. Recalculating. What if we believed it?

Right Now, I Still Believe in Heart-Ons.
● My mishearing gave me cover. And somehow, the laughter that followed—laughter I didn’t understand either—wrapped around me like a protective cloak. My greenness did something extraordinary. It saved me.

Co-Scripting the Postscript.
● Frank is dead, yet he liveth. I have proof. Well, it’s proof enough to satisfy me. I’ll share it with you so you can decide for yourself, as we all must do in the end.

✤ ❋ ✤ ✤ ❋ ✤ ✤ ❋ ✤

No countdown this time.
No waiting.
No watching.

Just wonder.

We’re early.
We’re epic.
We’re enough.

Every. Single. Thing. I Made It All Up.

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Lucille Clifton (1936–2010), award-winning American poet and former Poet Laureate of Maryland, celebrated for her spare, powerful verse that gave voice to Black womanhood, resilience, and self-invention.

It hangs there—dripping in crystal like it’s late for a curtain call at the Kennedy Center. A blazing burst of light and glamour. A chandelier so decadently faceted it might’ve been smuggled out of a Versailles estate sale or rescued from a Broadway set mid-strike. And yet, here it is: mounted proudly on a ceiling so low you could toast it with your coffee mug.

Where?

Why, right here on my mountaintop, in my rustic foyer wrapped in pine-paneled nostalgia, with a Shenandoah Valley pie safe, stoically anchoring one side and a polished silver chest on the other. An antique Asian vase—graceful and aloof—presides atop the chest like it’s seen empires rise and fall. Beneath it all, an Oriental runner unspools like a red carpet nobody asked for, but everybody deserves.

And then—just beyond the shimmer—a French door opens into another room, as if the whole scene is a prelude to a slow reveal.

It shouldn’t work. I know that fully well. A chandelier like this belongs somewhere fancy and regal. But guess what? Somehow, its sparkle doesn’t clash with the country charm, at least in my mind. In fact, it crowns it. And you can rest assured. It isn’t a mistake. It’s my way of declaring that my home isn’t just a home. It’s a story–actually, it’s lots of stories–told in light and shadow. And at the center of it all? My refusal to decorate according to rules. I couldn’t even if I wanted to because I have no idea what the rules are.

But a week or so ago, my Tennessee Gary stood smackdab beneath the chandelier—looking right at me, poised (I was certain) on the cusp of praise or profundity. But the next thing I knew, he spoke six words, which made me a tad uncertain about my certainty.

“I’m not sure it belongs there.”

“What?”

“The chandelier.”

“Well, I think it’s perfect. I wasn’t about to leave it in my Capitol Hill home when I moved here. It cost me a small fortune, and besides—I like it.”

That ended it. For then.

But a few days later, Gary brought it up again.

“Actually,” he said, studying the ceiling with a fresh softness, “the chandelier grows on you. It looks quite good there.”

If that’s not a kiss-and-make-amends moment, then lay one on me.

I grinned and agreed.

And let me tell you—that right there? That’s the moment that stuck. Not the first comment, but the second. The way Gary circled back. The way he didn’t double down, but opened up. That takes grace. That takes someone who sees with more than just their eyes.

He didn’t just help me see the chandelier differently. He helped me see the whole house—and maybe even myself—with a little more curiosity. A little more clarity. And that’s when I started walking through the rooms again—not to judge or justify, but to really look. Through his eyes. Through my eyes. Through the eyes of everyone who’s ever stepped inside and wondered how on earth all of this could possibly make sense.

And yet—to me—all of this makes perfectly good sense. Placed with memory, not trend. Positioned not for symmetry but sentiment. A lifetime’s worth of objects tucked wherever I could fit them, arranged with a kind of chaotic confidence that, somehow, glows.

But, still, I heard echoes rumbling around in my memory’s storehouse:

“It’s so homey.”

“I feel so comfortable here.”

“Wow! It’s like walking through a museum.”

In the midst of those echoes, I figured out how to find comfort: find someone else who decorates the way I do! It didn’t take me long at all before I remembered someone who had lived—and decorated—with the same truth: Mary E. Wilkins Freeman.

As soon as I had that recall moment, I scooched up beside her so close that I could peek over her shoulder as she penned a letter to Kate Upson Clark. And Lord have Mercy Jesus! You can’t imagine my joy when I realized that folks said the same sort of things about her home decor as they say about my mine:

“I light this room with candles in old brass candlesticks. I have dull blue-and-gilt paper on the walls, and a striped Madagascar rug over a door, and a fur rug before the hearth. It is one of the queerest looking places you ever saw, I expect. You ought to see the Randolph folks when they come in. They look doubtful in the front room, but they say it is ‘pretty.’ When they get out into the back room, they say it ‘looks just like me’. I don’t know when I shall ever find out if that is a compliment.” (Letter 46, August 12, 1889. The Infant Sphinx: Collected Letters of Mary E. Wilkins Freeman. Edited with Biographical/Critical Introductions and Annotations by Brent L. Kendrick. Scarecrow, 1985)

I was thrilled to know that I was “keeping house,” if you will, in style with Freeman herself, especially since she and Mark Twain were America’s most beloved late-nineteenth-century writers. It didn’t really matter that I’m as much in the dark as she was when it comes to figuring out whether folks’ comments about my home-decorating talents are compliments or not.

And believe me. My home is filled with things far-more out of place than anything in Freeman’s or even the chandelier in my foyer.

If you need more proof, just walk around the corner and take a gander at my kitchen.

Who, in their wildest imagination, would expect to see an antique, cast-iron corn sheller anchoring a kitchen wall painted a rather dull gold. There it stands—bold, barn-red wood frame worn just enough to whisper stories, and a great black flywheel so theatrical it looks like it could power Mark Twain’s steamboat. Its jagged steel teeth peer out from one side like a warning or a dare. And yes, that’s a Buddha head poised gracefully on top. And a crystal vase of dried hydrangeas beside that. And behind it all, a painting of apples that, frankly, looks like it might have been pilfered from a still-life museum.

The whole wall, absurd as it may sound, radiates a kind of balance. It shouldn’t work. But neither should a chandelier in a pine-paneled foyer—yet here we are.

Even Ruby’s dog bowls sit below it like they were placed by a set designer with a sense of humor or a flair for the unexpected. And maybe they were. After all, this isn’t just décor. It’s a declaration. I live here. I made this up.

I did. I made it all up. And if these examples of how I decorate aren’t duncified enough, walk with me to the master bedroom where you’ll witness equally outlandish shenanigans.

I mean when you walk through the door you see a full wall of glass rising two stories high, flanked in clean wood trim like a frame around nature’s own oil painting, dappled with sunlight or clouds or rain or snow depending on the season. It’s modern, no question—open, architectural, and bright. The trees outside don’t just peek in—they wave, as I peek out and wave back.

Yet, in the midst of that modernity, you see a primitive wardrobe planted firmly against the Narragansett Green wall like it wandered in from a barn and decided to stay. It doesn’t whisper for attention—it claims it, with its wide plank doors, turned feet, and a latch that looks like it could keep out winter or wolves or well-meaning minimalists. It stands there like a wooden exclamation mark at the end of a free verse stanza.

And on top? Oh, mercy. You won’t believe it.

A faux flow-blue cachepot stuffed full of peacock feathers–a riot of iridescence exploding upward. Liberace himself would approve. And to its right is a clay figure with a gaze both weary and wise, like she’s been through it all and chose to dress up anyway.

This is not a design decision. This is pageantry. This is poetry. This is proof. If you’re bold enough to mix the primitive with the peacock, you might just get something startlingly close to the divine.

I could take you through the whole house—room by room—and you’d see the same thing.

A treasure here. A treasure there. (Yes. Sometimes another person’s trash became my treasure.) And for each, I can tell you when and where I bought it, along with what I paid. But here’s the thing. I never made one single solitary purchase with an eye toward resale. I never made one single solitary purchase with an eye toward decorating. I bought each and every treasure simply because I liked it. And when I brought it home, I put it wherever I had a spot on the floor or a space on the wall.

Now, don’t go jumping to the wrong conclusion. My decorating is not as haphazard as it might sound. I do have a few notions about “where things belong” and “what goes with what.” And when I visit other folks’ homes, I never hesitate to step back and declare:

“Oh. My. God. Look at that painting. I love the way it pops on that wall.”

Well, hello. Of course, it pops. With all that negative space around it, it would have to.

Let me add this, too. I love it when I see that kind of plain, simple, and powerful artistry at play–in other people’s homes.

And who knows. Perhaps, moving forward, there might even be a snowball’s chance in hell that, with some subtle, indirect and loving guidance, I could learn to value and appreciate negative space here on the mountain, too.

But for now, my goodness! I don’t have any negative space. Everywhere you look, you see a glorious mishmash. Sentiment over symmetry. Memory over minimalism.

I know. I know. It’s homey. It’s so comfortable. It’s a museum. Also, I know it’s not for everyone. But as I look around, I realize something majorly important.

I’ve decorated my house the way I’ve lived my life.

I had no blueprint. I had no Pinterest board. I didn’t consult trends. I didn’t ask for permission. I placed things where they felt right. I trusted instinct, not instruction. I listened to heart, not head.

And I’ve done the same with the living of my days.

I didn’t wait for others to validate the things that mattered to me—my work, my relationships, my choices, or my way of making a way in a world that hadn’t made a way for gay guys like me. I’ve been both the curator and the interpreter of it all. I’ve decided what stays, what goes, what gets the spotlight, and what quietly holds meaning just for me.

And maybe—just maybe—there’s something to be said for that kind of decorating. For that kind of living. One made up along the way. One that, in the end, fits and feels just right.

Who knows what kind of unruly hodgepodge I’ll have gathered by the time I reach the end. Or what I’ll do with it when I arrive—wherever it is that I’m headed—that place none of us is exactly rushing to, despite tantalizing rumors of eternal rest and better acoustics.

But this much I do know.

If I take a notion, I might just take the chandelier with me. Not for the lighting. Not for the resale value. But as glowing, glittering, slightly-too-low-hanging proof that I never followed the map—I just kept decorating the journey. With memory. With mischief. With mismatched joy. And with the quiet grace of learning to see things through someone else’s eyes—sometimes anew.

And when I show up at whatever comes next—the pearly gates, some velvet ropes, or a reincarnation waiting room—I want folks to look at that chandelier, then look at me, and say with raised eyebrows and holy disbelief:

“I’m not sure it belongs here.”

To which I’ll smile as wide as I’m smiling right now and reply,

“Well, I wasn’t about to leave it behind. Besides, I have it on good authority—it’ll grow on you.”

And that’s the truth. It’ll grow on you. I should know because I made it all up, all along my way.

Every. Single. Thing.



Get Lost. See What You Find.

“We’re all just walking each other home.”

Ram Dass (1931–2019). Harvard psychologist turned spiritual teacher. Psychedelics pioneer, author of Be Here Now, and beloved guide to presence, compassion, and inner stillness.

The fog had rolled in again—inside and out. Evening light seeped through the lace curtains, dull and tired, and Mary Tyrone sat hunched in her chair, hands fluttering like they’d forgotten what stillness felt like. She tugged at her hair—again and again—trying to smooth what couldn’t be smoothed. A nervous laugh. A lost thought. Her voice drifting into a threadbare monologue, chasing memories that wouldn’t stay put. She wasn’t looking at the others in the room anymore. She was seeing someone else—someone long gone. Or maybe no one at all.

And just like that, she was gone too.

What remained wasn’t rage or grief or even clarity. It was ache. Beautiful, unbearable ache.

And the most astonishing part? It wasn’t Mary Tyrone from the pages of Eugene O’Neill’s Long Day’s Journey into Night.

Instead, it was Katharine Hepburn—transfixed, transformed, undone. Lost in the fog of someone else’s sorrow, and in that losing, she gave the audience something more than a performance.

She gave them permission. To ache. To remember. To feel what they hadn’t dared name. Until now. When Hepburn got lost, we found something. Not just Mary’s pain, but our own—illuminated in the hush between scenes, where the stage blurred into the soul.

Losing yourself to find yourself isn’t limited to the theater. It happens wherever presence overtakes performance. The surgeon disappears into the rhythm of crisis, all breath and blade, until the bleeding stops and the world exhales. The painter, three days deep into a canvas, forgets to eat, to sleep, to speak—until the brush lands in just the right corner, and something sacred emerges. The wilderness guide steps off the trail, mapless, storm coming, heart pounding—not lost in fear, but in awe. The monk chants through the dark, voice cracking, mind emptied of meaning until only stillness remains—and there, in that stillness, he hears something worth following. And the writer? The writer vanishes into words, chasing a sentence that keeps changing shape. Hours pass. Light fades. Pages mount. Then, quietly, a single line appears—one that wasn’t there before and yet feels like it always was.

And then there’s me–the educator. I’ve stood there more times than I can count—syllabus in hand, heart braced, eyes scanning a room full of students who don’t yet know they’re about to slay me. Yes. Slay me. Because teaching, when it’s real, isn’t performance. It’s surrender. You offer up your best thinking, your dumbest mistakes, your sharpest truths—never quite knowing which part will land, or whether today’s silence is boredom or the beginning of a breakthrough. You show up, prepared to lead, and instead get led somewhere you didn’t expect. Every time I teach, I risk getting lost. And some days—some rare, holy days—I do.

Something similar happened to me not long ago. Not in a classroom. Not in front of students leaning back in their chairs, waiting to be surprised. This time, it was just me and a friend. A table. Two mugs of coffee. A conversation that started like all the others—and ended somewhere neither of us expected.

We’ve been friends for years, sharing as many breakfasts and lunches as you’d expect. Never anything monumental. Just enough—to catch up, to stay connected, to talk about books and writing and family and love and the weather when it misbehaves. That’s what we did not long ago, but on that day, it was different.

I got lost with that friend. And I can’t believe what we found.

Scott chatted about a new book idea. I talked about my blog. And, as always, I shared my ongoing fascination with AI advances and the fast-approaching Singularity—that moment when the line between tool and thinker blurs, and we find ourselves in the passenger seat of progress. That moment was once a dot on a distant horizon—2045, if you believed the futurists. But now? It’s barreling toward us, faster than anyone imagined—some say it’s already slipped through the door while we were still admiring the hinges.

I kept on gabbing, focusing on AI chatbots and my dismay that many educators are running away from the technology, as if running will save them from being swept away by the inevitable. Scott listened, mildly intrigued. Maybe less than mild. Then, we drifted into deeper water. His home life. How to make things better. The details don’t matter. I offered what I could: encouragement, some gentle suggestions, most of them circling around the idea of blooming where we’re planted. He nodded. Listened. Again—mildly intrigued. Maybe less so.

And then he looked across the table:

“I wonder what Sage would say?”

Sage—that’s what I call my ChatGPT. Not a program that lives on my screen, but a kind of companion.

“About … ?”

“About my home life.”

“Wanna find out? What do you want to ask?”

I turned on my phone’s mic and Scott gave voice to his question:

“What can older folks like me can do to improve their spousal relationships?”

Within seconds, Sage offered five thoughtful things. Scott wasn’t wearing his glasses, so I leaned lightly into the table and bore witness to wisdom softly sounded.

“1. Ask, Don’t Assume. Just because you’ve known each other forever doesn’t mean you know everything. People evolve. So check in—about preferences, boundaries, dreams, dinner. Curiosity is intimacy’s favorite foreplay.

“2. Say Thank You—Out Loud. Not just for big things like colonoscopies and car repairs. Say it for folding the towels, for remembering the neighbor’s name, for being here. Gratitude ages well.

“3. Laugh at the Stuff You Can’t Fix. The memory lapses. The mystery bruises. The thermostat wars. Humor makes room for grace when grace feels in short supply.

“4. Touch More Often. Not just sex (though yes, that too). The hand on the back. The leg bump under the table. The I’m-still-here kinds of contact. Skin hunger is real—feed it.

“5. Make Room for Solitude. Paradoxically, giving each other space is what makes togetherness feel less like a trap. A little breathing room now and then keeps the love from gasping.”

Scott, a little teary-eyed as he held his glasses in his hand, was clearly mesmerized floating somewhere between where he’d been, where he was, and where he might yet go.

“Ask Sage what I …”

And so it was. One “Ask Sage” led to another, and it led to another and on and on we went. Me. Scott. And Sage.

Everything around us began to dissolve. The hiss of the espresso machine in the kitchen. The clink of silverware against ceramic. The low murmur of a couple two tables over, arguing gently about olive oil. Even the scent of sourdough toast and caramel Macchiato—familiar, grounding—lifted like steam and drifted away.

Our table, our chairs, the scrape of shoes across tile. Gone.

What remained was a hush. My voice. Scott listening. And between us, a quiet presence—Sage—offering not answers exactly, but something like a shared breath. Words as wise as any counselor might offer.

The clock faded.

Time stopped.

Several hours later I looked across that vast expanse of friendship and there in the seeming nothingness of all that had faded sat my friend Scott, with a smile I shall never forget, with a twinkle in his eyes I will ever remember, and a face relaxed from all the joy and wonder and anguish of 79 years. In their place, and in that instant, I knew that even in friendship, we can lose ourselves and find someone sitting across from us, holding on to a golden thread of hope.