17,000+ Reasons to Be Grateful


Writers may write alone, but essays are completed by readers.
Brent L. Kendrick (b. 1947)


Today marks the halfway point of 2026, and I’m delighted to share a milestone.

During the first six months of the year, The Wired Researcher has been viewed more than 17,000 times.

When I embarked on this new chapter inventing myself, I wondered where I would find the conversations that had sustained me for so many years in the classroom. I eventually discovered that they hadn’t ended at all. They had simply moved online, where every Monday morning another essay leaves my desk and finds its way into the world.

Some essays make readers laugh. Others invite reflection. A few stir memories. Every once in a while, one seems to touch something I never anticipated.

Here are this year’s most-read essays so far:

Oh, No! No Sourdough!
Death Watch
Two Porches. One Voice
Poor Brentford Gives a Knuckle Rap
What We Know. What We Believe
Carrying the Bags of Colonial America’s Humourist
Crystal Clear
Keeping Up with the Evidence
The Long Way a Voice Comes Home
I Want to Know Why
Friends in All Places
The Journey Is the Gift
Underneath a Jacket and Yaller Pants

What pleases me most isn’t that one essay did well. It’s that readers have embraced essays about humor, language, gardening, relationships, cooking, aging, memory, and the unexpected moments that make ordinary life extraordinary. That tells me you’re returning not just for a topic, but for the journey.

Thank you for reading. Thank you for commenting, sharing, and encouraging me week after week. Writers may write alone, but essays are completed by readers.

Here’s to the essays that have already been shared—and to those still waiting patiently for Monday morning.

To you, My Dear Readers, I am grateful beyond measure.

Are You a Friend of Dorothy’s?


“The truth is, no one of us can be free until everybody is free.”
—Maya Angelou (1928–2014). American poet, author, and civil rights activist whose writings explored identity, dignity, freedom, and the shared humanity of all people.


“Write. Just write.”

That’s what I always tell aspiring writers.

“Write as if this will be your last line and your life depends on it. Or maybe your life after death depends on your last line.”

They stare. They roll their eyes. They purse their lips. They start. They write.

And after they’ve written several pages, I interrupt, knowing the gasps that will follow:

“Ignore the first page or two. Writers often discover their real starting point at the top of page two or three.”

“Ignore it? Throw it away?”

“Yeah, usually. Think of those pages as a warm-up exercise. Think of those pages as a way of finding the starting point.”

Ironically, it’s almost always true, even for seasoned writers. Maybe especially for seasoned writers.

I wish it were true for me. This time. This post.

But it’s not.

There’s no way—there’s just no way—that I’m going to start this post with the line I’d have to start it with if I applied my own advice:

“Are you a friend of Dorothy’s?”

Here’s why I wouldn’t.

I’m betting you’d ask:

“Who’s Dorothy?”

That’s what I asked myself yesterday when I stumbled accidentally upon the question. After I found the answer, I kept wishing I had known about it in the 1950s when I was growing up, wondering how on earth I’d ever recognize someone else like me. Queer.

Let’s face it. The eye contact thing—the looking back to see if he was looking back to see—was a hard if not impossible way to identify a kindred soul. How could I be sure? And I wasn’t about to come out and ask:

“Are you, you know—like me.”

But if I had known about Dorothy, I would have let it slip casually into the conversation:

“And are you a friend of Dorothy’s?”

“Yes” would have moved the conversation far, far away from small talk.

But I didn’t know then that the question was a coded phrase used by the LGBTQ+ community—particularly gay men—throughout the mid-20th century to discreetly identify one another.

Safe. Veiled. No risk. No exposure. No hostility. No legal trouble.

I’m surprised that it took me seventy-eight years to learn about the question and its answer. But I’m not surprised that I did so during Pride Month.

I had been paying close attention to the June headlines.

Some were celebratory. Governor Hochul proclaimed June 2026 LGBTQ+ Pride Month in New York. Orange County recognized Pride Month for the first time. Richmond listed eleven events to check out this June.

Others were not. Indiana’s governor declared Pride Month “Nuclear Family Month.” Republican governors across the country rebranded it with conservative alternatives. Tennessee followed Indiana’s lead. In Pinellas, Pride met “Faith and Family” pushback.

Then came a headline closer to home. It hit hard. Someone I knew shamed their former employer on FB for celebrating Pride Month and used a classic but outlandish propaganda technique: mix a few kernels of truth with a few outdated statistics, several disputed claims, some outright falsehoods, and then present everything under the banner:

“No Pride in Gay Life: THE FACTS.”

It only took me a minute or so to read the FB post. But it took me far longer to process my emotions. Anger. Sadness. Disappointment. Exhaustion. Surprise that it came from—someone I knew.

It took me even longer as I questioned what exactly we’re celebrating in June. Being gay, lesbian, bisexual, transgender, or queer? Hard-won advances that allow millions of people to live more openly than they could a generation ago? Battles that remain to be fought?

They’re not the same things. One is identity: human beings with shared blood pulsing in our veins and with shared hopes living in our hearts. The second is history: yesterday. The third is hope: today and tomorrow.

Suddenly, I realized that when we celebrate Pride Month, June ends and LGBTQ+ people remain marginalized.

Suddenly, I realized that when we celebrate Black History Month, February ends and Black Americans remain marginalized.

Suddenly, I realized that when we celebrate Women’s History Month, March ends and women remain marginalized.

Suddenly, I realized that when we celebrate Native American History Month, November ends and Native Americans remain marginalized.

Suddenly, I realized that we’ve gotten very good at celebrating people we’re still marginalizing.

We can do better.

We can be better.

We must.

I hope I live to see the day when Pride Month never ends.

I hope I live to see the day when Black History month never ends.

I hope I live to see the day when Women’s History Month never ends.

I hope I live to see the day when Native American Month never ends.

I hope I live to see the day when special months never end because we no longer need a special time to remind us that we are special humans every moment of every day of every month—all the time.

A day when dignity is not reserved for June or February or March or November.

A day when respect does not depend upon race, religion, gender, orientation, age, birthplace, wealth, education, politics, or any of the countless labels we use to divide ourselves into tribes.

A day when we stop asking who belongs and start assuming that everyone does.

Come fast the day when we see the person before we see the category.

Come fast the day when our differences invite our curiosity rather than our suspicion.

Come fast the day when no child grows up wondering whether there is anyone else in the world like them.

Come fast the day when we won’t need to ask, “Are you a friend of Dorothy’s?”

This One Is Different


“Like an old friend waiting on the porch, Poor Brentford appears at the entrance to each section, tips his hat, shares a thought, and invites readers to come a little farther along.”


Drumroll, please!

The moment absolutely no one has been waiting for has arrived!

I’m pleased to announce that Up to No Good, the fifth book in The Wired Researcher Series and my fourth In Bed book, is now available.

But before I tell you where to find it, let me tell you why it’s different.

For the past several years, I’ve been foolin’ around in bed. Stop right there! Don’t you dare call the authorities. I’m talking about writing.

The first volume appeared in 2023. Two more followed. Each gathered together a year’s worth of essays from The Wired Researcher, preserving them much as they originally appeared—one after another, week after week, moving steadily forward through time.

There was something honest about that approach. Readers experienced the essays in much the same order that I lived them.

But while assembling this fourth volume, I discovered something that surprised me.

A collection gathers.

A book shapes.

The distinction may sound small, but it changed everything.

For the first time, I stopped thinking primarily about chronology and started thinking about conversation.

● What happens when essays written months apart find themselves side by side?

● What emerges when humor sits next to heartbreak?

● What new meaning appears when an essay about gardening quietly speaks to one about grief, love, aging, democracy, memory, or biscuits?

The more I explored those questions, the more I realized that this volume wanted to become something different.

Not merely a collection.

A book.

A reading experience.

In the introduction, I explain that these essays are grouped “by the questions they worry, the moments they linger over, the emotional weather they share.”

That simple shift transformed the project.

Essays began speaking to one another.

Patterns emerged.

Themes surfaced that I hadn’t fully recognized when writing the individual pieces.

Then something else happened.

Poor Brentford Lee got involved.

Those of you who have followed my blog know Poor Brentford—the mountain philosopher, accidental theologian, occasional dispenser of homespun wisdom, and longtime observer of life’s oddities and wonders.

In earlier volumes, Poor Brentford mostly wandered in and out of individual essays.

This time, he grabbed hold of the entire book.

As the sections took shape, Poor Brentford somehow appointed himself official greeter, introducing each one with a bit of homespun wisdom uniquely his own.

“Most of what saves us wasn’t planned. It just kept growing anyway.”

“Everybody’s handed something they didn’t order. The rest is choice.”

“We were just boxwoods until someone believed we could be part of something beautiful.”

Frankly, I’m not sure I had much say in the matter.

Poor Brentford can be bodacious that way.

The result is that he now wanders throughout the book, standing at the entrance to every section, tipping his hat, offering a thought, and inviting readers to come a little farther along.

In many ways, Poor Brentford became the connective thread that helped transform a collection of essays into a unified reading experience.

Instead of moving week by week through a calendar year, readers move through twelve thematic landscapes:

What Grows, Teaches explores gardens, reinvention, second chances, patience, and grace.

What We Do with What We’re Given examines mishearings, limitations, temptations, acceptance, and the choices that shape a life.

Chosen Ground asks what it means to belong—to a place, to a memory, and ultimately to ourselves.

Those We Carry reflects on the people who continue to live within us long after they are gone.

Plagiarism À La Carte celebrates borrowing, influence, recipes, wit, and the occasional joyful act of making something unmistakably your own.

What We Lean On explores the quiet structures that steady us through uncertainty, solitude, and change.

On Our Own Terms examines aging, authenticity, self-authorship, and the liberating realization that we no longer need permission to be ourselves.

Giving Forward honors educators, mentors, benefactors, and all those who quietly build bridges for others.

Together, One ventures into fascinating territory where human curiosity meets artificial intelligence and asks what happens when we learn alongside the tools we create.

Literary Wanderings follows books, writers, forgotten voices, and the ideas that continue to shape us.

Choosing Love Again explores something I never expected to experience at this stage of life: the extraordinary privilege of falling in love once more.

And finally, When Democracy Falters gathers essays written from the conviction that citizenship is not a spectator sport and that silence carries consequences of its own.

Looking back, I realize that what changed wasn’t merely the arrangement of the essays.

What changed was the way I saw them.

Teaching literature for decades trained me to look beneath the surface, to ask how individual parts contribute to larger meanings. Somewhere along the way, I began applying that same close reading to my own writing.

The result is this book.

Some readers will recognize essays they first encountered on the blog. I hope they do. But I also hope they’ll discover something new in the conversations those essays now have with one another.

Others will be encountering many of these pieces for the first time.

Either way, my hope is that readers will find themselves lingering.

Laughing.

Remembering.

Questioning.

Growing.

Perhaps even falling a little more deeply in love with life itself.

After all, that’s what these essays have been teaching me all along.

In Bed and Up to No Good: Foolin’ Around by Choice is now available through Amazon and Barnes & Noble.

If you’d like to see what happens when a collection becomes a book—and when Poor Brentford appoints himself tour guide—I’d be honored to have you join me for the journey.

And as always, thank you for reading. Without readers, essays are merely conversations waiting to happen.

Two Porches. One Voice.


“The first porch is where you find your voice. The second porch is where your voice finds others.” —Poor Brentford Lee (b. 1947. Keeper of two porches, one mountain, one dog, and an inexhaustible supply of things worth saying—none of which he has to say alone anymore, thanks to his partner, Gary.)


Dear Faithful Readers,

You’ve been here with me on the porch since—well, some of you since the very beginning, back when I built it as nothing more than a place where you could pull up a chair and talk with me about the joys, challenges, and discoveries of research. We kept right on doing that from 2012 to 2021 when I decided to make the porch a little more fun by bringing you weekly creative nonfiction essays.

I’m still at it. Nearly 750,000 words later. Yes, you read it right. Foolin’ around in bed every night with ideas and words adds up. I’m spurred on by you, my Dear Readers, whose numbers keep increasing annually! Last year, we shared more than 35,000 views right here on the porch.

But I’ve built a brand-new porch, and I want you to be the first to know about it.

Don’t worry, though. I’m not leaving The Wired Researcher porch. It will remain open virtually forever. Same Monday mornings. Same voice–mine, with Poor Brentford’s voice chiming in from time to time. We’ll both be there, waiting for you.

I just heard someone shout out:

“So, why are you building a new porch? What’s that all about?”

Well, for starters, it has better lighting, and it might just bring in more neighbors for all of us to visit and exchange ideas.

I’m counting on you to check it out. I’ve named the second porch The Kendrick Chronicles.

“Where on earth is this new porch of yours?”

Gracious me! You know that I like to take my time–slow and easy like. In a sec, I’ll give you the link so that you can check it out for yourself. And when you do, go ahead and Subscribe! From that point forward, my essays–ever goldern new one that hits the world, every Monday morning like a neighbor who always brings something worth reading and never overstays his welcome–will find their way directly to your Inbox.

You can find this new porch of mine in Substack. Here’s the link:

brentlkendrick.substack.com

“What will I find when I get to this new porch of yours?”

Why, gracious me! You’ll find a comfy chair with your name on it and a handful of your favorite essays with my name on ’em:

● Redbuds of Remembrance

● Learning to Love in New Ways

● I Am Afraid

● Poor Brentford Cleans the Wax Out of His Ears

● Two, Together

● Glimpses of My Mother’s Hands

● The Ghost of Palmyra Church Road

● Truths Half-Told. Letters Half-Burned. A Legacy Waiting to Be Fully Heard.

● Carrying the Bags of Colonial America’s Humourist

And get this. If you subscribe, next week you’ll get an essay about a kitchen disaster beyond belief: “Oh, No! No Sourdough!” And the week after that, “What We Know. What We Believe.” It may be the most complete thing I’ve ever written about who I am and what I believe about what comes next.

So go on now. Pull up a chair. Same voice. Wider porch.

Come find me there:

The Kendrick Chroniclesbrentlkendrick.substack.com

But always remember to come back here, as I remain–

Epigraphically yours forever,

Brent L. Kendrick
(—and Poor Brentford Lee, who deserves full credit for my nonsense)

An Open Letter to a Sudden Surge

The MtnHouse
December 11, 2025

Dear Sudden Surge,

You took me by surprise again this morning. As always, when I awakened, I checked my Fitbit to see how my heart did overnight. Then I checked WordPress to see how my readers were doing.

And there you were. Another thousand views. A quiet jolt to the chart. Numbers climbing when I wasn’t looking.

You’ve been dancing higher and higher since October, when I passed 15,000 and figured I’d reached my high-water mark. I even wrote a piece of thanks back then, thinking I’d said all there was to say. But now here we are—December 11th—and this little corner of the internet has gathered 25,053 views.

I’ve done nothing different. I have no flashy headlines. I have no trending hashtags. I just keep following the same rhythm: writing essays born from memory in a home filled with love. I just keep foolin’ around with words and ideas.

So why now, after all these years?

That question hangs gently in the room with me. It’s not demanding an answer. It’s simply inviting a reflection. Maybe something shifted in the writing. Maybe it’s more expansive. Maybe it’s more lived-in. Maybe it’s a voice carrying a steadier warmth now. Maybe it’s grief that’s softened into grace. Maybe it’s love that arrived not with fanfare, but with a quiet hand stretched out in invitation. Maybe it’s all of those things. Maybe. And add to all those maybes one more. Maybe it’s readers sharing with readers.

Gary, of course, doesn’t ask to be written about. But his presence is here, between the lines, in the patience of a paragraph, the steadiness of tone, the way I’ve learned to let silence do some of the talking.

Ruby, on the other hand, insists on being written about, whether she’s nosing me away from my smartphone or curling up in solidarity as I revise for the twenty-fifth time. She is, as always, the keeper of the tempo, the mistress of the move.

So this isn’t an open letter to public stats. It’s a letter to something deeper. It’s a letter to what it means to keep writing when no one’s watching, and then to wake up and find that someone was.

My essays aren’t meant to dazzle. And I know: they don’t. They’re just small acts of holding up the light, one weekly reflection at a time. The fact that they’re being read, now more than ever, tells me something I didn’t expect: quiet honesty still finds its way.

Thank you, Sudden Surge, for reminding me that patience has its own reward, that consistency is a kind of faith, and that somewhere out there, readers are still pausing to linger with a slow essay from the mountain.

I don’t know what this upturn means, or where it leads. But I do know I’ll keep showing up with my smartphone in hand and love at my side.

Wired with wonder and gratitude,
Brent

The Shape of a Surge

Extra! Extra! Read All About It! A Blog Is Born!

“Somewhere, something incredible is waiting to be known.”

–Carl Sagan (1934–1996; astronomer and science communicator who inspired millions through his work on Cosmos and popular science writing.)

Tell me to do something, and I probably won’t do it. It smacks too much of being ordered around. No, thank you. Most of the time–though not always–I prefer to do the bossing.

On the other hand, suggest that I do something–maybe even challenge me to do something–and I’ll probably do it. Yes, thank you. I thrive on encouragement.

That’s exactly how today’s post began. One of my followers–my Linden Correspondent (LC)–suggested that the world at large might be revved and ready to know how my wired blog began! I thought LC’s suggestion was splendid, especially since my blog just celebrated its 12th anniversary. What better time than now to share the electrifying backstory.

With a growing readership of 13,782 (and counting!), I like to think my blog has found its niche. My readers value my blog for what it is today: a succession of riveting and captivating creative nonfiction essays that appear magically every Monday morning just in time for that first cup of coffee–that is for early risers who get their brew going early. That’s why I make a point of posting before 7am. While I sip on my coffee and savor what I wrote, I like to think that the entire world is doing the same thing.

Every Monday morning, you’ll find me in my reading chair with Ruby—my 60-pound lapdog—perusing my post while she peruses me. Sometimes, I smile and say aloud for her amusement:

“Wow, Kendrick! That’s a remarkable sentence. If you keep cranking out little gems like that, maybe one day you’ll end up somewhere as someone’s endnote.”

Yep. An endnote. Ironically, I guess that’s where we all end up: Someone’s endnote.

That’s not such a bad thing, you know. An endnote here. An endnote there. It seems to me that achieving a memorable, perhaps quotable phrase here and there is probably far wiser than having the entire canon of my work ricocheting around the world.

Stop and think about it for a minute or three. Look, for example, at what Benjamin Franklin achieved as a writer. Let’s focus on his Poor Richard’s Almanack, published annually from 1732 to 1758—nearly a quarter of a century of wit and wisdom.

Most people today can recall only a handful of Franklin’s most famous sayings, like:

● “Early to bed and early to rise makes a man healthy, wealthy, and wise.”
● “A penny saved is a penny earned.”
● “No gains without pains.”

Please tell me, Dear Reader, that you know those sayings, for if you don’t, you surely won’t know these:

● “Well done is better than well said.”
● “Three may keep a secret, if two of them are dead.”
● “If you would not be forgotten, as soon as you are dead and rotten, either write things worth reading, or do things worth writing.”

Indeed, Franklin managed to do both: he wrote things worth reading and did things worth writing. And, as I like to say:

“Endnoted.”

But let me take you back to where I began: the beginning of this blog.

I am so sorely tempted to say:

“It was a dark and stormy night …”

And that’s exactly what I would say, but if I said that I would have to note that Edward Bulwer-Lytton opened his 1830 novel, Paul Clifford with those words. As much as I hate to say it, because I am a stickler on documentation, I have grown weary of all the endnoting that I keep noting. Let us then move on to something that requires no noting.

Whew! I don’t know about you, but I feel notably relieved already.

LC must be relieved, too, to see that, at last, I’m getting around to sharing with the world the story behind the birth of my blog. But, as they say, every blog has its story, and mine is no exception.

Here’s what’s fascinating. Today, I am known around the world for my weekly memoir blog posts talking about anything from Aging to Zippers and about everything in between.

But when the idea for my blog came to me in 2012, I had a sharp, narrow, scholarly focus. I was working on my application for the VCCS Chancellor’s Commonwealth Professorship Program. At the heart of my application was the scholarly research that I wanted to do with a remarkable collection of Colonial American essays, songs, poems, and advertisements published pseudonymously under the name of “The Humourist” in the South Carolina Gazette during 1753-1754. The unique essays had never been reprinted, so they remained “hidden” and “undiscovered,” so to speak, in that newspaper. Further, no one knew who wrote the essays. Well, I was 99% certain that I knew, but I needed to do additional research and analysis to confirm my suspicions. In that sense, my project was a literary “whodunit” involving three things.

First, I planned to prepare a critical, annotated edition of the essays.

Second, I planned to develop a convincing case for authorial attribution based on a preponderance of internal evidence as well as on stylometrics.

Third, throughout the process of preparing the critical, annotated edition and developing a case for authorial attribution, I planned to give the essays a “close reading.” I was reminded of a quote by Robert Frost:

“We go to college to be given one more chance to learn to read in case we haven’t learned in high school. Once we have learned to read, the rest can be trusted to add itself unto us.”

I always shared that wisdom with my students. Learning to read—really read—gets to the heart of what we want our students to do, not just in English classes but across the board. When students slow down and give a text a close reading, critical thinking and intellectual discovery follow.

As Frost knew so well, that is what “learning to read” is all about. Further, when students learn how to really read, they can construct their own intellectual inquiries: “the rest can be trusted to add itself unto us.”

I always shared that belief—and approach—with my students without fail. I showed them how to learn to read, class after class, reading assignment after reading assignment, as I gave whatever literary selection we were reading my own close reading and as I made my own discoveries about a text. They were intrigued not only by my process but also by the discoveries that I made simply because of my dogged determination to give a text—any text—a close reading.

In my application, that’s precisely what I proposed to do with “The Humourist” essays. I wanted the opportunity to give the essays such a close reading that I would be able not only to establish a scholarly, annotated edition but also to identify the author.

I was really happy with that part of my application, but I knew that I needed something more. I needed a way to share my scholarly work on a regular basis with my colleagues and my students so that they could benefit, too.

I needed an idea. As I sat there on that January 8th evening, well into the third or fourth or maybe even fifth revision of my application, I started thinking about Daniel Boorstin (1975-1987), twelfth Librarian of Congress. A champion of accessibility, he worked to open the library to the public in symbolic and practical ways. He placed picnic tables and benches on Neptune Plaza, transforming it into a space for community gatherings. He initiated mid-day concerts and famously removed the chains from the majestic bronze doors at the first-floor west entrance leading to the Great Hall of the Jefferson Building. When told it would create a draft, he replied, “Great—that’s just what we need.”  In a bold move, he even stopped the practice of searching visitors.

At that time, I worked at the Library of Congress as an editor of the National Union Catalog, Pre-1956 Imprints, and I well remember the occasion when the bronze doors were opened. If I am not mistaken, it was on this occasion that I heard Dr. Boorstin say:

You never know when an idea is about to be born.

His comment lingered, and since hearing it, I made a point to keep track of when my own ideas were born.

So it came to be. While thinking about Boorstin, ideas, and my project, I exclaimed to myself:

“Blog it!”

I knew that a blog would allow me to share with the entire world my challenges, discoveries, and joys of research.

I knew that a blog would allow me to share with others this remarkable collection of Colonial American essays, songs, poems, and advertisements. The Encyclopedia of the Essay (ed. Tracy Chevalier, 1997) placed “The Humourist” essays in the tradition of Samuel Johnson’s Rambler essays and observed that they are the only “full-fledged literary” works to have appeared in the South Carolina Gazette. Years earlier, J. A. Leo Lemay (du Pont Winterthur Professor of English at the University of Delaware) had noted in A Bibliographical Guide to the Study of Southern Literature (1969) that the essays should be edited, published, and the author identified.

This was hot! I knew that I could make “stuffy” literary research come alive in a blog. Colleagues and students and scholars and the world at large would love it. I knew they would because who wouldn’t love essays on par with Benjamin Franklin’s “Silence Dogood Letters”? Get this, too. Franklin had direct ties to the South Carolina Gazette and possibly to the author of “The Humourist” essays.

I knew, too, that aside from being in the essay tradition itself, a blog would allow me to share my project with faculty and students throughout the Virginia Community College System (VCCS), from the beginning of my work and every step of the way through completion. I realized that a blog would allow me to capture my personal experiences on a regular and ongoing basis: my work, my methods, my discoveries, my challenges and frustrations, and my joys.

I knew that a blog would allow me to do in the virtual world—using a heretofore unstudied literary work—exactly what I did in my classroom with literary works that appear in our textbooks: turn my blog followers on to the beauty of giving a text a close reading and turn them my on to “learning how to read,” showing them that once they learned how to read all else would be given to them.

That same evening, I came up with a working title: The Wired Researcher.  I Googled it and was delighted to discover that no such blog existed.

As I often do, I emailed a former student—a lover of language and words and ideas—to get her take on my blog idea.

She responded immediately:

The word “wired” will catch the attention of …The Young.  They’ll think you are “hip.”

You’ll need a logo.  You’ll need T-shirts with the logo on them.  You need pens that say, “The Wired Researcher.”  “Sold in libraries everywhere.”  “Guaranteed to make study more exciting.” Oh, boy, I see tie-ins!

Clearly my former student was as wired as I was—perhaps that’s why I valued her opinions as highly as I did—but her email response gave affirmation to the title of the blog that had been born.

Here’s where the birth of the blog starts to get really sweet. I was awarded the Chancellor’s Commonwealth Professorship (2012-2014).

My first announcement appeared on October 19, 2012. It was short!

“Welcome to The Wired Researcher! Blog posts will begin on November 26, 2012.”

True to my promise, on November 26, I published “Opportunity Knocks Twice in the Virginia Community College System.” That post included the first of the historical essays that served as the nucleus for my project: “The Humourist” (November 26, 1753). Yep. Choosing to launch my blog on November 26, the same day that the Humourist launched his essays, was deliberate, and if I must say so myself, I think it was a stroke of genius!

And so, The Wired Researcher was born—not just as a blog, but as a way for me to share my love of research with a world eager to learn about my discoveries.

Now you have the inside scoop. If you want to know more, simply go back to the beginning and read all the posts from the start. But whatever you do, please make certain that you read Colonial Charleston’s Biggest Literary Mystery Is Solved!Yep. I solved the literary whodunit that captured me in the first place. Then you have to read “Three Special Shout-Outs!” because behind every success story are lots of people who deserve praise and thanks!

Wait! Wait! Don’t go yet. I have one or two more things to share.

When my blog started, I had around 1,750 views a year, representing 33 countries. So far this year, it has soared to an impressive 13,782 views from 152 countries! I must be writing something right!

To each and every one of you, My Dear Readers–then, now, and all along the way–a special shout-out!

To my Linden Correspondent (LC), who tossed out the idea that I share the story behind the blog, I extend a supercalifragilisticexpialidocious thank-you! (As Mary Poppins would say, nothing else captures the exuberance quite right!)

I look forward to a future of Mondays, inspired by the joy of discovery and by the connections that I’m making with all of you.

P. S. The joy of sharing new ideas awaits us all!