Poor Brentford Gives a Writerly Upbraiding


The writer who goes hunting ideas too aggressively usually returns with nothing but metaphors and poison ivy.” — Poor Brentford Lee. Reluctant naturalist and persistent thorn in his writerly side since 1947.


“Phooey!”

I swear on a stack of books yet to be written that’s exactly what Poor Brentford said.

And get this. He had the nerve to say it smack dab in the middle of a conversation with Gary while I was explaining that maybe, just maybe, I’d come up with something to write about while gardening.

“It’s not easy coming up with all these blog ideas.”

“But you seem to have more ideas than there are days.”

“I don’t know about that, but I came up with one right now. You’ll see.”

I wouldn’t be the first writer, of course, looking for something to write about.

I guess, truth be told, we all go hunting for material.

And precisely at that thought I heard:

“Phooey!”

Luckily, Gary did not hear Poor Brentford who was just getting started.

“It goes without saying that you’ll start your catalogue of examples with your Lady.”

“Of course I will. Mary E. Wilkins Freeman was notorious for writing about the people and happenings where she lived. And who, pray tell, knows that better than I?”

“Oh, Lord,” Poor Brentford moaned. “Must I listen one more time to your recitation of local influences in her Pembroke, People of Our Neighborhood, The Debtor …”

“Stop it. Stop it right there. That’s not fair. You know fully well that I don’t think I’ve ever said such a thing about those novels, but I could. She did.”

“What, then, were you going to corner me with?”

“Well, I was simply going to say that Freeman owned up to her literary heists.”

“Right. Sure, she did. Like she owned up to being ten years younger than she really was.”

Poor Brentford, I could tell, was a little more cantankerous than usual, so I decided to shut him up with proof.

“Here’s what she wrote a friend, and I quote, word for word: ‘Monday afternoon, I went a-hunting material too: We went to an old lady’s birthday-party. But …’:

He interrupted me mid-sentence.

“I’ve heard it before. Heard it all before, word by word: ‘… all I saw worth writing about there was a poor old dog who had been chained thirteen years, because he bit a man once, in his puppy-hood.'”

Poor Brentford was right, of course. I’ve written often about that poor puppy and how Freeman gave him a new life as Caesar in her “A New England Nun,” unaware perhaps that his resurrection in that story was linked inextricably and forever to sexual repression.

But was he kind enough to let me do it one more time? Of course not.

“You need to get new examples that will grab your readers’ attention the way that poor puppy grabbed Freeman’s heart.”

Before I could agree or disagree or even ask what writers he had in mind, he gave me a litany that lasted so long I needed a fresh shave. And get this. He had them all neatly organized by categories. It was disgusting. I mean he started off with the obvious, writers like Freeman who really did go looking. The way Henry David Thoreau did in Walden. Or Hemingway as he chased wars and bullfights and deep-sea fishing. Or Joan Didion’s notebooks capturing her fleeting impressions. He even had a list of counterparts across the Pond but before he could bless me with Dickens and his kith and kin, he lost his train of thought and started telling me about writers who made use of strange incidents.

Frankenstein grew out of a ghost-story contest during a rainy vacation.

Alice’s Adventures in Wonderland began as an improvised story told to amuse a child on a boat ride.

The Metamorphosis reportedly sprang from the absurd question: what if a man woke up as an insect?

● The Strange Case of Dr Jekyll and Mr. Hyde was inspired by a dream.

I listened attentively, storing up those examples with every intent to use them in something or other one day or another, but I stood up and objected vehemently when he had the nerve to expect me to follow along with his discussion of the intertextual path that some writers had taken as they wrote famous works based on other folks’ famous works. Ulysses parallels The Odyssey. Rosencrantz and Guildenstern Are Dead as a spin off from Hamlet. I had heard enough. More than enough.

“All right, Poor Brentford. Let’s make a truce. Let’s sign a pact. Let’s forget that I ever mentioned my hope of finding a blog idea to write about.”

I paused. He paused. We stared at one another.

“If you do, you’ll be sorry.”

“It won’t be the first time, I’m sure. But if you’ll excuse me, I have to garden so that I’ll find something to write about.”

“You’re wasting your time. When’s the last time that you ever went looking for an idea and found one?”

I started to reply, but he cut me short.

“Did it ever occur to you that you’ve got this writerly thing of yours all reversed?”

“Thing? Writerly thing?” Spit it out. What’s your point?”

“My point,” Poor Brentford said, with the air of a man who has been waiting his entire existence to say exactly this, “is that you didn’t find your ideas. Your ideas found you.”

I opened my mouth.

“Don’t.”

I closed it.

“Take your Lady. Do you honestly believe you went looking for Mary E. Wilkins Freeman? Or did she reach up out of some footnote or bibliography and grab you by the collar in 1973 and simply refuse to let go? Because last time I checked, she still hasn’t.”

I said nothing, which, as Poor Brentford knows perfectly well, is as good as an admission.

“More than fifty years, Brent. Fifty years she has had you. And you have the audacity—the sheer pomposity—to sit there and tell Gary you went looking for something to write about while gardening. How generous of you. How magnanimous. How utterly beside the point.

“And then there’s Alexander Gordon.”

He said it quietly, exactly the way Poor Brentford delivers his most devastating blows.

“You didn’t find The Humourist. The Humourist found you. He waited. Two hundred and nineteen years, give or take. Sitting in the only complete run of the South-Carolina Gazette in existence—survived earthquakes, fires, wars, and hurricanes, mind you—and then reached up out of a footnote in 1973 and grabbed a graduate student by the collar. And here you are, fifty-some years later, still in his grip. Still writing. Still talking about him at libraries.”

He paused for effect. He has always been insufferably good at pauses.

“They found you, Brent. Both of them. In the same year, no less. And they have never once seen fit to release you. How breathtakingly, magnificently pompous to think that you in your infinite wisdom found them.

I sat down, flummoxed.

“What on earth am I supposed to do with that? I don’t have all the time in the world, you know, to come up with ideas.”

Maybe,” Poor Brentford said, “that’s the whole point of this writerly thing I’m trying to help you understand.”

He settled back with an expression I hadn’t seen before. Not smug. Not cantankerous. Almost kind.

“Ideas,” he said, “are not sitting around waiting for you to come find them. They are, if you’ll permit me, already in motion. Floating. Drifting. Looking for the right home. The right mind. The right heart. They pass over some people entirely–perfectly nice people, mind you, and perfectly intelligent people–and move on. Then they find someone like you and they simply settle. Take up residence. Refuse to leave.”

I started to say something.

“Freeman settled in 1973. Gordon settled in 1973. The same year, Brent. Do you think that was your doing?”

I did not.

“Ideas are not hunted. They are not chased down like a rabbit hopping through your briary ravine.”

He folded his hands with great finality.

“They arrive. Always have. Always will. The only question that matters—the only question that ever has—is whether the writer is the kind of person who opens the door and makes a home.”

A Banner Year, Gently Told

As this year draws to a close, I want to thank you for visiting my blog 32,727 times.

That didn’t happen overnight. And it didn’t happen by accident.

This year, more people found their way here than ever before—slowly, steadily, and often by returning. Compared with last year, readership grew significantly, not because anything went viral, but because the writing kept meeting the right readers at the right moment.

Growth, the quiet way,

These pages have held many things:

● 18th-century satire and present-day kitchens.
● Scholarship and softness.
● Books, biscuits, dogs, devotion, memory, love.

Some posts traveled far. Others found only a handful of readers. But every one was written with care—and read with attention.

I don’t think of these as clicks.

I think of them as moments of shared presence in a distracted world.

You made this a banner year.

If you were one of the 32,725:

● thank you for reading,
● thank you for lingering,
● thank you for making this a place worth returning to.

Here’s to a year shaped by patience, curiosity, and generosity of spirit—and to whatever quiet magic comes next.

Wired with wonder,
Brent

An Open Letter to a Sudden Surge

The MtnHouse
December 11, 2025

Dear Sudden Surge,

You took me by surprise again this morning. As always, when I awakened, I checked my Fitbit to see how my heart did overnight. Then I checked WordPress to see how my readers were doing.

And there you were. Another thousand views. A quiet jolt to the chart. Numbers climbing when I wasn’t looking.

You’ve been dancing higher and higher since October, when I passed 15,000 and figured I’d reached my high-water mark. I even wrote a piece of thanks back then, thinking I’d said all there was to say. But now here we are—December 11th—and this little corner of the internet has gathered 25,053 views.

I’ve done nothing different. I have no flashy headlines. I have no trending hashtags. I just keep following the same rhythm: writing essays born from memory in a home filled with love. I just keep foolin’ around with words and ideas.

So why now, after all these years?

That question hangs gently in the room with me. It’s not demanding an answer. It’s simply inviting a reflection. Maybe something shifted in the writing. Maybe it’s more expansive. Maybe it’s more lived-in. Maybe it’s a voice carrying a steadier warmth now. Maybe it’s grief that’s softened into grace. Maybe it’s love that arrived not with fanfare, but with a quiet hand stretched out in invitation. Maybe it’s all of those things. Maybe. And add to all those maybes one more. Maybe it’s readers sharing with readers.

Gary, of course, doesn’t ask to be written about. But his presence is here, between the lines, in the patience of a paragraph, the steadiness of tone, the way I’ve learned to let silence do some of the talking.

Ruby, on the other hand, insists on being written about, whether she’s nosing me away from my smartphone or curling up in solidarity as I revise for the twenty-fifth time. She is, as always, the keeper of the tempo, the mistress of the move.

So this isn’t an open letter to public stats. It’s a letter to something deeper. It’s a letter to what it means to keep writing when no one’s watching, and then to wake up and find that someone was.

My essays aren’t meant to dazzle. And I know: they don’t. They’re just small acts of holding up the light, one weekly reflection at a time. The fact that they’re being read, now more than ever, tells me something I didn’t expect: quiet honesty still finds its way.

Thank you, Sudden Surge, for reminding me that patience has its own reward, that consistency is a kind of faith, and that somewhere out there, readers are still pausing to linger with a slow essay from the mountain.

I don’t know what this upturn means, or where it leads. But I do know I’ll keep showing up with my smartphone in hand and love at my side.

Wired with wonder and gratitude,
Brent

The Shape of a Surge

20,062 Reasons to Be Grateful

“I would maintain that thanks are the highest form of thought.”

—G. K. Chesterton (1874–1936,). influential English essayist whose sharp wit, moral clarity, and human warmth made him one of the most quoted thinkers of his time.

My blog surprised me again this week. Back in October, I crossed 15,000 views and thought I’d reached my high-water mark for the year. Now, barely a month later, I’m staring at an even bigger number:

20,062 views—with a full month still to go.

That’s more than last year, more than the year before, and more than I ever expected from this little mountain corner of mine. Apparently, these memoir stories I write from a quiet oasis in the wilderness of Virginia keep finding their way into far-off places—and into the hands and hearts of readers I’ll never meet yet somehow feel connected to all the same.

Reasons to Be Grateful

But 20,062 isn’t really a number. Not to me.

It’s the sum of moments someone chose to spend with my words. It’s a cup of coffee that went cold on a stranger’s table because they lingered. It’s a pause in someone’s busy day. It’s a late-night scroll where someone said, without ever typing the words, “I’ll stay a little longer.” Twenty thousand tiny gestures of yes in a world full of noise.

And the deeper truth behind that math—the part I keep circling back to—is that this milestone isn’t about reach or visibility or bragging rights. It’s about what it represents in the long arc of a life. I’ve lived enough years, and carried enough stories, to know that readers don’t show up unless something in the writing rings true. They don’t return unless the voice feels familiar, honest, worth sitting with. They certainly don’t keep climbing toward 20,000 unless the stories hold something real.

So this isn’t a celebration of views.

It’s a quiet acknowledgment that I’ve kept faith with my own voice—through reinvention, through loss, through love found unexpectedly, through the strange and luminous chapters that have made up this year. And somehow, astonishingly, readers have kept faith with me.

And yes, threaded into the margins—without ever mentioning Gary by name—is the quiet steadiness that has shaped this year in ways I’m still learning to articulate. Love doesn’t call attention to itself; it simply widens the edges of your life. It softens how you move through the world, deepens the tone of your voice, and reminds you that being read is wonderful, but being seen—fully, gently, without hurry—is something else entirely.

This year, more than any before, has reminded me that showing up with a story is an act of hope. And reading one is, too. Somewhere in that exchange—when the writing meets the reading—something human and steady is created. Something that matters.

So here I sit, on a chilly Thanksgiving week, taking in this milestone not as a trumpet blast but as a simple moment of gratitude. Gratitude for the readers who knock on my digital door day after day. Gratitude for the chance to tell the stories I’ve carried for decades. Gratitude for the ways this year has widened, softened, and surprised me—and for the quiet presence that keeps teaching me that the best stories are the ones we live, not just write.

I didn’t expect this climb to 20,062. But I’m grateful for every step, every reader, every quiet yes.

And with a month still to go, I’ll just say it now—

Thank you.

Lifted Higher and Higher

“Stories are the communal currency of humanity.”

—Terry Tempest Williams (b. 1955. American writer and environmental activist whose lyrical essays explore the intersections of personal narrative, place, and ecological stewardship.)

Something snuck up on me yesterday.

I was talking on the phone with my 90-year-old sister when I glanced down at my smartphone, saw my WordPress dashboard—and nearly did a spit take.

Over 15,188 views this year already!

That’s already more than all of 2024, and we still have October, November, and December to go. Apparently, my little mountain corner has gone global again—and I couldn’t be more grateful.

To every one of you, My Dear Readers, who reads, comments, shares, or quietly lingers over a sentence or two: thank you. You’ve turned this space into a community of curiosity, compassion, and laughter. Every click, every view, every thoughtful message reminds me that words still matter—and that connection runs deeper than algorithms.

Your Top 10 Favorites of 2025 (So Far)

Every year tells its own story through what readers choose. This year’s list made me smile. It’s a mix of reflection, resilience, and rediscovery—with a dash of irreverence (because, well, it’s me or Poor Brentford Lee or maybe both).

“I Am Afraid” — A wake-up call for our country—and a reminder of who we still can be.

“The Place: Charleston” — The launch of my Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina.

“Redbuds of Remembrance” — Even loss can bloom in the right season.

“FramilySaid™: For When Family Isn’t Enough” — A reminder that your worth doesn’t need a witness. Show up for yourself.

“Rise Up with Words. A Declaration for Our Troubled Times” — In these politically charged times — when so many people feel hopeless, unheard, and unseen — words matter more than ever.

“My Altar Ego” — “‘I be fabulous. You be fabulous, too.”

“The Rust Whisperer” — Aging is a journey filled with yearnings. To arrive. To become.

“What Could $40 Million Do—Besides Fund a Parade? A Love Letter to Priorities (with a Side-Eye to A Spectacle)” — History is watching. Are you?

“A Week Back to the Future” — How my sister’s Remington Rand typewriter changed my life.

“Finding Love Later in Life—Baggage and All” — Proof that love comes to those who believe.

Looking Ahead

There’s still more to come before year’s end—new essays, reflections, maybe even a few surprises that have been sitting in my drafts waiting for the right moment. Perhaps even one or two guest posts by our famed and acclaimed Poor Brentford Lee.

I can’t promise I’ll always be profound, but I can promise I’ll keep showing up with authenticity, honesty, humor, and heart.

Thank you, My Dear Readers, for being here, for reading, and for reminding me—every day—that a single voice can still find an echo.

Climbing Higher and Higher: 12,000 Views (and Counting!)

“The reader is the final arbiter of a text. Without the reader, the words are silent.”

Margaret Atwood (b. 1939). Canadian poet, novelist, essayist, and critic, one of the most influential literary voices of our time.

My Dear Readers, I blinked yesterday, and suddenly my little corner of the internet tallied 12,000 views for 2025—with three months still to go!

That’s not just a number. It’s 12,000 moments of connection. 12,000 times someone out there paused long enough to read my words, nod, chuckle, roll an eye, or maybe even find a flicker of themselves in my essays.

And here’s the part that stuns me: with this pace, we’re on track to sail past last year’s phenomenal 15,000 peak—a record I once thought unrepeatable. But here we are, repeating (and then some).

The 10 You Loved the Loudest

Every essay I publish is a seed tossed into the world. Some sprout quietly. Some bloom bold and bright. Here are the ten that you watered most generously this year:

Redbuds of Remembrance

A Forgotten Voice, A Solved Mystery—And Soon, A Book

Rise Up with Words. A Declaration for Our Troubled Times

My Altar Ego

The Rust Whisperer

A Week Back to the Future

What Could $40 Million Do—Besides Fund a Parade? A Love Letter to Priorities (with a Side-Eye to A Spectacle)

Learning to Love in New Ways

Finding Love Later in Life—Baggage and All

A Culinary Heist in Broad Daylight

My Thanks

Whether you’ve been here since my first blog post nearly 13 years ago or you just stumbled across my latest musings, you’ve made this milestone possible. I don’t take your presence lightly.

So, here’s to you—my companions in this ongoing experiment of storytelling, memory-making, and meaning-finding. Let’s see how far we can climb before 2025 closes the books.

After all, the numbers matter—but the connections matter more.

15,000 Views and Counting: A Symphony of Words and Readers

“To toot one’s own horn is to sound the music of one’s journey. And today, my friends, the notes are jubilant, triumphant, unmistakably heartfelt, and wrapped in a little holiday cheer!”

–TheWiredResearcher (b. 1947; self-effacing educator, essayist, Green Mountain scholar, and Humourist—patiently awaiting long-overdue New York Times recognition.)

Beloved readers–of all ages and from all corners of the globe–I’m going to toot my horn proudly today!

At 11:22am today, my blog hit 15,000 views in 2024! Is that a special Christmas gift or what!

Let me pause and let that sink in: FIFTEEN. THOUSAND. VIEWS.

Can you hear the confetti cannons? Feel the glitter raining down? That’s the energy I’m channeling today. Because let’s be honest—this doesn’t happen by accident. It’s the result of showing up week after week, pouring my heart and soul into every post, and, most importantly, connecting with YOU, my remarkable readers.

If you’re like me, you know that milestones mean more when you see where they began. Let’s rewind:

2021: 3,940 views. A small but solid readership.

2022: 6,655 views. Growth doubling and momentum building.

2023: 7,313 views. Steady, heartfelt engagement.

2024: 15,000 views… and the year isn’t over yet!

From 3,940 to 15,000 in just a few years—this isn’t just growth. It’s a story of connection. It’s a story of us.

What Does 15,000 Look Like?

It looks like 140 countries—stretching from the United States’ plains and mountain ranges to Afghanistan’s rugged peaks, India’s vibrant deserts and Himalayas, and France’s vineyards, all the way to Zimbabwe’s sweeping savannahs. It looks like comments from faithful followers. It looks like early risers sipping coffee as they dive into my Monday morning musings. It looks like connections that transcend borders, reminding us all of the power of words.

The Greatest Hits (According to You!)

As we bask in this milestone, let’s revisit the top-ten posts that you’ve loved the most this year:

Glimpses of My Mother’s Hands.” A tribute to the tender, industrious, and spiritual hands that shaped my life and my memories.

Vermont’s Literary Daughter.” An exploration of the legacy of Mary E. Wilkins Freeman and my ongoing mission to keep her voice alive.

Confessions of an Editor.” A revealing journey of editing Freeman’s collected letters, complete with a never-before-shared self-review.

When Lilacs Meet Algorithms.” A dance between the timeless poetry of Walt Whitman and the cutting-edge potential of AI.

From Dusty Folder to Digital Ink.” A scholarly tale of rediscovery, dedication, and the joy of research.

“From Stars to Soil.” A nostalgic return to childhood gardening and the realization that it gave me a profound appreciation for the interconnectedness and sacredness of all life.

“My Mother’s Dress.” A story exploring how a dress that my mother made for herself included her hopes, her visions, her aspirations, and her dreams for her family and her world.

“Sister’s Hands.” A celebration of decades of selfless love, compassion, and service.

“My Taxing Review.” A humorous exploration of opening personal archives as a way to create a rich personal narrative.

“Not Alone.” A triumphant tale of my own Coming Out.

A Milestone Worth Celebrating

Fifteen thousand views aren’t just numbers—they’re stories, connections, and a shared love of learning. Each one represents someone who paused in their day to engage with my words. Together, we’ve created a space where ideas flourish, where history meets memoir, where research mingles with creativity, and where we never stop asking the big questions.

The Future Is Bright

What’s next? More posts that inspire, challenge, and delight. More glimpses into the magic of the everyday. More stories that remind us why we love the written word.

To everyone who has ever clicked, read, commented, or shared—THANK YOU. You are the symphony that makes this blog sing. And as the music swells, I can’t help but toot my own horn just a little louder.

Because today, it’s not just my achievement—it’s ours.

Here’s to 15,000 views—and the countless stories and connections that brought us here.

When the Heat Is On: Cue the Vacay!

“You don’t have to be rich to travel well.”

–Eugene Fodor (1905–1991; notable American travel writer and editor best known for founding Fodor’s Travel Publications).

All right, everyone, indulge me for a moment and imagine something a bit out of the ordinary.

Close your eyes and conjure up an image the likes of which I’ll guarantee you’ve never seen before. Picture a man in his 70s, proudly sporting a ponytail that flutters like a whimsical flag in the breeze, perched precariously atop his chimney. Clad in well-worn flip flops and cut-off blue-jean shorts that reveal a pair of weathered but surprisingly spry and some-say-sexy legs, he stands with the kind of balance that suggests he’s either a seasoned acrobat or a silly fool blissfully unaware of danger.

From this lofty perch, he’s gazing out over the Shenandoah Valley below, his eyes twinkling like a mischievous elf’s, while the mountains in the distance seem to be returning their own salubrious salutation. With all the gusto of a wired researcher on a caffeine overdose, he belts out the Hallelujah Chorus at full volume, his voice soaring like a defiant eagle. His performance is a grand spectacle of unbridled joy and unequaled eccentricity, turning the chimney into his personal stage and the sky into his private audience.

In case you’re wondering who this daring rooftop performer is and why he’s carrying on such shenanigans, lean in close, and I’ll tell you. It’s me! I’m celebrating what appears to be the temporary end of an exhausting heat wave and drought by having my own imaginary rooftop concert that would make any diva proud. After enduring what felt like a never-ending barrage of scorching temperatures and parched landscapes, I figured it was high time for a little over-the-top jubilation. And if there’s anything that I love, it’s everything over-the-top.

Cooler temps and rain seem to be headed our way, and I’m embracing the arrival of this much-needed relief with the kind of exuberance that only a seasoned professor of hot weather clichés could cobble together. It’s been so blisteringly hot that I nearly froze to death, but I didn’t. Instead, I’ve become a connoisseur of every sun-scorched saying you can imagine. I’ve spent weeks sweating buckets, trying not to fry like an egg on the hood of my Gladiator, and lamenting the fact that my car seats are doubling as personal saunas. I’ve become a pro at grumbling about the weather, wondering whether my walkway pavers were actually sizzling, and dreaming of anything that wasn’t a mirage.

Guess what else I did during the sweltering days that are temporarily behind us? I put off more tasks than Carter’s got liver pills! Yep. The heat and drought have been an excuse, whether I was avoiding the garden beds that have turned into dust bowls or ignoring other projects that seemed like too much effort in a heatwave. I’ve postponed weedwhacking, repairing the leaky faucet that’s been dripping like a leaky faucet (because, let’s face it, who wants to fix a sink when it feels like you’re living inside an oven?), and even organizing the loft, which has somehow become a haphazard shrine to summer’s oppressive heat.

Guess what else I did? I decided that I needed to take a vacation! Yep. You heard me right. I decided that I needed some good old-fashioned downtime. But dayum! Before I could even plan to take it, I found myself all curled up and relaxed with the Oxford English Dictionary (OED) so that I could find out all about the vacation that the dreaded heat and drought convinced me that I needed to take.

As might be expected, our kith and kin Across the Pond used the word vacation as a noun long before we did, all the way back in 1405:

“Whan he hadde leyser and vacacion ffrom oother worldly ocupacion” (Chaucer, Wife of Bath’s Tale Prologue l. 683).

Isn’t that fascinating? Of course it is. More fascinating, though, is the fact that we Americans used it first as a verb in 1866:

“Whether Winter or summer, … threading the filthy lands of the Ghetto or vacationing among the islands, Mr. Howells found Venice … a theme for constant studies” (Round Table 8 September 90/2).

Now that I’m all squared away on the word vacation, I think I’ll spend just another second or two finding out when the phrase take a vacation was first used. You might have known it. The OED has the scoop:

“Smoke Jordan tried hard to get him to … maybe take a vacation, Florida’s nice. ‘Get yourself wheeled up and down like an icky banker?’” (D. Baker, Young Man with Horn, 1938)

What the OED does not disclose is fascinating as well, and I wouldn’t know it if I had not wanted to find out who “D. Baker” is. As it turns out, Dorothy Baker was an American novelist who loved jazz. In fact, her Young Man with Horn was based on real-life jazz cornet player Bix Beiderbecke. Even better is this hot tidbit: the novel was made into a 1950 movie featuring such hotties as Kirk Douglas, Doris Day, Lauren Bacall, Juano Hernández, and Beiderbecke’s friend and collaborator Hoagy Carmichael.

Well, these word trips are turning out to be as much fun as a vacay! OMG! Did I just use that word? Well, I did, and since my OED is still open (virtually), I just have to see when vacay was first used. I’m betting that it was coined by an American. Those Brits have no problem when they need to stoop to conquer, but they would never think about stooping low enough to truncate a word. Well, I was right. Vacay was first used in 1992:

“He said he was going on vacay and would give me something after he gets back” (Re: More on getting Gigs in rec. music. makers 14 January, Usenet newsgroup., accessed 13 Sept. 2013).

Just a sec, though. I might be wrong to claim the first usage as American. The OED‘s citation is rather shabby, in my opinion, and I can’t determine the authorship with any certainty. Lector: Cave a fidem non probatis.

I shall not, then, trust my initial claim, but I shall trust my subsequent claim that the next usage of the word vacay was American. It appeared in 1995 in the Pittsburg-Post Gazette:

“The convertible … was my Mom’s, we were on vacay” (16 July g8/2).

As for va-cay, vakay, and va-kay–those variant spellings of vacay–the OED has not seen fit to include them at all. I find that rather strange, however, since I am certain that I have seen them in use somewhere or other, perhaps right here in my blog. Ab ridiculo ad sublimem transire.

Hooey phooey is all that I have to say. Leave it to me to turn a vacation into a bunch of malarkey!

However, in case you’re thinking that you might need a vacation, let me help you. If you find yourself nodding along to any of the subsequent scenarios, it’s time to cue the vacay:

Work: Your boss thinks “work-life balance” means balancing more work on your plate. Your to-do list looks like a never-ending scroll of doom. You start dreaming about spreadsheets. You feel like a juggler on a unicycle, minus the thrill. Yep. Cue the vacay!

Social Media: You’ve scrolled so much that you start liking your own posts. You find yourself in a deep rabbit hole, liking posts from three years ago, and you’re contemplating the philosophical implications of cat memes. Yep. Cue the vacay!

Family Gatherings: Your aunt asks (for the 15th time) why you’re still single. You’re dodging advice and daydreaming about automated responses. Yep. Cue the vacay!

Dieting: You’re on a diet of kale smoothies and quinoa bowls, and you start dreaming about burgers and ice cream like they’re forbidden treasures from a lost civilization. Yep. Cue the vacay!

Home Improvement Projects: Your “quick” weekend project turns into a month-long renovation of ginormous proportions, complete with a gazillion trips to the hardware store and questionable structural changes. Yep. Cue the vacay!

News: You’re considering a bunker in the backyard. Dystopian novels of doom and gloom look cheerful compared to your news feed. Yep. Cue the vacay!

Dating Apps: You’re swiping so much that it feels like a full-time job. Your thumb is sore, your eyes are glazed over, and every profile starts to blend into one amor(ph)ous blob. Yep. Cue the vacay!

Exercise Regimens: Your workout routine feels more like a medieval torture session. You’re dreading your workouts more than a trip to the dentist. Yep. Cue the vacay!

Parenting: “Me time” means locking yourself in the bathroom with a chocolate bar. Your rare escape feels like a luxury retreat. Yep. Cue the vacay!

Blogging: Your efforts to craft engaging content week after week during a record-breaking heat wave and drought feel like an endless marathon. You’re standing on the chimney singing the Hallelujah Chorus. Yep. Cue the vacay!

Dayum! Dayum!! Dayum!!! Here I’ve done gone and paved the way for me to have a perfectly legit blogging vacay this week, and wouldn’t you just know it! I’ve done gone and cranked out today’s blog anyway! Phooey!

Clearly, my brain has been baking in the sun too long. Tuff. I’ll keep right on gazing from my imaginary chimney perch, realizing that, sometimes, the best way for me to break free from the grind and the heat is to let my imagination run wild and embrace the breeze of a little bit of whimsical madness.

I hope that you, Dear Reader, find your own rooftop, whether real or metaphorical, and that you sing your heart out when the world gets a little too hot to handle. Whether it’s a break from work, social media, family, or even blogging, taking a vacay isn’t just about escaping the heat—it’s about rediscovering the joy in life’s little quirks and celebrating them with gusto.

Cheers to your vacay! Wherever it leads you, may it be as epic and freeing as my rooftop concert over the Shenandoah Valley.

A Special Shout-Out to 6,164 Amazing Readers Around the World!

“A writer only begins a book. A reader finishes it.”

Samuel Johnson (1709-1784; English writer, poet, essayist, moralist, literary critic, biographer, editor, and lexicographer; best known for his A Dictionary of the English Language, 1755.)

I just checked my blog’s mid-year statistics, and I am thrilled beyond measure. Together, we did it! 6,164 of you have been reading my blog posts this year.

For me, that’s incredibly awesome.

I couldn’t have done it without you, my loyal readers. You have fueled my passion for writing, and it’s your engagement that motivates me to share not only stories but also moments of laughter, reflection, and sometimes even tears.

Reflecting on the Journey

When I shifted the focus of my blog from research to memoir, I had no idea that it would grow into what it is now. Each week, I pour my heart into writing, hoping to connect with you through my words. This journey has been one of personal growth and deep connection, overcoming initial uncertainties to find a community of readers who connect with what I write.

Highlights of the Year So Far

Let me share with you the posts that have been the most popular during the last six months:

Glimpses of My Mother’s Hands

Confessions of an Editor: The Infant Sphinx Reviewed

When Lilacs Meet Algorithms: The Unlikely Union of Walt Whitman and Artificial Intelligence (AI)

From Dusty Folder to Digital Ink

From Stars to Soil: Embracing My Family’s Garden Tradition

My Taxing Review: A Reality Post

Vermont’s Literary Daughter: Brent L. Kendrick on Mary E. Wilkins Freeman

Abandon Hope? Not a Chance!

My Kentucky Wonder

What My Father Saw

Not Alone

Looking Ahead

In case you’re wondering about future posts, let me share with you the tentative titles of drafts that I’m working on:

● The AI Times They Are A-Changin’

● The Sweet Taste of Defeat

● Literary Crosswalks at 76

● What I Would Say to My 18-Year-Old Self

● Fanning the Flame

● Turning Out the Lights: Reflections on Endurance and Hope

● Bigger than Ourselves

● Age of No Credit

● In Praise of Gratitude

● I Don’t Have Much to Give but What I Have I Give

● I Made It All Up

Looking at the Countries You Represent

And you, my 6,164 readers? What about you? You represent 145 countries from all around the world, showcasing an incredible diversity of cultures and perspectives. From Afghanistan to Zambia, including Bahrain, Cambodia, Denmark, Ecuador, Gabon, Hong Kong SAR China, Iceland, Japan, Kazakhstan, Latvia, Macao SAR China, Namibia, Oman, Pakistan, Qatar, Romania, Saudi Arabia, Taiwan, U.S. Virgin Islands, United States, United Kingdom, and Venezuela.

A Special Thank You

I want to give a special shoutout to each and every one of you, whoever you are, and wherever you are.

● You are my joy.

● You are my inspiration.

● You are my world.