Climbing Higher and Higher: 12,000 Views (and Counting!)

“The reader is the final arbiter of a text. Without the reader, the words are silent.”

Margaret Atwood (b. 1939). Canadian poet, novelist, essayist, and critic, one of the most influential literary voices of our time.

My Dear Readers, I blinked yesterday, and suddenly my little corner of the internet tallied 12,000 views for 2025—with three months still to go!

That’s not just a number. It’s 12,000 moments of connection. 12,000 times someone out there paused long enough to read my words, nod, chuckle, roll an eye, or maybe even find a flicker of themselves in my essays.

And here’s the part that stuns me: with this pace, we’re on track to sail past last year’s phenomenal 15,000 peak—a record I once thought unrepeatable. But here we are, repeating (and then some).

The 10 You Loved the Loudest

Every essay I publish is a seed tossed into the world. Some sprout quietly. Some bloom bold and bright. Here are the ten that you watered most generously this year:

Redbuds of Remembrance

A Forgotten Voice, A Solved Mystery—And Soon, A Book

Rise Up with Words. A Declaration for Our Troubled Times

My Altar Ego

The Rust Whisperer

A Week Back to the Future

What Could $40 Million Do—Besides Fund a Parade? A Love Letter to Priorities (with a Side-Eye to A Spectacle)

Learning to Love in New Ways

Finding Love Later in Life—Baggage and All

A Culinary Heist in Broad Daylight

My Thanks

Whether you’ve been here since my first blog post nearly 13 years ago or you just stumbled across my latest musings, you’ve made this milestone possible. I don’t take your presence lightly.

So, here’s to you—my companions in this ongoing experiment of storytelling, memory-making, and meaning-finding. Let’s see how far we can climb before 2025 closes the books.

After all, the numbers matter—but the connections matter more.

Self-Serve

“Talk to yourself like you would to someone you love.”

Brené Brown (b. 1965), American research professor, author, and speaker on vulnerability, courage, and self-worth.

Go ahead! Run reference if you must. You’ll probably confirm what you already suspect. More than once, I’ve asked you to lean in real close and listen as I shout out for all the world to hear something that I think no one in the world should hear. Private should stay private, right? Not always. Here I am about to pull you in and do it all over again.

But this time it’s different. It’s one of those insights I’ve had before—the kind that first comes as a shadow of knowledge, and then, with a turn, reveals itself fully, clad in nothing more than the simplicity that truth always wears.

That’s exactly what happened to me. I was all by myself. My partner Gary—Remember? My Tennessee Gary?—had gone off to Minnesota for his 60th high school reunion and for a family reunion to boot. So it came to be that I dined alone.

I plated my entree with all the attention that might bespeak the 5-star restaurant that I know my kitchen will never be. Yet, I keep right on striving.

The golden-crusted whiting stretched across the plate like a painter’s confident stroke, its edges crisp, its center promising tender flake with the first touch of a fork. Beside it, a tangle of violet cabbage shimmered as though the skillet had coaxed from it not just flavor but light itself—earthy, sweet, and just slightly wild. A sprig of thyme leaned in, whispering green against the purple, while a single blossom, fuchsia and unapologetic, dared to remind me that even supper alone can flirt with beauty.

Then, an hour or so later, I was ready for dessert. Don’t you dare tell anyone—especially Gary—but since I was alone, I decided that a store-bought dessert would do.

It was tiramisu with all the makings of a showstopper—moist sponge, creamy layers, a hint of coffee and chocolate—but there it sat, in its plastic box, reminding me that sometimes dessert doesn’t need fanfare to be enjoyed.

“Fine. I’ll enjoy it straight from the plastic box.”

Just when I was about to grab a fork (but not a plastic one, mind you), I decided that it needed proper plating, too.

It only took a second for me to turn store-bought into five-star. The tiramisu rose in creamy, coffee-kissed layers, draped with curls of chocolate that caught the light just so. Against the deep black plate, a scarlet bloom blazed like a velvet exclamation point, transforming a humble slice into a scene-stealer. Every bite promised richness, every glance was pure seduction on porcelain.

In no time at all, I had done for myself what I do for us all the time. In no time at all, I had done for myself what I would have done for me and Gary if we had been sharing the table that night. I had lifted something ordinary into something memorable. I had taken the plastic box off the table and replaced it with care, intention, beauty. In that small act—so quick, so simple—I realized that I had given myself the very same attention I so easily give to the life we are building together. And I had done it when it mattered just as much—I was alone.

We forget, don’t we? Especially when we are alone. We fall into the trap of thinking that we have to wait for company, for celebration, for some special someone before we let ourselves live five-star. But that’s not so. We don’t have to wait, nor should we. We should use the special napkins every day, especially when we’re alone. We should have flowers on the table every day, especially when we’re alone. We should bring forth all of life’s little graces, especially when we’re alone.

We should always see ourselves as the guest of honor—especially when we are alone, even when the chair across from us is empty.

We should remind ourselves that this kind of self serve isn’t selfish and it’s not uppity. It’s simply a way that we can say “Yes” to ourselves. It’s pulling the good wine from the rack, even on a Tuesday night. It’s plating coleslaw in a little bowl instead of scooping it from the mixing dish. It’s lighting the fireplace in October simply because the first chill makes you want to. It’s cueing up Black Gospel or Acoustic Chill while kneading bread, letting the room swell with music as much as with sourdough. It’s slipping into my favorite blue linen shirt, even if no one but Ruby will see me in it. These are the gestures that matter most—especially when we are alone.

These “alone” moments count. Every single one of them counts. And if we don’t serve ourselves with dignity, who else will?

So, My Dear Readers, let me raise a glass to the hydrangeas cut and arranged, to the figs sliced and drizzled, to the silver chest opened on an ordinary weeknight. Here’s to the quiet supper for one that still deserves a sprig of thyme, and to the tiramisu that—freed from its plastic coffin—reminds me that even the humblest store-bought sweet can rise to the level of celebration.

Because self serve is never second best.
It is the altar we lay with linen and light.
It is the chalice filled, the bread broken, the sweetness offered.
It is the music of a knife against porcelain,
the fragrance of thyme rising like incense,
the candle flame trembling like a prayer.

Let the plate gleam.
Let the glass catch the last gold of evening.
Let the blossom burn bright against the dark.
Let the feast of one be as radiant as the feast of many.

Be the guest of honor. Your own.
Be the blessing at the table. Your own.
Be the flame, the flower, the feast. Your own trinity.

Even when we are alone.
Especially when we are alone.

Let’s never–for even a moment–forget:
We are enough.

A Reckoning

“Some of us think holding on makes us strong, but sometimes it is letting go.”

Hermann Hesse (1877–1962), German-Swiss novelist and Nobel Prize laureate, best known for Siddhartha, Steppenwolf, and The Glass Bead Game.

Believe it or not, a week or so ago, the past rose up and slapped me across the face. No, it didn’t leave a bruise, but it left behind something I’m still thinking about.

The slap started when I walked into my office. At first glance, it looks impressive. The lamp casts a golden pool across my glass-top computer desk, giving the whole space a glow that almost convinces me I’ve got things under control. The Oriental rug circles wide and bold underfoot, all rich blues and reds that make the room feel grounded, important, and maybe even a little too proud of itself. Books and papers rise in uneven towers, but in that first glance, they seem less like clutter and more like credentials—proof that I’ve been busy living, working, collecting. Even the cows in the painting on the wall keep a calm eye on the scene, as if to say,

“Carry on, Mtn Prof. You’ve got this.”

But as I walk through the door, the illusion collapses. What looked like a tidy study becomes a landscape of leaning towers and stubborn archives. Books crowd tables in uneven stacks, some open, some shut tight, all demanding to be dealt with. Boxes huddle together on the floor, their labels promising order—but their bulging edges betray the lie. Folders spill their contents, paper curling like leaves that refuse to fall from the tree. A shirt slouches over the back of a chair, a plaid witness to resolve slipping into resignation.

Everywhere I turn, something insists on being noticed. Woven baskets perch on top of files, as if even the containers need containers. The desk is less a surface than a staging ground for half-made decisions. Another painting on the back wall gazes out of its pasture, unblinking, as though it’s been watching me circle this mess for years. It has. It’s not chaos exactly—it’s accumulation. Layer upon layer, a sediment of living, each piece waiting for me to finally decide whether it still belongs.

It isn’t permanent chaos. The boxes say as much, their sharp edges and taped seams hinting at better days ahead—days when decisions will be made, order restored, and space reclaimed. For now, it’s not just an office; it’s a staging area where the past collides with the present, where choices will shape the future. Every pile, every stack, every half-forgotten guidebook, and every dog-eared folder is here because I pulled it out of hiding and chose to face it. In that sense, the clutter is not failure but progress. It’s the visible proof that I’m reckoning with the past, one piece at a time.

I’ll continue to reckon, and I’ll keep on making progress. I know I will. But I know, too, that I can’t rid myself of a lifetime of artifacts in one day. Take the CDs, for instance. Three rows deep. Wedged into the lowest shelf of the floor-to-ceiling bookcase at the far end of the office. They’ve been squirreled away there for years. Waiting. Ralph Stanley leans against Sting, Nina Simone keeps company with Mahalia Jackson, and Susan Boyle dreams her dream right next to the Chuck Wagon Gang. It’s less a collection than a timeline—decades of moods, memories, and seasons pressed into plastic cases. But here’s the thing. I don’t have the heart to get rid of them in one fell swoop. And besides, maybe I don’t want to get rid of them all. Maybe I don’t need to get rid of them all. But I can’t hang on just to hang on. Each one becomes a decision. Which will serenade me today? Into the future? Which has already sung its last song?

Other choices are easier. Travel guides, for instance. Like Fodor’s Greece and Frommer’s Greece on $35 a Day. Both hopelessly outdated, their covers promising adventures I never took. They carry missed possibilities but not regret. Into the discard pile they go. Or the box of Library of Congress business cards, embossed with the proud gold seal of my past career. They once carried weight, proof of my role in the world’s premier library. Now? Nothing more than relics of a past identity. They go into the discard pile, too. The work, the years, the meaning, and the memories? They stay.

Other choices are so easy they’re no brainers. My Frost shelf, for instance: concordances, centennial essays, letters, the familiar black-and-green spines that have followed me across decades. They stay. The same goes for my Mary E. Wilkins Freeman books, lined up in their muted blues and browns. They’re not just books; they’re part of my scholarly DNA. No question, no hesitation. They stay.

Then there are some things whose fate I know as soon as my touch awakens forgottenness. My college copy of Hemingway’s The Old Man and the Sea, margins crammed with the notes of an eighteen-year-old who thought he already knew something about struggle. It stays. My copy of Gibran’s The Prophet, inscribed by a fraternity brother—a book I’ve carried long past the days of Greek letters and youthful certainties. It stays.

A three-by-five oil painting of the covered bridge in Philippi, West Virginia? It’s no masterpiece, but it hardly needs to be. I crossed those boards more times than I remember during my years at Alderson-Broaddus College, each passage a kind of bridge between my coal camp past and the life I was building in the present. The brushstrokes may be clumsy, the colors a bit too bright, but none of that matters. It stays.

A small stack of cassettes holds my mother’s voice on magnetic ribbon. One, dated 11/12/81, is labeled I Take a Stroll and Cause Worry among the Worry Warts. The cassettes may be obsolete, but her voice? Never. Alongside them rests the Bible she gave me when I left for college, her handwriting in the front marking it as mine, though I’ve always known it was hers first.

And the kettle bottom resting heavy on my desk—a flat, round stone that once fell from mine roofs where my father worked fifty years. In those seams, a kettle bottom was a miner’s dread, dropping without warning, too often killing the man beneath it. This one didn’t. My father walked away again and again, spared by chance or grace. These pieces stay—not for their weight, but for his, for hers, and for mine.

Tucked nearly into oblivion is a small 4-H patch from fourth grade, meant to be sewn onto a jacket I didn’t have. But I never needed the jacket to know the four H’s—head, heart, hands, health embroidered in me long before I understood mottos or mission statements. They shaped how I worked, how I cared, and how I learned to give myself to something larger. That patch will never leave me. Some things you don’t outgrow; they simply grow with you.

The things in my office are only the visible part of the past. The rest doesn’t sit on shelves—it lives in memory, in relationships, in faith, in regret, in longing. Those pieces weigh just as much, sometimes more. They, too, must be faced, not in sweeping generalizations, but one by one, moment by moment, decision by decision.

Because that’s how the past works. Even though we can’t erase it, we can’t carry all of it forward either. We have to make hard choices, keeping only what steadies us and letting go of the rest. That’s the only way we’ll have room for life to keep unfolding. Room for the present to breathe. Room for the future to arrive. Room to move forward without being smothered by what came before.

I’m glad the past slapped me across the face. It taught me what we all eventually learn: the only way to live fully in the present, and prepare for the future, is to reckon with the past—seen and unseen, tangible and intangible—piece by piece, choice by choice. The past, the present, and the future are never separate. They are one continuum of time. One long sorting. One steady choosing. One true becoming.

The Demons We All Wrestle

“You may have to fight a battle more than once to win it.”

— Margaret Thatcher (1925–2013)
British Prime Minister, nicknamed the “Iron Lady” for her fierce persistence.

Swearing is not my thing. But right now—for once, maybe even on a stack of Bibles (to my Mother’s eternal horror)—I’m going to do it anyway. I swear that my daily demons line themselves up every night when I go to bed, watching as I lie there all peaceful like, orchestrating my next-day goals.

I see them out of the corner of my eye, leaning in, peering, looking carefully as I tap, tap my list on my phone.

And you know what? I swear, they’re waiting for me the next morning.

More often than not, they show up as soon as I start my biking, maybe because that’s how I start my day, right after coffee. I know that if I don’t bike then, I won’t bike at all. The first demon arrives before I even lace my shoes. It whispers:

“Why so early? You’ve got other things you need to do first. You can bike later.”

Nice try. But I’m on to that trick. I know that when it comes to biking, later never comes.

Another one comes at me from a different angle.

“Today? You’ve been doing this every day. You need a break. Take the day off.”

“Get behind me, Satan! I’m biking as usual.”

But get this. By mile three, another demon shows up:

“You’ll never finish.”

I keep pedaling, but the demons keep coming. By mile seven, I’m hearing:

“Yeah. Your butt sure is sore. If you keep going, it’s going to be sore as hell tomorrow.”

I keep on going. And so it goes, on and on through all the miles—10, 15, 20—riding against a whole Satanic chorus, chasing me faster and faster and faster.

Fiercely determined. Fiercely persistent. Fiercely anchored. That’s how I win the biking battle. Usually.

The next demon that hounds me is procrastination. Don’t get me wrong—I know better. I know the wisdom about “breaking things down,” about taking the first step, about Ben Franklin’s truth that “little strokes fell great oaks.” But when I’m staring at the big picture, the demon of procrastination is quick to pounce.

It starts yammering:

“It’s too much. You don’t even know where to start. Better put it off until tomorrow. You’ll see it clearer then, rested and fresh.”

And the sly part is—it sounds almost reasonable. That’s how this demon works. It pretends it’s looking out for me. But I know the truth: once I give in, tomorrow becomes the next day, and the next day, and soon the oak is still standing, unscarred.

So I fight. I start small. One tap of the keys, one page, one email sent. A single stroke against the oak.

Fiercely determined. Fiercely persistent. Fiercely anchored. That’s how I win the procrastination battle. Usually.

I have other demons, of course. But they’re far too personal to divulge for all the world to know. I’m not about to share them.

Like the demon that tells me that my writing will never be good enough to be discovered by a magazine or a newspaper syndicate.

Or the demon that mocks long-range planning at my age, reminding me that there’s far more behind me than there will ever be ahead.

And I’m certainly not going to tell you about the demon that wonders what waits on the other side of the great divide—the same divide every one of us will cross, where all have gone before to face the mysteries of beyond forever.

Like I said, they’re way too personal. So I’ll keep them to myself.

But I’ve gotten to the point in my life that my demons don’t embarrass me anymore because I know that to be human is to battle the demons that strive to undo us.

And besides, we all have our demons. You do, too. Some of them may be the same as mine.

Or maybe you have the demon of worry, who shows up right on schedule, carrying a suitcase that never unpacks. The demon of regret, who loves to remind us of choices we can’t un-choose, words we can’t un-say. The demon of loneliness, who doesn’t bother knocking—just slips in and makes himself at home.

Or the demon of disappointment who lingers when the prize you’ve chased turns out to be a shadow.

Or what about weariness, when the weight of the day presses like red Virginia clay, and every step feels heavier than the last.

And then there’s doubt—the slyest demon of them all—always ready with the same question:

“Are you sure you’re enough?”

These aren’t strangers to you or to me or to any of us. They’re regulars. They know the way in. They don’t need an invitation.

I’m fairly certain that I heard someone somewhere right now screaming in disbelief:

“Get real. Those don’t count as demons at all compared to the ones that I’m battling.”

I hear you. I understand. I’ve been blessed because I’ve never had to deal with the demons of addiction—alcohol, drugs, gambling. Or the demons of abuse—physical, emotional, sexual—the kind that scar the body and the soul.

I’ve never faced the demon of homelessness, not knowing where I’d sleep. Or the demon of hunger, not knowing where my next meal would come from.

I’ve been spared the demon of crushing poverty, the one that never lets you breathe free. And I’ve never lived under the demon of war, with its bombs and sirens and losses that can’t be counted.

But it seems to me—and yes, I know my limited experience might make this sound overly simplistic—whatever demon we face, we have to be fiercely determined. We have to be fiercely persistent. We have to be fiercely anchored. That’s how we win our daily battles with whatever demons come after us.

But let me emphasize here one key word that I emphasized earlier. Usually.

Being fiercely determined, being fiercely persistent, and being fiercely anchored enables us to win our battles daily. Usually.

But as we all know, some days we lose the battle. We all do. And when we lose, it stings. The demons strut, they jeer, they claim the day as theirs. They would have us believe that losing once means losing for good.

But they’re wrong.

Because a lost battle is not a lost war. It’s a stumble, not a surrender. And tomorrow—always tomorrow—the fight begins again.

The demons will be there, lined up and waiting, whispering their same old lies. And we’ll be there, too. Fiercely determined. Fiercely persistent. Fiercely anchored. Ready to face them.

We may not win every day. Sometimes, we do. Sometimes, we don’t. But we show up anyway. Because being human has never been about living without demons. It’s about never letting them have the last word.

And in case you’re wondering, let me assure you. They’ll be back. But guess what? We’ll be back—bruised, stubborn, laughing, and still ready to wrestle.

I Hear Educators Singing: Paying It Forward

“Teachers are those who use themselves as bridges, over which they invite their students to cross; then, having facilitated their crossing, joyfully collapse, encouraging them to create bridges of their own.”

Nikos Kazantzakis (1883–1957), Greek novelist and philosopher, best known for Zorba the Greek.

Whenever I think of Labor Day—not just today, the official day of celebration, but at any time of the year—I hear Walt Whitman’s poem, “I Hear America Singing.”

In spirit, it remains one of the most comprehensive and inclusive celebrations of labor I know. Whitman exalts the varied carols of America: mechanics, carpenters, boatmen, masons, shoemakers, wood-cutters, mothers, wives, girls, fellows—

“Each singing what belongs to him or her and to none else.”

Even though Whitman’s intent was to celebrate all labor, I’ve often wished he had stretched his litany further: to nurses and caregivers, to social workers and librarians, to the quiet hands who stock shelves at dawn or clean buildings long after everyone else has gone home. So many vital songs go unsung. And yet, by inference, perhaps he did include them—since he was singing America itself, and since his deepest wish was to be the poet of Democracy, the poet of the people, all people.

I especially wish–maybe with a touch of occupational selfishness–that he had included educators—those whose labor shapes every other voice in the chorus. Educators labor not with saw or chisel, but with patience, persistence, and vision—tools just as demanding as Whitman’s mechanics and masons. Their labor is not confined to the classroom or the clock. For many—certainly for me—it was twenty-four hours a day, seven days a week. I went to bed thinking about my students and woke up thinking about them again. Lessons, endless papers, worries, hopes—and encouragement, too—followed me everywhere. Teaching was never a job; it was a calling that claimed my whole self. Like countless other educators, I gave my students my all—and then more.

Educators also give second chances, ignite new beginnings, and shape futures that might otherwise have been lost.

A day never passes that I don’t think about one or more of the bridge builders who taught me—my third-grade teacher who handed me Robert Frost’s poems and lit a lifelong love of language, or my high school biology teacher who welcomed us to his desk day after day, giving us not just knowledge but his time, his presence, himself. My college and university professors, too, showed me that education was not a finish line but a lifelong pursuit. Their labor was quiet, personal, and lasting.

I know this firsthand. I walked the bridge that educators built for me, and in time I became a builder myself—pouring my own labor into students, carrying them forward just as others once carried me.

And when I needed a bridge of my own, the Virginia Community College System gave me not just one opportunity, but two. In 1998 after I left the Library of Congress, it opened the door for me to finally live my childhood dream of teaching English. And years later, through the Chancellor’s Commonwealth Professorship Program, it offered me something even rarer—a second chance to complete research I had set aside nearly forty years earlier. That truth has reshaped how I see education itself. It’s not only about beginnings. It’s also about returnings. Sometimes, opportunity does knock twice. The Virginia Community College System gave me mine.

It gave me that second chance with Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina. What began as a graduate paper in 1973—sparked by the encouragement of mentors like Calhoun Winton and J. A. Leo Lemay—has at last found its full voice. The forgotten essays of colonial Charleston have their rightful place in American literary tradition, and I have had the rare privilege of finishing the work I once left behind.

That’s why I dedicated Unmasking The Humourist to the Virginia Community College System and its educators:

―For the Virginia Community College System―
───────────────
Dedicated to transforming lives and expanding possibilities throughout its 23 colleges, proving that education is not just about learning, but about unlocking potential, shaping futures, and ensuring that no great idea goes unfinished.

And because words alone weren’t enough, I decided to act on that dedication. I have never forgotten the benefactors—sometimes unseen, sometimes unknown—who helped carry me across my own bridge: from a coal camp childhood to a college classroom, to a professor’s life I once only dreamed of. Their quiet generosity made my journey possible.

All proceeds from the sale of this book
will be donated to
The Virginia Foundation for Community College Education

On this Labor Day, I hear Whitman’s chorus again. It grows stronger, more complete, when we hear the steady song of educators—singing what belongs to them, and to none else. Their song is the bridge that carries not just students, but all of us, forward.

As a Matter of Stats

“Somewhere, an editor is waiting to fall in love with what I’ve written. That’s not ego. That’s faith.”

—Brent L. Kendrick (b. 1947). Blogger, literary scholar, creative nonfiction writer (who loves to fool around in bed), and once-upon-a-time professor who splits his reinvention time between restoring lost voices of American literature and discovering new ways to live, love, laugh, and write with meaning. He’s been sighted in the mountains of Virginia. (Authorial aside to all editors: Sit up and take notice—because if you snooze, you lose. This dude’s relatively cheap, cleans up well, once got compared to Garrison Keillor by someone in Tennessee, and yes—he’ll bake sourdough and seduce the annotations, headnotes, footnotes, and endnotes into (mis)behaving.)

Stats?

Oh. Sorry. I don’t mean my vitals. Though I do check them daily. Why not? My Fitbit provides it all, right on my wrist. Heart rate. Breathing rate. Temp. Heart rate variability. Blood oxygenation. Stress. So, yeah. I check those first thing every morning when I wake up.

I meant another set of stats that matter to me.

My WordPress stats.

I like to know how many people are checking out my blog on any given day.

I like to know what countries they’re from.

I especially like to know what posts they’re reading. That info lets me know what’s hot and what’s not. Every now and then, I lean in and almost let myself believe that what’s hot might just be me. I do. Really. I do. Especially when I see hits on my About Me or About My Blog or Contact Me pages. Like the time one lone reader from Lithuania clicked through twelve posts in an hour—and paused on “About Me.” I remember thinking:

“This is it. This is my moment.”

I guess I figure that if someone is going to all the trouble of background snooping, they’re probably on the verge of being the genius who goes down in history as the one who discovered me, thus ensuring that I go down neither unfootnoted nor unnoted.

Me? Discovered?

Don’t scoff! Stranger things have happened, you know. I mean, I wouldn’t be the first writer catapulted into history and literary fame by an editor with deep belief and keen vision.

One writer who has just been catapulted into history comes to mind immediately.

Alexander Gordon (c. 1692-1754).

Did I just hear you gasp:

“Who’s that?”

Surely, I did not, for if you don’t know who he is, then you must not be the faithful follower I know you to be.

If you’re following me–my blog, I should add for your clarity and my protection–then you know that I recently finished a book about Alexander Gordon, the long-forgotten colonial satirist who published his literary works pseudonymously in The South-Carolina Gazette in 1753-54 under the name The Humourist, and then—like so many voices history forgets—he vanished. No one knew who he was. One scholar asked. But he didn’t bother to find out. No one else did, either. Then I came along. I had a lot of curiosity. I had a tolerance for long hours in dusty archives. Eventually, I had a hunch, and I discovered a clue.

“What happened next?” you ask.

I found him. I pieced together the man behind the pen. I wrote him back into existence. Now, he lives once more for all the world—including you—to read and enjoy again. Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston.

So don’t tell me that a writer getting discovered is a myth. I just did that very thing with Alexander Gordon. Guess what else? It occurs to me that he now stands as the first American writer to be thrust by an editor into fame.

Yes. That’s true and, I’ll make that claim. Right here. Right now.

Someone just upbraided me:

“Excuse me. You’re wrong. Anne Bradstreet was the first.”

Being upbraided is something up with which I will not put.

So ekscuuuuuuuuuuse meeeeee! You’re wrong.”

Here’s why.

I know. I know. You’re probably thinking about her one and only book The Tenth Muse Lately Sprung Up in America. In case you don’t know the story surrounding its 1650 publication, it goes like this. Her brother-in-law John Woodbridge spirited her manuscript off to England and published it behind her back, unbeknownst to her.

Bradstreet herself seems to back up that claim, especially in her “The Author to Her Book” offering up her well-known and oft-quoted lament:

Thou ill-form’d offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, expos’d to publick view,
Made thee in raggs, halting to th’ press to trudge,
Where errors were not lessened (all may judg).

How convenient for Bradstreet. Her posturing created a persona of Puritan modesty and aversion to recognition as compelling as the narrative of her “stolen” book of poetry—the very tale that helped catapult her into public view.

But here’s the thing. Actually, two things. First, Woodbridge was not her editor. Second, despite the storybook notion that Bradstreet considered her womanly role subordinate to the role of Puritan men, scholars maintain that it was “a propaganda campaign” launched by Bradstreet and her family. I’m thinking particularly of Charlotte Gordon’s “Humble Assertions: The True Story of Anne Bradstreet’s Publication of The Tenth Muse,” maintaining that Bradstreet was not surprised by the publication of her book and that, in fact, she was actively involved in its publication.

So there! Bradstreet does not beat Alexander Gordon when it comes to the first American writer thrust into fame by an editor.

But let me not digress from the claim that I am making. Think as long and as hard as you will about American writers between the publication of The Tenth Muse and the publication of the Humourist essays, and if you can come up with someone else who can seize the claim, reach out to me, and I’ll blog it. Better still, reach out to me, and we’ll co-blog it.

But I won’t hold my breath. The Humourist remained pseudonymous from his first November 26, 1753, essay through his final notice on April 9, 1754, known but to God. That is until I came along and solved the greatest literary mystery in perhaps all of American literature. I unmasked The Humourist and revealed him to be none other than Alexander Gordon, clerk of His Majesty’s Council in South Carolina.

Now, through my dogged determination, my literary sleuthing, and my scholarly editing, Gordon will be known forever more and throughout the world as the acclaimed author of the Humourist essays, among the liveliest and most original voices in Colonial American Literature, right up there and on par with Ben Franklin’s Silence Dogood essays.

Needless to say, there have been other American writers who were brought into public view by editors–all boasting just a smidgen of modesty, of course, comparable to mine–who knew talent when they saw it.

I’m thinking of my lady Mary E. Wilkins Freeman and my book The Infant Sphinx: Collected Letters of Mary E. Wilkins Freeman. Although I edited the letters, provided thorough annotations, and wrote biographical introductions to the book itself and each of its five sections, I’m not the editor who discovered her on her way to literary stardom.

Credit for that goes to someone else. Here’s the brief backstory. Freeman started her career as a children’s writer but then extended her literary efforts into the realm of adult short stories. Lippincott’s, Century, and the Atlantic rejected her “Two Old Lovers.” Then she sent it to Mary Louise Booth, editor of Harper’s Bazar, who read the story three different times during three different moods, as was her custom, and accepted it for publication in the March 31, 1883, issue. From that point forward, Freeman wrote regularly for the Harper’s Bazar and Harper’s Monthly, and, in fact, Harper & Brothers became her regular publisher.

In a way, then, it was Mary Louise Booth’s editorial acumen that escorted Freeman into the international literary acclaim she continues to enjoy even today, though in fairness to Freeman, her talent was such that it would have found its way into the spotlight in one way or another. Talent will always out.

I could go on and on with this litany of writers who were discovered by editors, sometimes against the odds. I’m tempted to say that I won’t, but on second thought, I think that I will share with you snippets of some paired writers and editors who come to mind.

I’ll start with Flannery O’Connor, so well known for her bold and unconventional Southern Gothic voice. It was Robert Giroux, an editor at Harcourt who believed in her debut novel, Wise Blood, and guided it into print—despite its eccentric style and religious overtones.

Or what about Jack Kerouac? His On the Road was originally a 120-foot scroll—raw, unfiltered, and “unpublishable.” But Viking Press editor Malcolm Cowley saw gold and helped shape it into the beat-generation classic it became.

Then we’ve got a postal worker with a cult following in underground poetry circles: Charles Bukowski. He caught the attention of John Martin at Black Sparrow Press. Martin offered him a year’s salary to quit his job and write full time. It was the start of a prolific and gritty career.

No doubt you know the minimalist voice of Raymond Carver. His works might have stayed buried had it not been for Gordon Lish at Esquire. Lish gave Carver his break, though not without some brutal edits.

Closer to me and my situation in many ways is Frank McCourt, who, as a retired teacher in his 60s, wrote Angela’s Ashes. Nan Graham at Scribner wept when she read it and championed it into publication. Oh. My. It won the Pulitzer. It sold millions. My kingdom for a Nan.

And if McCourt was close to me occupationally—educator turned writer; I, of course, am still living according to most recent news reports—then I have to mention Jeanette Walls, whose roots are close to mine since we’re both West Virginians. Her memoir The Glass Castle was going nowhere fast until editor Deb Futter read it and saw its power. Her support turned it into a bestseller and reshaped what memoir could be.

And last but perhaps most important to the hope that I carry (like a well-worn talisman) that an editor will discover me and, in a poof, turn me into star dust is Andy Weir. He self-published his The Martian chapter by chapter online. Julian Pavia at Crown Publishing read it, loved it, and bought it. The novel became a bestseller and hit film.

Oh. My. God. I’m doing exactly what Weir did. I’m publishing all of my Foolin’ Around in Bed essays right here, week by week. Once again, my kingdom for a Pavia unless a Nan has already catapulted my bed into fame.

I could share other snippets, but I confess. Right now, I’m in a pickle. But don’t worry. I have a way out. It will work for me, and, as you are about to see, it will work for you too.

I’m going to do what Margaret Atwood did in her story “Happy Endings.” I’m going to give you options.

A. What happens next? Don’t be so impatient. History is based on facts and evidence. Come back for the ending when the ending is written.

B. What happens next? Dear Reader, you know exactly what comes next. Yours truly–Brent(ford) L(ee) Kendrick–aka TheWiredResearcher—keeps right on doing what he’s been doing with his writing and his research. And he keeps right on hoping that an editor–a believer—is out there, poised and ready to do for him what he’s just done for Alexander Gordon.

Not just this blog. Not just my Foolin’ Around in Bed essays. But Gordon. Freeman. Years of words, research, story, and sweat. A whole body of work—waiting for the right editor/reader to say: “This one. This voice.”

“Which ending do you like?” someone queried.

I much prefer B. After all, keepin’ on keepin’ on is the road I’m traveling. Even if it is the one less traveled by, it makes all the difference. Especially when it leads past the stats and toward the stars. (Whew! What a relief. I figured out a way to bring Robert Frost into this post. It’s been too long–far too long.)

Besides, putting aside my own preference for an ending, I have no doubt in the world that right now, an editor is out there who believes in me, who might be scrolling through my “About Me,” pausing over a sentence, clicking “Contact Me,” and thinking:

This one. This voice.”

OMG. I just felt the earth shift.

I did. I really did.

Did you?

No? You didn’t?

Don’t worry. Be happy. Somewhere, right now, someone’s opening a drawer, clicking a link, or flipping a page—and everything’s about to begin.

It’s just a matter of time and a matter of stats.

Unmasking The Humourist: From Lost Essays to Top New Release

“Nothing is more powerful than an idea whose time has come.”

—Victor Hugo (1802–1885). French novelist, poet, and statesman (adapted from his Histoire d’un crime, 1877.)

Victor Hugo’s insight feels especially fitting today. After nearly three centuries in obscurity, Alexander Gordon’s essays have finally found their moment—and their audience.

My book, Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina, has just been named a Top New Release in U.S. Literary Criticism on Amazon.

From colonial Charleston to Amazon’s Top New Release banner —
Alexander Gordon finally takes his bow.

That bright orange banner may be a digital flourish, but for me, it symbolizes something much deeper: the recovery of a voice that nearly slipped into oblivion.

A Journey Nearly Three Centuries in the Making

Alexander Gordon’s satirical essays, published pseudonymously in colonial Charleston in 1753-54, were witty, sharp, and—until now—lost to time. For nearly three centuries, they lay hidden in crumbling newspapers, unnoticed by scholars, unread by modern audiences.

When I started my work on the Humourist essays, I could not have imagined how far the search would take me—through archives, biographies, and dusty trails. It became a mystery worth solving, a conversation across centuries.

Why It Matters

Bringing Gordon back into the light isn’t just about literary recovery—it’s about restoring a missing piece of cultural history and literary history—America’s and Charleston’s. His voice adds texture to our understanding of early America: its humor, its politics, its people.

Seeing readers discover him today—on a platform as modern and massive as Amazon—is a reminder that scholarship doesn’t live only in libraries. It can leap across time and space, reshaping how we see the past and present alike.

A Note of Gratitude

This milestone belongs not just to me, but to everyone who has encouraged me, asked the hard questions, and believed in the value of preserving what was almost lost.

Here’s to Alexander Gordon, finally taking his bow on the 21st-century stage. And here’s to the readers who will now join him there.

If you know someone who loves history, literature, or Charleston’s rich past, I invite you to share this book with them. The Humourist has waited nearly three hundred years for his audience—perhaps now is the moment he finds it.

Now available for readers everywhere:

Unmasking The Humourist:
Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina

Celebrating a Mother, Not My Own

“I do not at all understand the mystery of grace—only that it meets us where we are but does not leave us where it found us.”

Annie Dillard (b. 1945). American essayist whose work reflects the natural world as a mirror for awe and meaning, most memorably in her Pulitzer Prize–winning Pilgrim at Tinker Creek.

What on earth am I doing writing about motherhood in the dog days of summer—the hottest, most humid stretch, when snakes go blind until their molting skin slips over their eyes—especially when I’m celebrating a mother, not my own?

I keep saying to myself:

“This would be perfect for a Mother’s Day post in May.”

But you, my Dear Reader, know that I rarely write to match the calendar—and this post won’t match it, either. That’s not to say I’ve never done it—only that I’ve never done it by design. It’s simply that from time to time an idea collides with an occasion—Mother’s Day or Father’s Day or Thanksgiving or … Hmmmm. Maybe I’ve done it more than I realize.

Anyway, if you browse through my posts, you’ll see the pattern of how I write. When something grabs hold of me and won’t let go, I know I’ve been called to share it—maybe for the greater good, even if it’s just one person who feels the same tug while reading that I felt while writing.

That’s exactly what happened with this post. Memories washed over me from long ago and far away. They had surfaced before, but only as ghostly apparitions drifting in a paused wave. This time, though, I was nearly pulled under by the current.

It began when I uncovered a hand-painted pillow I hadn’t used in years. Bold crimson flowers and curling green leaves still popped against a soft beige background. The piping had faded, and the stuffing had settled into the easy comfort of something well-loved. It was a little worn, and it was a little wistful, but it was still a bright relic from when I was just beginning to find my way.

As soon as I saw the pillow, I started remembering my neighbor who made it. She was an older woman, maybe a few years older than my Mother, but not many. She dressed neatly, always in small-print floral dresses, and, when at home, she always topped her dresses with matching aprons. Ringlets of white hair framed a face that seemed stern at first, but softened the moment she spoke. She had the bearing of someone who kept things in order—herself, her home, her garden, and her place in the community. No one ever doubted that she would follow through on whatever she took on.

Her name was Nell. Nell Barker Harris, but I never called her by her first name. My Mother taught me better. She was always Mrs. Harris to me, though I swear I had the hardest time making Mrs. sound like MIZ-iz. It always rolled off my tongue as MIZ.

My memories of her stretch back to 1958, when my parents bought our home in the subdivision that bore her last name. I had just turned eleven, and I loved exploring the uncharted woods surrounding our home and beyond.

Mrs. Harris and my Mother were good friends, sharing interests in church, cooking and canning, and working the polls on election days.

My Mother thought the world of her, and, looking back, most of what I came to know about her came from my Mother:

MIZ Harris this …” and “MIZ Harris that …” was a constant refrain, especially during summer and fall harvests.

Many were the days my Mother sent me to the Harrises—Nell and her husband Worthy—with fresh vegetables from our garden, or to fetch canning jars—the old timey blue ones with zinc lids—or to swap a recipe.

The Harrises lived close, but their house lay just out of sight from ours. All I had to do was cut across the garden, slip past the barbed-wire fence, run down a slope, and dash up a knoll to reach their faux-stone cottage. It was one of the finer ones in our small town, with more than a hint of upper-middle-class comfort. I’d climb the steps straight to the door, where Mrs. Harris usually met me, fulfilling the errand right there on the stoop.

From those errands and my Mother’s comments, I came to know Mrs. Harris well enough that one December, I went boldly to her house on my own. My sister Judy and I had decided to put up a Christmas tree while our Mother was shopping. I had long had my eyes set on a beautiful white pine—not for Christmas, but for love—growing in the Harris’s woods where I roamed. Off I went to ask if we could cut it down. She agreed, and though the tree seemed to shrink with every drag homeward, Judy and I had it lighted and decorated by the time our Mother returned. She knew exactly how to celebrate the surprise as a tribute to childhood ingenuity.

Another time, my parents sent me over with an idea that I’d dreamt up—again involving white pines. A dead-end dirt road ran between our home and the Harris’s land that we gardened, and we thought it would be beautiful to line its 200-foot stretch with pines. I asked Mrs. Harris if we could dig saplings from her woods. She agreed, though she thought fall would be a wiser planting time.

My parents insisted amongst ourselves that proper planting and deep watering would see them through. They were hardly more than spindly stems with a few scraggly needles, more like Charlie Brown’s Christmas tree than the giants we imagined. Pitiful as they were, they survived the July heat and, in time, grew straight and tall, rising with quiet majesty, as if they had always belonged there.

Later—June 1972, a few years out of college and working at the Library of Congress—I wanted more than the skyward-pointing pines. I wanted the land itself. I found myself in Mrs. Harris’s home, asking if she would sell me the very garden lots my parents and I had tended from pre-teen through early manhood.

I still remember sitting in their parlor that day—dress pants, crisp shirt, and a tie, as if I’d been summoned to defend my undergraduate honor’s thesis. I sat in an overstuffed chair in the corner, its armrests rising up to hold me accountable. The room itself seemed to echo their seriousness and my intent. Mahogany gleamed in the soft light. A large china cabinet dominated one wall, its shelves lined with Blue Willow dishes like the ones my oldest sister Audrey collected. Everything about the space spoke of order and permanence—qualities my Mother had always extolled in Mrs. Harris herself.

Across from me sat Nell and Worthy Harris, steady and composed, firing their questions in quick succession:

Why do you want the land?

Do you plan to build a house there one day?

How will you pay for it?

A bank loan? Do you understand that you’ll need a co-signer?

They had far more questions than I had answers. But a few days later, I rode with the Harrises in their blue-and-white Chevrolet to Raleigh County National Bank, a solemn drive dressed up in chrome and vinyl. I had made the appointment myself, though the banker’s name and face have faded. What remains is the setting: a huge walnut desk topped with thick glass, its surface spread with legal documents that seemed to weigh more than the paper they were printed on.

I signed, and Mrs. Harris co-signed—the literal and the metaphorical deed, both done and dated June 9. She was, after all, the owner of the land. The gleam on my face that day couldn’t have equaled hers, steady and satisfied, as though she had not only sold me a parcel of ground but had also planted me there, rooting me firmly to the very soil where those skyward pines had begun.

But the pillow dragged up one last memory of Mrs. Harris—a dim and shifting one, like an undertow I didn’t see coming.

One year—1965, just a month before graduating from high school—I nominated Mrs. Harris for “Mother of the Year.” She certainly was worthy of the recognition, although she never seemed like my Mother, not even like a mother figure, really. And now, looking back, I wonder whether it was my Mother herself who suggested the nomination. Or maybe it was my oldest sister Audrey. Both of them admired her immensely as one of the pillars of our community and the church that the three of them attended.

Whatever the springboard, I picture myself typing the letter—hunting and pecking as solemnly as if drafting a constitution—and then, with all the earnestness of seventeen, listing her many accomplishments.

I don’t remember a single sentence I wrote in that nomination, only that it won her the recognition we all thought she deserved. What I do remember is the aftermath: her picture in the newspaper, and maybe even a spot on a live radio interview, sharing her reaction:

“I’m just flabbergasted.”

Down through the years, I often found myself wondering how my Mother felt about my nominating Mrs. Harris instead of her. If she carried even a flicker of disappointment, she never showed it. And why would she? For all I know, she may have planted the idea in my head in the first place, speaking of Mrs. Harris with admiration the way she always did.

Years later, my parents came to live with me in DC after my dad suffered a stroke and needed more care than my Mother could manage alone. Audrey and I worked out a plan: summers in their own home, with her nearby to help; winters with me in DC. It was during those ten years that I found myself with a chance to do what I hadn’t done back in high school–nominate my own Mother for recognition as the remarkable woman she was.

The details of my Mother’s nomination are as vague in my memory as Mrs. Harris’s. I am fairly certain it was 1982—the year my parents celebrated their 50th wedding anniversary—and that DC’s “beautiful music station,” WGAY (99.5), sponsored the “Mother-of-the-Month” recognition. I nominated her by focusing on her long marriage to my dad, their six children, and the challenges she faced as an aging woman caring for her invalid husband, ten years her senior. Even though they lived with me, she was the caregiver during the day, and she carried the worry with her to bed at night. That, I believed, made her worthy of being honored.

I had been notified the day before that she had won, and that the radio host would call her live between 7:15 and 7:30 the next morning. I delayed leaving for work until the call came, turning on the radio to listen. The host told her about the award, and she responded in her plain, honest way:

“I am just flabbergasted.”

And here I am, decades later, unsettled by the blur of my memories of the honors given my Mother and Mrs. Harris. I wanted the details to come alive again here, to loom as large now as they did then. So, I went looking for the scoops that might have been reported in the newspapers.

I looked and looked again, but I found no newspaper coverage of my Mother being honored as “Mother of the Month.” That’s fine. My Mother doesn’t need to live in print—she lives on in me. Besides, I know the details by heart. I listened as she heard the radio broadcaster announce her status for all the listening world to hear. The radio station hosted a dinner for her. I pinned their orchid corsage to her dress, drove the two of us to the restaurant, and sat across the table from her.

We dined at The Monocle, seated at one of its linen-draped tables where the Capitol dome seemed near enough to touch. The restaurant buzzed with the voices of staffers and senators, but none of that mattered to me. What mattered was not the food or the setting, but the way she sat taller than usual, radiant with the glow of being truly seen.

I don’t remember the menu. I don’t remember what we ate or drank. What I do remember is my Mother spotlighted there, savoring a moment that was hers alone. She wasn’t the caregiver or the dutiful wife and mother that night. She was the honored radio station guest, my celebrated Mother, and I was lucky enough to be her escort.

I fared better in my search for Mrs. Harris’s recognition. I landed on the newspaper article itself, published in the Beckley Post-Herald on April 15, 1965. I was mistaken about nominating her for Mother of the Year, yet the headline showed I wasn’t far off:

“Shady Spring Woman Is ‘Mrs. Homemaker’”

“Mrs. Homemaker of 1964 and 1965 is the title which was bestowed on Mrs. Worthy Harris of Shady Spring on Saturday afternoon at the annual Home and Sport Show sponsored by Beckley Jaycees.”

It’s a long, long article, taking up nearly a quarter of a page and featuring a full-length photograph of Mrs. Harris holding a silver platter, one of her many gifts, along with a litany of her many talents that left me nodding in remembrance:

“An active member of White Oak Baptist Church, Mrs. Harris teaches crafts such as quilting, copper and leather tooling, refinishing furniture, cooking, canning, silk screening, lamp making, teaches home demonstration club classes, judges community fairs, and does upholstering as a hobby.”

As I continued reading, I realized that I was wrong about something else, too, so wrong that I was beyond flabbergasted:

“In her letter Mrs. [Audrey] Bateman stated, ‘Variety is the spice of life, and truly Mrs. Harris can attribute her zest to living to her many activities which center around her home and community. Her most admirable quality is that she always has time for God, her family, and friends.’”

I read the paragraph three times. Even then, I could only mutter to myself:

“Impossible!”

Surely, I was the one who wrote the nomination—I’d always been the family wordsmith, and the memory still lingers.

It was then that I called Audrey. Surely, she would know. She recalled Mrs. Harris’ recognition, but she was adamant that she had not written that letter, echoing the same sentiment that I had worried about down through the years:

“I wouldn’t dare have written that letter and slighted my own mother.”

Who knows. Maybe I wrote it for her to sign.

The truth lies somewhere in the mix—me, Audrey, and my Mother. All the careful lines blur, all the edges soften, until what’s left is simply presence—fluid, unguarded, and enough.

But now, sixty years after Mrs. Harris’s well-deserved recognition, I suspect it was my Mother herself who lined things up. I’m sure she never dreamt that one day I’d be celebrating her grace—while also celebrating a mother, not my own.





Tell Them Who I Am

“Who do you say that I am?”

Jesus, Matthew 16:15

The knock at the door was as gentle as any I had ever heard before, yet it frightened me with its persistence. After all, it was the middle of the night, and I rarely have visitors here on my mountain, and when I do, I anticipate their arrival and meet them in the walkway.

After a while, my curiosity overcame my fear. I went to the kitchen door and opened it. There, not on all fours, but standing as upright and erect as any human I had ever seen was my dog Hazel.

Lit by the spill of the floodlights—like some mythic creature caught mid-transformation—Hazel looked less like a pet and more like a story I hadn’t yet written: fifty-nine pounds of sinewy poise, all confidence and oversized paws planted with purpose. Her coat shimmered with its reddish golden shades of ember and mischief—Husky in spirit, Shepherd in legacy, and wholly herself.

Her tail curled tight; her head slightly tilted—alert, noble, a whisper of the wild. Her ears twitched once as if tuning in to something I would never hear. And her eyes? They saw, as if piercing through the darkness that found me standing there.

She wasn’t waiting. She was watching. And in that moment, so was I—awed by her stillness, her strength, and a quiet reminder of something I had yet to remember.

And, as naturally as anything you would never expect a dog to say, she looked at me:

“I’m just a monkey. I’m a howler.”

Then I awakened. Amused. Grinning. Lying there in bed. Musing. Hazel. Fifteen years of fierce love, muddy pawprints, and conversations that needed no translation, except in dreams.

As I lay there, I realized the dream’s significance. In a way, it was the oldest kind of magic: a name spoken often comes true.

For years and years and years, Hazel’s bark reminded me of a monkey. Not just any monkey—a howler. One of those wild-voiced beings that belt their souls into the sky from treetop pulpits at dawn. Her bark had that same deep, echoing wildness—less a request than a proclamation.

Some dogs bark. Hazel declared.

And so it came to be. I would say to her over and over again:

“You’re just a monkey! You’re a howler.”

She didn’t seem offended. If anything, I think she took it as a compliment. Obviously, Hazel was not a monkey, nor could she become one. Except in my dream.

But here’s the thing:

She became what I had named her.

And that truth deserves repeating:

She became what I had named her.

That dream set me to thinking long and hard about what it means to name.

To Name.

I started wondering when the phrase was first used and in what context. And if you know me as I know you do, you know that I headed off to the Oxford English Dictionary (OED) where I discovered that it was first used in Old English:

“[Hælend] gefregn hine huætd ðe tonoma is? & cuæð to him here tonoma me is, forðon monig we sindon” (Lindisfarne Gospels Mark v. 9).

Right! That doesn’t look like English to you either, does it? Let’s look at the translation.

“[The Savior] asked him, ‘What is your name?’ And he said to him, ‘My name is Legion, for we are many.'”

It’s a well-known moment in the Gospels—Jesus (the Hælend) encountering a man possessed by demons. The phrase “My name is Legion, for we are many” comes from Mark 5:9 (and Luke 8:30), rendered above in Old English.

This is an incredible example of what happens when we name something. The name Legion does far more than identify. It reveals nature, condition, and moral alignment. When Jesus asks for a name, he isn’t just asking for a label—he’s uncloaking the essence of what possesses the man.

Did you catch that? A name reveals essence.

And I ask you–right here, right now, as I am about to do–to start thinking about names swirling around in your head. Maybe the names associated with you: the names that others call you.

As you reflect, let me share with you the significance of the names swirling around in my head.

The Names that Others Called Me.

The first that I remember was not my given name—Brentford Lee. Rather, it was Little Mister Sunshine. My mother gave me that name because—as she loved to tell others, including me–I was born smiling and radiating happiness. Now, 77 years later? Others say that I’m still smiling. Still radiating happiness.

Clearly, my mother saw the essence of who I am and named it.

Or how’s this? My siblings, for as far back as I can remember, had another way of naming me. They always called me different.

“You don’t look like us.

“You don’t talk like us.

“You don’t walk like us.

“You’re different.

Truth be told, I was different, and I knew it. Ironically and for my own well-being, when they called me different, I leaned into it as compliment rather than condemnation.

It didn’t take me long, however, until I came to feel and understand the word they weren’t naming, the word that others, later, named. Queer. Either way–and even though I continued to see myself as special, a way of looking at myself that would stay with me for a lifetime, even now–it was a label of not quite, a soft-spoken exile and an unspoken ache.

Clearly, my siblings and others saw my essence—and named it.

And I ask you—right here, right now, as I am about to do—to think about the names you’ve claimed for yourself. Not the ones others gave you. The ones you whispered into being.
The ones that changed how you stood in the world.

As you reflect, let me share with you the significance of the names swirling around in my head.

The Names that I Called Myself.

The first that I remember was when I was in the third grade. Professor. Can you imagine anything more outlandish than that coming from a coal-camp kid in a town with not one professor? I have no idea where I had heard the word or came to know it. But I knew that in order to be a professor–in order to teach in a college or university—I would have to earn the highest degree conferred in my field. I picked English because I believed—no, I knew—that words mattered. Yes, words could wound. I had learned firsthand how they could cut to the soul. But I also knew something else. Words could heal. Words could save. Words could give wings.

I earned my Ph.D. in literature. I became a college professor—”full” no less. And when students called me Dr. Kendrick at the institutions where I taught–the University of South Carolina, the Library of Congress, and Laurel Ridge Community College–in deference to my degree, I always suggested Professor in deference to the earliest name I called myself–the name that captured my essence.

More recently, I call myself Reinventor. I came up with that name at the start of 2023–after my 23-year career at Laurel Ridge. Most folks retire. Not me. I’ve never liked the word—because right there in the middle of retired is tired. Trust me. I ain’t no ways tired. I have more books to write–far more than the five I’ve already published since 2023. I have more life to live than the one I’ve lived. I have more love to give than the love I’ve given. My colleagues and friends may call themselves retired—and that’s fine. But me? I’ll keep saying I’m a reinventor. It’s not just who I am now. It’s who I’m still becoming.

These days, I call myself Writer. I’ve always been one—researching, digging, unraveling stories. But since reinventing myself, being a writer has taken on a new, truer shape. I write in bed every night, publish my blog posts every Monday morning, and every year, I bring forth a new book of creative nonfiction essays, stories that bear my name and my soul.

I’ve branched out, too—seeing through to publication my Unmasking The Humourist: Alexander Gordon’s Lost Essays of Colonial Charleston, South Carolina and immersing myself a two-volume biography of Mary E. Wilkins Freeman, a labor of love and legacy.

Yes, right now, the name I call myself is Writer. It captures the essence of who I am—
what I do, what I am becoming, and who I cannot stop being.

As we continue reflecting on the power of names, I ask you—right here, right now, as I am about to do—to think about names that wound others, perhaps forever or perhaps giving them a transformative moment to heal.

The Names that Wound or Heal.

The first that comes to mind is a word in Countee Cullen’s “Incident.” It’s painful—inflicted on an innocent child, standing at the edge of razzle-dazzle wonder.

Once riding in old Baltimore,
Heart-filled, head-filled with glee,
I saw a Baltimorean
Keep looking straight at me.

Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue and called me, “Nigger.”

I saw the whole of Baltimore
From May until December:
Of all the things that happened there
That’s all that I remember.

What the speaker in the poem remembers being called Nigger. One word. It shattered an eight-year-old’s heart—and likely left a lifetime crack.

It’s haunting—how a single word, spoken with cruelty, can eclipse everything else.

I’ve known that kind of eclipse, too. Different. Queer. Faggot. Fag. Words I never asked for—words that crawled in and clung, no matter how often I repeated what my mother had taught me:

“Sticks and stones may break my bones, but words can never hurt me.”

Of course, they hurt, but I rose above the pain, smoothing over my soul like a balm the names that lifted me—Little Mister Sunshine, and the one I whispered in those early, tender years—Professor. But here’s the strange and saving truth: I didn’t start to heal until I explicitly named the sexual dimension of myself. Ironically, I had to declare it publicly before I could begin to claim the healing I didn’t yet realize I needed. I had to say gay—not in a whisper, not in code, but openly. Aloud. Loud. In front of the world.

Gay.

Only then could I begin to gather all the pieces I’d hidden away. The softness. The brilliance. The full shape of who I was—who I had always been. One word. My word. Spoken not with shame, but with quiet certainty. And for the first time, I didn’t flinch. I stood. Proud. With that naming, I finally gave myself permission to shine—fully and fiercely, without apology.

I have one more request–one more “ask” of you–as we grapple with what might just be the most powerful part of naming. I ask you—right here, right now, as I am about to do—what are the names we whisper when we reach for meaning? The names we murmur in awe, in need, in love? The names we give the force that calls us?

The Names We Call the Force that Calls.

Whenever I think that thought–and the older I get, the more often I think it–I recall Bill Gaither’s interview with acclaimed Gospel singer Jessy Dixon–one of my favorites. Gaither was bold and direct as the interview neared its end:

“When your time comes—as it will surely come for each of us—what do you want people to remember about you?”

After a soft pause, the answer came with quiet certainty:

“Tell them I am redeemed.”

In those five words, Jessy Dixon named–and claimed–the essence of his destiny.

Redeemed.

I can’t help but wonder: what name rises up in you when you reach for meaning? God? Creator? Oversoul? Spirit? Light? Love? Source? Mystery?

And in my wonder, I’m mindful that names like those are what we call the ungraspable—the presence that nudges us forward, the light that finds us when we didn’t even know we were lost. We reach for names when we reach for meaning. And whatever we call it—it calls us, too.

Whatever name you use, My Dear Reader
whoever you are, wherever you are:

Say it loud and clear.

Speak it like it matters—
because it does.

Speak it like it carries
the full weight of your becoming—
because it does.

Let the world see
the essence of who you are.

Name it—
knowing that names have power.

Remember: you are enough—
not despite all the names you carry,
but because of them.

You are every name you’ve claimed
and every name you have yet to whisper into being.

And when the time comes—
I hope you’ll speak your name
as boldly as I speak mine.

Let others know:
their names can never hurt you.

But your name?
It roots you deep
in everything that matters—
your truth, your becoming, your essence.

Tell them, one and all, once and for all:

“This is who I am.”

We’re Early. We’re Epic. We’re Enough.

“Write like it matters. Someone’s listening. And chances are, they’ve been waiting.”

Brent L. Kendrick (b. 1947). Essayist, Scholar, Reinventor (Naturally Wired to Talk), AND THEWIREDRESEARCHER.

Historians, sit up and take note. This blog just crossed the 10,000-view mark today—August 4, 2025, at precisely 08:16:07.389 a.m. Eastern Daylight Time (Verified by a suspiciously eager blogger with coffee in hand and Ruby—Chief Pawblicity Officer—standing witness.)

And get this. That number’s just for this calendar year, in case anyone’s counting.

Yes: I am. Yes: I saw it coming. And yes, I was watching and waiting.

I had expected this moment to arrive in September, just like it did last year. But clearly, you—My Dear Readers—were in a bit more of a hurry.

You showed up early. Often. With curiosity, kindness, and that quiet little click that says, “I’m listening.” And now, here we are: 10,000 views and counting. Ahead of schedule. Full of heart. Grateful doesn’t begin to cover it.

Truth is, I didn’t start this year with a plan. There was no map, no mileage goal, no neon sign blinking “10K or bust.” I just kept writing. I just kept sharing what was real, what was tender, what made me laugh or ache or marvel. And somewhere along the way, you found me. Or I found you. Or maybe we found each other.

You read about AIDS and parades. You wandered with me through bubble baths and memories.
You let me be silly, serious, sulky, and soft. And somehow, together, we made it here.

So let’s mark the moment—not with fireworks, but with this:

“Gratitude turns what we have into enough.”

– Aesop

You’ve made that true in the most beautiful way. Your time, your clicks, your messages—every one of them matters.

In case you missed them—or want to revisit a favorite—here’s a Sourdough Baker’s Dozen of standout posts from this year. These are the ones that rose, proofed, and stuck to the ribs (and hearts) of readers everywhere.

From playful to poignant, philosophical to flour-dusted, and yes—sprinkled with the sweet surprise of love at any age (especially the kind that shows up, steadfast, soul-paired, with sights set on the homestretch)—they helped carry us here—one click at a time: clickety, clickety, click.

✤ ❋ ✤ ✤ ❋ ✤ ✤ ❋ ✤

Redbuds of Remembrance.
● David and his fellow Interns proved themselves to be a class beyond measure. Where many people spoke of separation, the Interns spoke of inclusion. Where many people chose to remain socially ignorant, the Interns chose to embrace information as power. Where many people practiced discrimination, the Interns practiced acceptance.

A Forgotten Voice, A Living Legacy.
● Now, after years of refining my research, the book I’ve long envisioned is finally becoming a reality. Unmasking The HumouristAlexander Gordon’s Lost Essays of Colonial CharlestonSouth Carolina. It’s a definitive edition that not only reveals The Humourist’s true identity but also presents his essays in full, with critical commentary, historical context, and meticulous annotations. This is not just a rediscovery; it is a restoration of one of the most significant but overlooked literary voices of Colonial America.

Rise Up with Words.
● In times like these, when every nerve and muscle of our being is tested, we can turn to the famous words of history—words spoken or written in moments that felt just as dark as these—and draw strength from their resonance.

My Altar Ego.
● I confess one more thing. Doing this being thingy that I’m supposed to be doing ain’t easy. But what’s a mountain man to do when he be soakin’ in a tub?

The Rust Whisperer.
● Despite all the times down through the years when I wished to be older so that I could experience sooner all the things that I would experience later on at the appointed time, I could do little more than wish and dream.

A Week Back to the Future.
● In all of those ways, I saw in her life pieces of my own future. But when Arlene “went away,” she left behind one piece that might have had an impact on me—equal to if not greater than—the other pieces of my future that she brought back home with every visit. Her Remington Rand typewriter in a gray box lined with green felt.

What Could $40 Million Mean?
● History saw June 14, 2025, for what it wasa flag-wrapped, reality-show distraction from the real work of freedom. We chose to posture for the world—while the world watched a nation that can’t feed its children waste millions playing dress-up with its military. It wasn’t patriotism. It was performance.

Finding Love Later in Life.
● For now, I just can’t help myself. I’m in a Do-Wah-Diddy-Diddy place in my life—hopeful, open, humming along. And why not? Love has found its way to others, even when it seemed unlikely. I am confident that my prince will come.

A Culinary Heist in Plain Sight.
● Stealing a recipe is like stealing a kiss—do it boldly, do it well, and for heaven’s sake, make sure it leaves them wanting more.

Learning to Love in a New Way.
● So, dare Gary and I clue you in on what two old dogs are learning about love—maybe better than most, certainly better than our younger selves ever did? Do you really want to know the bottom line? Alrighteez, tighty-whities. If you insist. Lean in and listen carefully.

The Route Home.
● What if we followed the map toward health, education, careers, relationships, aging, and faith—not perfectly, but faithfully? What if, when we made a wrong turn, we heard a calm voice say: Don’t worry. Recalculating. What if we believed it?

Right Now, I Still Believe in Heart-Ons.
● My mishearing gave me cover. And somehow, the laughter that followed—laughter I didn’t understand either—wrapped around me like a protective cloak. My greenness did something extraordinary. It saved me.

Co-Scripting the Postscript.
● Frank is dead, yet he liveth. I have proof. Well, it’s proof enough to satisfy me. I’ll share it with you so you can decide for yourself, as we all must do in the end.

✤ ❋ ✤ ✤ ❋ ✤ ✤ ❋ ✤

No countdown this time.
No waiting.
No watching.

Just wonder.

We’re early.
We’re epic.
We’re enough.