What We Tend


Dedicated to Gary — I see without looking.


The rake lay across the heart, as if it were Cupid’s arrow. Beads of water gathered on the thermos, upright on the nearby stone bench, right beside St. Francis of Assisi. Leather gloves and pruning shears bore witness to a gardener. Gary.

I couldn’t see him, but I knew he couldn’t be far away because his seafoam, floppy hat was not on the bench with his other things.

I knew what he was up to.

The time had come for him to do what I had done down through the years since I built the garden, filling it in with tons of tan pea gravel and surrounding it with a hedge of Little Missy boxwood.

Early on, the labor of weeding was easy. The pea gravel kept unwanted growth under control and beneath the surface. But over time the Angelina Sedum, filling the two circles in the heart’s upper lobes and surrounding the Magnolia in the lower cusp’s circle, died out but not before leaping over the rings that held them. Small chartreuse-yellow clusters softened the heart but lessened its definition.

Gary, my partner—the man who now shares this mountain life me—was doing more than weeding. He had already restored the flagstone pathway leading from heart to home and back again. Now he was planting healing Ajuga that will settle in and stay within the upper rings, eventually sending up purple spikes. Now he was cleaning, making everything as pristine as the day I finished my handiwork. I sat down on the bench, surveyed the slope, and sighed,

“Well done.”

I never had any intention of building the heart garden. My late partner Allen and I had tamed our mountaintop wilderness with so many paradisiacal garden beds that we had declared a moratorium:

“No more.”

But when Allen died and I reflected on where I would scatter his ashes, as mutually agreed upon, I could not for the life of me decide upon the right spot.

We had talked about resting places on our mountaintop, usually settling on the peony garden. Once, even, Allen suggested the Koi Pond would be perfect, but amid laughter, we both exclaimed:

“Oh, no! What happens when the pond filters get cleaned.”

Then, a few months after his death, he came to me in a dream, his voice carrying into my awakening and lingering there:

“Build my heart.”

I knew where. Near the house, at road’s edge—an untamed area we thought about gardening if we ever gave our moratorium a reprieve.

I had no idea how, but I figured a little math and lots of heart would make it happen.

And it did. I marked off an area twenty feet wide and thirty feet deep, sketched a heart with a black water hose, freed the earth of weeds, and blanketed it with pea gravel running deep. For Allen’s celebration of life, I surrounded the heart with SunPatiens, alternating red and white with tears and rain. I bought a wooden Zen rake, perfect for committing Allen’s ashes to the gravel, leaving tracings that mirrored the heart’s design, growing smaller and smaller as the center neared. Later, I planted the boxwood hedge.

Thus, the heart’s beginning.

Time has been kind. But still, the heart needs Gary’s loving care and tenderness. It rests within the landscape, its presence a part of forever.

The morning after Gary finished, we decided to amble down the path, pristinely cleaned and gently curved, with the heart in clear view.

“You go ahead. I’ll be there shortly.”

“No. I’ll wait. For you.”

It was peaceful and inviting.

We talked a little less than usual, as the morning chill quickened us and a Northern Cardinal in the treetops above whistled out its own litany of little questions.

“I want your ashes to be happy here.”

They will.

And when Gary’s time comes, I’ll board the train, his weight on my lap, my hands on the box, making his final journey to Minnesota where his story began.

Two Ways to Plant Boxwoods

We were just boxwoods until someone believed we could be part of something beautiful.”

–— Anonymous. Possibly the shy one in the corner.

Ten pots of Buxus Microphylla, or, as I prefer saying in plain English, Little Missy boxwoods—five per row, glossy green and neatly packed—sit patiently in the open bed of an Army Green Jeep Gladiator. It’s the last Saturday in March, early morning, overcast, but already brushing up against seventy degrees. The air hums with quiet possibility. The gravel drive crunches underfoot, the hills beyond still bare-limbed and watching. The day is waiting, hopeful. So are the boxwoods—waiting, hopeful, wondering—ready to take root in the earth but not yet knowing where.

One other player in this little drama unfolding before us is waiting–hopeful and wondering, too. That would be me. It’s been two weeks since I bought the boxwoods and asked Woodstock Gardens to hold them for me. I had been eyeing the weather forecast, and when I saw that Saturday’s temp would soar to 83°, I knew that the time had arrived for me and the Little Missy boxwoods to perform.

I knew where I wanted to plant them: along a stepped, stone pathway with a wide expanse of gardening space reaching out to the rock wall above that defines the walkway to my kitchen. Down through the years, lots of perennials have flourished there, mainly hardy bananas and lilies. But this past winter, I decided that small, evergreen patches would soften the stones and brighten the landscape year-round.

I expected putting in the Little Missy boxwoods to be straightforward. Position in place. Dig the holes. Tease the tangled root balls. Cover with topsoil. Water. Mulch. Those expectations defined my day, making me confident that I would move on to reclaiming the peony bed in the lower yard by early afternoon.

And so it would have been, I suspect, had I not decided to adjust a rock here and there with an eye toward little more than leveling them as they once were. I knew from the start that leveling one rock would lead to three to five and on and on. But what I didn’t expect was that the rocks would become my focus—not as a distraction from planting, but as a quiet joy, inviting me to sit and let them show me where they wanted to be. As I moved the rocks, the soil spoke to a past that I had created down through the years, with a fierce determination to turn mountain clay into fertile loam.

And there I sat with nowhere that I had to go and with nothing that I had to do other than sit right there, centered in nothing yet in everything.

I glanced at my Fitbit and realized that I would be a 1pm peony-bed no-show. But that didn’t matter. I had spaced my boxwoods exactly where I wanted them to begin with, but now they were framed by rocks whose voice I had heeded. I knew in that moment that this is the way to plant boxwoods.

I could brush this aside just as readily as I cradled the soil carefully around each boxwood.

But I won’t—because this wasn’t just a moment in the garden. It was a quiet revelation.

The stillness of that moment—just me, the rocks, the soil, and the Little Missy boxwoods—stirred something I hadn’t expected. It reminded me of another time I resisted the urge to rush. A time when I could have taken the more efficient path, but chose instead the one that felt truer, even if slower.

Years ago, colleagues and friends encouraged me to publish a selected edition of letters by Mary E. Wilkins Freeman. “It’ll be faster,” they said. “Get it out there. Choose the best, the most representative.” But I couldn’t. I didn’t want to curate a highlight reel. I wanted to listen to her whole voice—every quiet, overlooked, handwritten and typed syllable of it. “If not me, who? If not now, when?”–I mused.

And so, I kept going. Year after year. Archives and attics. Libraries and ledgers. It took a decade, but in the end, The Infant Sphinx: Collected Letters of Mary E. Wilkins Freeman bore an honest title and held honest content. Collected. 585 letters. All. No stone unturned.

What mattered as much as the scholarship was the joy of the journey. The small discoveries. The forgotten details. The moments when her voice, long quiet, seemed to rise again from the page, breathing life into a history nearly lost. Just like those rocks, just like that soil—I had to be still, to listen, to let her show me where she wanted to be.

Years later, my students came along. In my online classes, I interacted with each class as a whole, and with each student as they turned in their work. But I always made it a point to reach out to students who didn’t submit an assignment or who seemed to be slipping away. My messages weren’t elaborate—just a quick, casual “checking in with you.” I never knew where those simple interventions might lead.

More than once, a student replied to say they were struggling—juggling work, family, illness, or grief—and that my short note had stopped them from dropping the course altogether. From giving up.

Those became some of my most memorable teaching moments. I hadn’t said anything profound. I had simply shown up. And somehow, I had rolled away a small stone of darkness and doubt so that a student could glimpse light—and maybe even hope.

In each of these moments, I was doing what didn’t have to be done. No one would have faulted me for skipping a few rocks, publishing a selection of letters, or letting a silent student drift away. But something in me paused. Listened. Chose the slower path. Not because I had to—but because I could. If not me, who? If not now, when?

Maybe that’s the deeper truth. Not every action we take has to change the world. But every time we pause and ask If not me, who? If not now, when?—when we do the thing that doesn’t have to be done—we create the conditions where light can get in. Where roots can reach deeper. Where someone, or something, can grow.

It could be something as simple as picking up the phone to call someone who’s been on your mind. Or checking in on a neighbor whose curtains haven’t opened in days. It might be stopping to thank the cashier who’s clearly having a rough shift. Or finally taking the time to write that note of encouragement, apology, or love.

It could mean speaking up when a voice needs backing. Or standing back to let someone else shine. It might be mentoring a colleague, even when your plate is full. Or walking away from a quick fix to do something the right way, even if no one will notice.

It could be choosing kindness when sarcasm’s easier. Planting hope where cynicism wants to take root. Offering presence when no solution is in sight.

These aren’t dramatic acts. They’re just pauses. Moments when we choose to show up with care. To ask ourselves, If not me, who? If not now, when? And then to listen for the answer.

It’s not about doing more. It’s about doing what matters. Trusting that presence—not perfection—is what carries us forward. And knowing that when we show up, even quietly, the outcome will almost always be better, more beautiful, and far more rewarding.